Summary

Tim Metcalfe is an Australian general practitioner who gave up medical practice to become a full-time poet and writer. A statement on the back cover summarizes the process in relation to this collection of 38 poems: " ’Cut to the Word’ is a moving account of one man’s transition from doctor to poet." He begins with the customary initiation: "We were introduced, respectfully, / to the volunteer dead . . . " (p. 13) He discovers the limitations and uncertainties of his new profession: "In tense moments / I wish my stethoscope / was all they want it to be." (p. 18) And the omnivorous demands of medicine: "I come home from work / and there it is: the family / the oldest crying / at the youngest crying / at her mother’s anger / at her crying . . . " (p. 21)

Metcalfe carries the reader through a series of short, incisive poems describing the doctor’s day-to-day work ("Morning Session, " pp. 47-50), as well as through a number of disturbing poems about the world of mental illness, but the book’s climax--so to speak--arrives with "The Doctor’s Complaint, " in which the physician heals herself "by laying down her stethoscope / and walking right out / of that in-patient clinic." At the end the poet writes, "Like a patient I have learned silence . . . Fine steel scissors in hand, / I cut to the word." (p. 63)

Commentary

This is the third collection of poems by Tim Metcalfe, who lives in the bush of New South Wales and describes himself as a "house-husband" as well as a writer. Metcalf’s poems are uniformly spare, direct, and from the heart. Where some medical poets have a tendency to fall so much in love with their material, they pad their poems with irrelevant detail, or create confusion by trying to insert extraneous feelings; Tim Metcalfe cuts to the chase or, as he says, "cuts to the word." By not striving for deep feeling, he achieves it.

Publisher

Ginninderra

Place Published

Charnwood, Australia

Edition

2002

Page Count

63