Summary:

Dr. Robert Weiss passes through the town of Sankt Vero in the Tirol and rents a room from the Lukasser family. During the night, the Lukasser's son, Niki, develops acute appendicitis; the visiting doctor operates right there on the kitchen table, saving the boy's life. Years later, when war rages in Europe, the Jewish doctor returns to Sankt Vero and knocks on the Lukasser's door. He tells of soldiers forcing men, women, and children into railroad cars, and how he himself--he who had saved Niki years before--needs asylum.

To hide Dr. Weiss, Mr. Lukasser boards him up in a small room in the back of the hayloft, a space one meter wide and three meters high. For two years, the doctor exists in this box. Niki and his friend, a blind girl named Sigi, bring Dr. Weiss food once a day and, for ten minutes or so, they stay and talk. Sustained by Niki and Sigi's lives--the stories of their discoveries of sexuality, cruelty, and love--the doctor survives.

Although Sigi is blind, she has the insight to recognize and try to alleviate the doctor's growing depression by encouraging him to tell his own stories. It is through these stories and through the doctor's observation of Sigi and Niki's blossoming adolescence and struggles with morality that we experience both the doctor's confinement and the powerful conflicts and transformations that rage behind the doors of Sankt Vero.

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Edgar Drake, a forty-one-year-old English piano tuner, accepts a commission from the 1886 British War Office to tune an Erard grand piano located in a colonial military outpost in Mae Lwin commanded by Surgeon-Major Anthony Carroll. Edgar leaves the squalor, fog and drizzle of London, as well as his middle class life and his wife Katherine, childless for eighteen years, for a journey by boat, train, carriage and horse to the exotic, intoxicating beauty of Burma.

En route, Edgar is surrounded by stories--a tale by the deaf Man With One Story, rumors about the legendary, eccentric Carroll's peace-making with the local Shan via music and cultural exchange, and socio-historical treatises about the Burmese, internecine wars, and British imperialism. The journey becomes a search for the meaning of home and purpose in Edgar's life. It is an adventure far beyond his prior imaginings and dreams.

The clash of cultures, British and Burmese, civilian and military, wealthy and poor, rule-bound and individualistic, is explored throughout the text. For example, a tiger hunt led by several British officials ends in disaster. Edgar meets Burmese culture on both grand and personal scales: street theatre; appealing, poverty-stricken children; the garb and cosmetics of various tribes; and, ultimately, the allure of Khin Myo, an educated Burmese woman who guides him to Mae Lwin and Carroll.

Carroll, a renaissance physician with a Victorian fervor for botanical and medicinal classifications and investigations, asks Edgar to assist him in his clinic. Common infectious diseases are diagnosed and treated by this forward-thinking physician, and he also performs finger amputations on the mangled hand of a boy without benefit of anesthetic. Other maladies are treated with local remedies and prayer. Meanwhile the delirium of malarial fever descends on Edgar.

Edgar does finally meet and treat the ailing, badly out-of-tune Erard piano. Edgar's expertise is required--his aural excellence and perfect pitch, his delicate yet callused hands, and his willingness to be innovative in the repair of a bullet hole. But what Edgar cannot be prepared for--intrigue and deceptions, fascination with the lush beauty of Burma, and his own shifting priorities and secret longings--is ultimately what sets his fate.

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This historical novel tells two biographical stories side by side and then brings them together in an unexpected way late in the book. Arthur is Sir Arthur Conan Doyle, physician and writer, known especially for his Sherlock Holmes stories. His story starts with his childhood in Edinburgh and his closeness to his mother (Mam). His father is described as a gentle failure of a man.

After an early education by Jesuits in England and Austria Doyle studied medicine at Edinburgh University. After graduation he worked as a Locum-tenens, went to sea and eventually started a general practice in Southsea, England. He first became interested in Spiritualism at that time and was also writing stories. Sherlock Holmes provided him with sudden fame and he withdrew from practice, which had not been very successful.

His wife developed tuberculosis and was chronically ill for many years before her death, during which time he met and became emotionally involved with Jean Leckie who became his second wife and shared his belief in Spiritualism.

The second story is about George Edalji, the half-Indian son of a midlands vicar, who became a lawyer and was prey to a series of pranks and false accusations. He was falsely imprisoned and the two men meet when Arthur offered to try to help George seek retribution for this unjust event. Arthur's approach to the problem was "sherlockovian" but also real and at least partially successful. The interaction is fascinating as are the very different life stories of the two men and their families-real family drama.

