Showing 2821 - 2830 of 2939 Literature annotations
This collection arranges Chekhov's letters into three periods, each introduced by a short biographical essay: 1885-1890, the years during which Chekhov established himself as a writer; 1890-1897, which begins with his trip to Sakhalin Island and includes the years he spent living at Melikhovo; and 1897-1904, the final years during which his health declined, he rose to prominence as a playwright, and he married Olga Knipper.
In her general introduction, Lillian Hellman writes, "Chekhov was a pleasant man, witty and wise and tolerant and kind, with nothing wishywashy in his kindness, nor self-righteous in his tolerance, and his wit was not ill-humored. He would have seen right through you, of course, as he did through everybody, but being seen through doesn't hurt too much if it's done with affection." This image of Chekhov radiates from the letters collected in this volume.
Most of the letters are written to family members and a few close friends and associates, especially Alexei Suvorin, the editor of "New Times," a leading St. Petersburg newspaper; Maxim Gorki, the famous writer; and, later, the actress, Olga Knipper. The topics include family matters and business affairs; comments on his own writing and that of others; and his travels, especially the adventurous trip across Siberia to the penal colonies on Sakhalin Island in 1890.
Summary:A widower, Perley, marries Maureen, a woman four years younger than his daughter. Not long after they are married, Maureen, in cahoots with her brother, begins to emotionally and physically abuse her husband, taking over his land and farm. Perley feels he "deserved what was happening" and cannot fight back. Finally, he does strike out at Maureen’s brother, leaves him unconscious in the kitchen and goes to spend the night in the hayloft. There, he thinks back to his first encounters with Maureen and her brother when they were children, reflecting on the abuse and poverty that dominated their lives and that led, ultimately, to the present crisis.
Summary:A very short poem, describing the increasingly circumscribed life of a dying woman in a nursing home, a woman who "is like a horse grazing / a hill pasture that someone makes / smaller by coming every night / to pull the fences in and in." The final lines are a moving plea for God to bring the woman to a gentle death.
Summary:The speaker describes cleaning out the house of a friend/relative who has recently died. She rewards each small accomplishment in her sorting through of the dead woman's possessions by eating one cookie from a tin of homemade cookies that was sent by the woman's cousin before she died. As she reaches the end of her cleaning, the speaker takes the last cookie from the tin: "I took it up / and sniffed it, and before eating it, / pressed it against my forehead, because / it seemed like the next thing to do."
Summary:A very short poem, in which the speaker, sorting through old china, finds a dead friend/relative's gravy boat "with a hard, brown / drop of gravy still / on the porcelain lip." This discovery leads the speaker to truly grieve the loss of this person in a way she hadn't before.
Susan and Matthew Rawlings marry in their late twenties and raise four children. When the youngest child goes off to school Susan, who quit her job to mother, does not experience the sense of freedom that she expected. She feels simultaneously as if she has nothing to do worth doing and never has a spare moment to herself. Her day is taken up in waiting for the children to come home, consulting with the maid or worrying about dinner. She becomes anxious and distant, pulling away from her husband, who begins to have affairs.
Finally, in order to get some time alone, she rents a hotel room every afternoon where she just sits and thinks. Her husband assumes she is having an affair and tracks her down. Knowing that his rational world will not recognize her "irrational" feelings she tells him that she is indeed having an affair. The next day, she returns to the room and kills herself.
Angelou’s four stanza poem is narrated by an elderly person, probably a woman. In each of the stanzas, the proud and forthright speaker dismisses the desire to stay alive. She sizes up her circumstances pragmatically--the inconveniences and disabilities. She can no longer bother with the print that has become "too small," the food that is "too rich," the tiring concerns of her children, and, finally, the weariness of life. Each is addressed in its own stanza, but the concluding refrain is the same; she will give up reading, then eating, then listening--and then life. "Today," she says rather convincingly in her final line, "I’ll give up living."
A young farmer's mother is dying. The farmer, Honore, is concerned about his mother but he is even more concerned about getting his wheat in before the rains come. He is prepared to leave her to die alone, but at the insistence of the doctor agrees to hire Mother Rapet to tend his mother. Mother Rapet is an old washerwoman who supplements her income by watching the dying and preparing them for burial. La Rapet offers to work for Honore for a daily wage. Honore refuses, for he knows how obstinate his mother is and fears she will take a long time to die making La Rapet's services expensive. He insists on a set rate and La Rapet eventually agrees.
After three days, the mother still has not died and La Rapet realizes that she is losing money. Taking matters into her own hands, she tells the dying woman that at the moment before death everyone sees the devil. She then wraps herself in a blanket, puts a pot on her head, and throws a pail across the room making a huge noise. The dying woman thinks she is the devil and struggles to leap out of bed; instead, she collapses on the floor, dead.