Showing 91 - 100 of 197 results for gay
Summary:When Gwen is twelve, her parents, suspecting her failure to show signs of normal adolescent development may be more serious than they had thought, have her tested and learn that she has Turner syndrome, a chromosomal disorder that frequently manifests in short stature, broad chest, low-set ears, amenorrhea and sterility. The diagnosis brings a new source of discord into an already somewhat dysfunctional New England family. Gwen's mother, Paulette, prefers not to talk openly about Gwen's condition, or even, for a time, to admit it is real. Her father, a scientist at MIT, is deeply interested in finding out more about it, but the clinical nature of his interest offends his wife.
Summary:19 year old Clay has returned to Los Angeles for the Christmas break, his first time back after leaving for a Northeastern college. He spends the next month meeting with his clique, going to parties and restaurants, visting a friend hospitalized for anorexia, lying on his bed at home and joining his family at the mall or for dinner. As Clay and his friends are the progeny of LA's wealthiest, this typical return-from-college-for-the-Christmas-break story also entails driving expensive cars, steady drinking, constant smoking, copious amounts of cocaine and marijuana, and frequent sex (gay, straight; voluntary, paid-for). Dulled by drugs and boredom, these teenagers are drawn to excesses to jolt them out of their expensively-maintained ruts: to prostitution and snuff films, to dead bodies in the street and, ultimately, to sadistic child abuse.
A chronicle of the author's perceptions, thoughts, memories, and personal relationships during the months after he was diagnosed as having AIDS. Brodkey's mind and prose are as sharp as a knife's edge. Beginning with the desperate struggle for breath that signaled pneumonia and, retrospectively, "how my life ended. And my dying began," continuing with the reactions and decisions of himself and his wife, the first half of the essay spins out an observant, introspective, cerebral, even amusing account of his particular experience.
But AIDS is often a disease associated with more emotional baggage than other fatal illnesses, and in Brodkey's case we learn that he traces both his dying and his homosexual experiences to "the major drama of [his] adolescence", daily sexual abuse by his adoptive father, with the implied knowledge and acquiescence of his mother. Writes Brodkey, "I experimented with homosexuality to break my pride, to open myself to the story." "Now I will die disfigured and in pain."
Sister Outsider is a collection of essays focusing on race/racism, gender/sexism, sexual identity, and social class as these are enacted in a white-supremist, heterosexist, capitalist patriarchy (i.e. the United States). As a Black woman, lesbian, feminist, mother, poet, essayist, and political activist, Lorde's essays in this collection include her often quoted "The Master's Tools Will Never Dismantle the Master's House," an essay that radically challenges how white people "learn about" racism, or how men "learn about" women: "Women of today are still being called upon to stretch across the gap of male ignorance and to educate men as to our existence and our needs. This is an old and primary tool of all oppressors to keep the oppressed occupied with the master's concerns . . . ."
Her essay "Poetry is Not a Luxury" suggests that poetry is "illumination," and is a way to wed ideas and feeling, a way "we help give name to the nameless so it can be thought. The farthest horizons of our hopes and fears are cobbled by our poems, carved from the rock experiences of our daily lives." Other titles include "Sexism: An American Disease in Blackface," "Man Child: A Black Lesbian Feminist's Response" (on being the lesbian mother of a son), and "The Uses of Anger: Women Respond to Racism."
These fourteen sonnets interweave themselves to form a unified work, just as lines are repeated or echoed to interweave in the individual poems, providing an account of the author’s experience of breast cancer, radical mastectomy, and recovery. The medical details appear more prominently in the early sonnets, but gradually, other themes take precedence: suffering and how to compare relative degrees of suffering among individuals and groups; the reaction of oneself and one’s lovers to a disfigured body; and the search for affirmation, for a reason to want to live and be rid of the horror of disease and death.
Summary:Here is an account of a few years in the life of Quoyle, born in Brooklyn and raised in a shuffle of dreary upstate towns, where the novel begins. In these few years Quoyle metamorphoses from the human equivalent of a Flemish flake--a one layer spiral coil of rope that may be walked on if necessary--to a multi-layered presence with the capacity for constantly renewed purpose and connection. Grief, love, work, friendship, family, necessity, and community effect this transformation, as does Quoyle’s ancestral home of Newfoundland, a place of beauty and hardship, of memory and reverie.
Fran, a fourteen-year-old from New York, is finally allowed to spend a month of her summer vacation with her aunt of Cape Cod. As yet she is unaware that her parents have put off such a visit because her aunt, a lively, empathetic teacher, has a long-term lesbian partner. Among Fran’s new acquaintances is a girl her age, Wilma, who is confined to a wheelchair and, apparently because of the way her disability sets her apart, as well as her famous father’s divorce and remarriage, is extremely demanding and difficult.
Wilma’s stepmother hires Fran to be Wilma’s "companion" a few hours a day while she rests, being in the final stages of her first pregnancy. With the help of some pivotal conversations with her aunt and a new friend, Jack, Fran finds her way through her own anger and bewilderment at Wilma’s behavior to the beginning of an authentic friendship with her, as well as an understanding of the imagination caregiving demands. Along the way she becomes aware of her aunt’s lesbianism and finds that her other experience has helped open her to acceptance of this difference as well.
Summary:Determined not to like Ruth Thomas, Ann Stanley is immediately smitten by her charm and force of personality, and especially by her vitality--a vitality that too soon succumbs to breast cancer. As one of a cadre of women almost obsessively devoted to the care of a dying Ruth, Ann nurses Ruth through her final illness, until--in a move curiously like the decision of Charity (also dying of cancer) to keep Sid, her husband, sequestered from her final trip to the hospital, in Wallace Stegner's far superior novel, Crossing to Safety--Ruth flies to Florida to die at her brother's house.
This is the third novel in Davies’s major work, The Deptford Trilogy. While it is not necessary to read the novels in this trilogy in sequence, doing so makes each story more complete and interesting, and clarifies the relationships between some of the characters. This particular novel tells the life story of the unfortunate boy introduced in The Fifth Business, who was spirited away from his Canadian home by one of the members of a traveling side show, the Wanless World of Wonders.
Magnus Eisengrim, now a master magician, describes his life as an innocent child who was introduced not only to rape, but to the sad world of the "freak" show, as he traveled throughout his formative years with these unfortunate people. The main good which came out of this was that he developed empathy for the members of the side show, and that he taught himself the skills of magic and became an accomplished magician. A turning point in his life occurred when he got away from this terrible environment and became an understudy for a famous English actor. In emulating this man, he moved on to become a marvelous illusionist.
The last part of the story is concerned with Magnus’s role in making a film about the life of Robert-Houdin; he finally tells his life story to the group of people with whom he is working. In this group there is a friend from his early life--a man who treated him badly when he was the actor’s understudy and who doesn’t now recognize him--and the director who is trying to help the group work together. Another important character is a woman with a physical disability which had so altered her appearance that it had warped her world view; Magnus helps her come to grips with her situation. The descriptions of the interactions among these unusual characters are Robertson Davies at his best.