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Gulliver's Travels consists of four voyages, each of which involves Gulliver ending up on a distant shore where he encounters its strange and wonderful inhabitants. The first voyage finds Gulliver stranded on Lilliput after a shipwreck. Here, he is neatly captured by the famous Lilliputians, "human Creature[s] not six inches high" (5). Gulliver is a source of fear and awe to them, and participates somewhat helpfully in the Lilliputian war against Blefuscu, a lengthy conflict that has arisen between the big-enders and little-enders (depending upon which side of a boiled egg one must crack in order to eat it). Court intrigue and resentments, including the accusation of adultery with a Lilliputian, soon require of him that he escape an assassination attempt.

He returns to England, only to set off again on another voyage. A storm, a longboat journey to fetch water, and abandonment by a terrified crew, leaves him in Brobdingnag where he is captured by giants "as Tall as an ordinary Spire-steeple." (65). Gulliver becomes something of a pet, amusing and entertaining the Brobdingnagians with his exploits and size, competing with the royal dwarf and endearing himself to these massive people. While in transit to the Frontiers, a giant eagle captures him in his travel-box (imagine a carrier with holes punctured in the top to transport a small pet) and drops him into the ocean, where he is rescued by more familiarly-sized humans.

The third voyage finds Gulliver captaining a ship until conquered by pirates, who set him off on a longboat, where he makes his way to Laputa, Balnibari, Glubbdubdrib, Luggnagg and Japan. He encounters the flying island of Laputa, the never-dying Struldbrugs (who nevertheless age and become decrepit), and the Academy of Lagado, with its - to use modern vernacular - "fringe scientists". After returning to England by way of Japan, and somehow still restless, he commences a fourth voyage, again as a captain but this time a mutinous crew abandons him in the Land of the Houyhnhnms, populated by the rational race of horses and the putrid yahoos.

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Pym’s novels depict ordinary life among middle class Englishmen and women with compassion, humor, and irony. The quartet denoted in this title consists of two men and two women in their sixties, the autumn of their lives. These characters hold menial jobs at the same office in London during the nineteen-seventies; two live in rented rooms, and two own their own small houses. Pym’s opening chapter catches them going to the library, because it is free. She clues us in to their personalities by describing their hair: Edwin’s hair is “thin, graying and bald on top”; Norman’s hair is “difficult”, as he is; Letty wears her faded brown hair too long and soft and wispy. Marcia’s hair is “short, stiff, lifeless” and home dyed. (1-2)

Only Letty visits the library because she likes to read; the others take advantage of the shelter it offers. Edwin frequents the local churches when there are masses or holiday celebrations with sherry and perhaps free food. Pym depicts their office routines, conversations, and uneventful lives. When Letty and Marcia retire, the (acting) deputy assistant director wonders what they have done during their working life: ”The activities of their department seemed to be shrouded in mystery – something to do with records or filing, it was thought, nobody knew for certain, but it was evidently ‘women’s work’, the kind of thing that could easily be replaced by a computer.” (101)

Letty moves in with another woman, and Marcia, alone in her house, wears her old clothes and forgets to eat. She resists the well-meaning social worker knocking on her door. Letty begins thinking of her failures: she did not marry, and she has no children or grandchildren. After some time, Edwin arranges a reunion at a restaurant; Letty tries to be upbeat: ”She must never give the slightest hint of loneliness or boredom, the sense of time hanging heavy.” (134) Marcia complains about the social worker and brags about her “major operation”, a mastectomy. She takes the bus to her surgeon’s, Mr. Strong’s, house to spy on him, and her encounters with him are her happiest moments. After Marcia’s decline into dementia and lonely death, the three office mates meet at her house, which Marcia has willed to Norman. Here they divide up the contents of her cupboards: the tins of sardines, butter beans, and macaroni cheese. They find an unopened bottle of sherry and toast each other as they remember their deceased friend.

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The young and beautiful Beatrice Cenci (1577-1599) is kept with her stepmother, Lucretia, in appalling isolation and darkness in a forbidding castle by her cruel father, Francesco, whose enormous debts and misdeeds make him unable as well as unwilling to support his offspring. He wants to keep Beatrice from marrying to avoid paying a dowry.

He suffers from a horrifying skin disease, possibly syphilis, that covers his lower body in itchy painful sores. He requires Beatrice to rub him nightly with a rough towel, and he is careless to the point of exhibitionism about his sexual and eliminatory functions.

Beatrice decides that he must be killed if her lot is to improve. She begins an affair with Olimpio the married seneschal of the castle—giving herself to obtain his allegiance; soon she is pregnant. She appeals to her brother in Rome for help. He sends poison, but Beatrice cannot use it, because Cenci has her sample all his food and drink.

Angry and impatient with her situation and fearing her father’s wrath when he discovers the affair with an underling, she insists that Olimpio kill Francesco immediately. With the help of the peasant, Marzio, Olimpio smashes the sleeping man’s skull with a hammer and together they stuff his body through a hole in the balcony to make the crime look like an accident.

Suspicions about the death are raised almost within the moment of its discovery because of the wounds on the body, blood in the bedchamber, and the apparent lack of grief in the family. Time passes. Beatrice and Lucretia go back to the family mansion in Rome. Olimpio leaves his own wife to be with Beatrice, and he blackmails the Cenci family into treating him as an equal. Her brother, Giacomo, barely tolerates him.

Beatrice gives birth and the child is handed to the nuns for care. Eventually charges are laid and confessions are extracted by torture on the wheel. Marzio dies in prison of his wounds. Olimpio roams freely but is himself murdered for a ransom.

The lawyer for the defense argued that the father’s sexual abuse of Beatrice was a mitigating circumstance, but he failed to convince the court. Beatrice is beheaded along with her stepmother, while her brother is tortured, drawn and quartered. Because the killig of a parent is the most odious of crimes, the executions are staged as a public spectacle in front of Hadrian’s tomb. Beatrice’s corpse is escorted by a vast crowd to its final resting place near the altar of San Pietro Montorio by Rome’s Gianicolo garden.

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The world as everyone knew it ended years earlier when "the clocks stopped at 1:17" [p 45] and power was lost. Not many people are still alive. The landscape is charred and hostile with "cauterized terrain" [p 12], "ashen scabland" [p 13], and "the mummied dead everywhere" [p 20]. A father and his young son travel south towards the coast. The boy's mother has committed suicide. Papa and the child wear masks and tote knapsacks. The father pushes a shopping cart filled with potentially useful items that he has collected during the journey. The man keeps his pistol close. It only contains two bullets - one reserved for him and one for the boy.

The father and son follow a road towards the ocean, but they scurry and hide like two animals. Papa's biggest worries are marauders, food, and shoes. The world is cold. Rape and cannibalism are common occurrences. Although their goal is to remain alive and reach the coast, father and son wonder if the destination is any more hospitable than the rest of the dying world. Often hungry and freezing, both of them become sick. The boy contracts a febrile illness. The man frequently coughs blood and is wounded in the leg by an arrow.

Father and child ultimately reach the ocean, but it too is cold and dead. Not long after arriving at the coast, Papa dies. A stranger finds the grieving boy and invites the child to join his family - wife, son, and daughter. He assures the boy that he is a good man. He tells the child that his family does not eat other people. He advises the boy to hold onto his father's pistol.

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This novel is narrated by Katie Carr, who very much wants to be a good person.  She is a physician and a mother of two, and lives with her petulant husband, David.  David is the author of a column in the local newspaper called "Angriest Man in Holloway".  As their marriage falls apart, David undergoes a conversion at the hands of GoodNews, a young guru, and ceases to be sarcastic and angry, embarking instead on an effort to improve the world with acts of kindness.  Katie is forced to consider what it means to be a good person and how that affects whether to salvage her marriage, how to raise her children and how to be the type of physician she always considered herself to be.

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It was valuable to me that the friend who recommended this book also suggested that I avoid any hint of its content (including the Library of Congress's classifications on the title page), advice I would pass on to anybody scanning this before reading the novel.  Set in England, in the 1990s, this is the story of Kathy H.  She is currently a carer, providing support for donors at various stages in the donation process, before eventually becoming a donor herself.  As she travels across England to the different sites where her donors are recuperating, she thinks back to her schooldays and her friends, Ruth and Tommy.

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Toward the end of the Spanish Civil War, Manuel’s biological father, Jorge de Son Major, dies, finally recognizing him in his will. His social father, Jose Taronji, had been killed only two years before. Manuel, newly rich but philosophically impoverished, seeks a secular spiritual father in "Jeza", an imprisoned rebel leader, and Jose’s comrade. When Jeza is killed, Manuel informs his wife, Marta, and together they plan a final revolt. They use Jorge de Son Major’s boat, Antinea, to deliver rebel documents, then make one final, "crazy," fatal stand, to honor and mourn Jeza, to remember and create themselves.

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