Showing 1 - 3 of 3 annotations tagged with the keyword "Immigration"

Summary:

In Medical Bondage: Race, Gender, and the Origins of American Gynecology, Owens argues that the emergence, practice, and professionalization of American gynecology in the 19th century were inextricably enmeshed with the institution of slavery and discourses of biological racism. “Modern American gynecology,” writes Owens, “could certainly exist without slavery, but slavery’s existence allowed for the rapid development of this branch of medicine, and especially of gynecological surgery” (6). As she shows, gynecology developed as quickly as it did only because white American physicians had access to women’s bodies marked as racially inferior. That gynecology’s maturation accelerated in the American South is no indication that its practitioners had a humane interest in enslaved women’s health (66). On the contrary. Owens argues that slave owners were invested in maintaining the reproductive health of enslaved women in the interest of increasing the size of their population: “Thus the repair of any medical condition that could render an otherwise healthy slave woman incapable of bearing children further strengthened the institution of slavery” (39). Additionally, there were broader implications, as medical research using enslaved women’s bodies produced knowledge about how to treat, in turn, white women: “Black lives mattered medically because they made white lives healthier and better” (107).

This leads Owens to argue why enslaved women should be esteemed as the maternal counterparts to the oft-celebrated white ‘fathers’ of American gynecology: “. . . black women, especially those who were enslaved, can arguably be called the ‘mothers’ of this branch of medicine because of the medical roles they played as patients, plantation nurses, and midwives. Their bodies enabled the research that yielded the data for white doctors to write medical articles about gynecological illnesses, pharmacology, treatments, and cures” (25). This is especially true, as she points out, when examining the medical research of the lauded gynecologist, James Marion Sims, who opened and operated a “sick house” for enslaved women suffering from gynecological ailments (36). Sims operated this clinic to devise a surgical solution to a serious and commonplace gynecological issue among enslaved women, vesico-vaginal fistulae. As an enterprising young physician, Sims took advantage of enslaved women’s bodies to conduct his surgical trials. Eventually, he triumphed and cured an enslaved woman, and published the results in a respected medical journal, thus enshrining his reputation (39). The point, Owen emphasizes, is that “[t]hanks in large part to his experimentation on enslaved black women, Sims had established himself as one of the country’s preeminent gynecological surgeons less than a decade after he began his gynecological career” (39). Medical Bondage thus strives, in part, to restore the lives and contributions of these enslaved women to the story of American gynecology’s genesis.

Owens’ study takes a surprising turn, arguing that “. . . the later development of modern American gynecology can no more be disentangled from Irish immigration than it can be separated from its roots in slavery” (90). This shift in racial and geographic focus parallels the similar roles of enslaved black women of the South and poor, immigrant Irish women of the urban North in the development of gynecology. Owens shows how racial alterity was “mapped onto” poor Irish immigrant women living in major urban centers, such as New York City (20). As many Irish immigrant women suffered poverty, inadequate (if any) medical care, sexual assault, and were drawn into prostitution (and the attendant onslaught of venereal diseases), they became ideal medical subjects for gynecologists. Physicians eventually published their Irish patient case studies, which “. . . helped to create the foundation for the racist laws that colored the Irish as not quite white and sometimes placed them alongside black people as biological models for racial inferiority” (90). Just as Southern gynecologists had access to enslaved women’s bodies, their Northern counterparts treated and experimented on racially othered immigrant women. In this way, Owens argues, “[t]he scientific and medical beliefs that doctors held about Irish women were nearly indistinguishable to [sic] those they held about African women” (115). Overall, Medical Bondage articulates a well-researched and sobering retelling of the dominant accounts of American gynecology.

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Behold the Dreamers

Mbue, Imbolo

Last Updated: Jul-05-2022
Annotated by:
Trachtman, Howard

Primary Category: Literature / Fiction

Genre: Novel

Summary:

In the basement of the apartment building where I live, down the hall from the small exercise room, there are two plain wooden bookcases. Each one has five shelves, and they are filled to overflowing with books that people have finished reading and that are now available for the taking. The books cover the gamut of fiction to history to self-help and everything in between. Under pressure to unclutter our apartment, I have added about 30 books to this library. The books do not come with any recommendation and so there is no way to know if the original owners liked the book or got rid of it because they could not get passed the first chapter. I am a frequent borrower. About two weeks ago, I scanned the shelves again and on one of the lower shelves, I noticed this book by Imbolo Mbue. I remembered that one of her books had been selected by the editors of the New York Times as one of the Best Books of the year 2021 so I picked up this earlier book. Two weeks later, I am here to report that I am glad I did.

The novel is a moving story of two families whose fates get intertwined in the year 2008. One family is a couple, Jende and Neni Jonga, with their 6-year-old son. They have recently come to the United States from Cameroon. They chose to try their luck in New York in the hope of escaping the dreary life that they see in their future if they stayed where they were. The other family, Clark and Cindy Edwards, is a wealthy couple living in a posh apartment on the upper East Side of Manhattan. They seem to have it all -- health , wealth, and the freedom to do whatever they want. Clark is a high-level executive at Lehman Brothers, and he interviews Jende for a job as his chauffeur in the opening chapter. Jende gets the job, and it is a game changer for the Jongas. It gives Jende the self-confidence that he is a traditional provider for his family and allows Neni to enroll in school and actualize her goal of becoming a pharmacist. For both of them, they can feel more comfortable with the idea of a growing family. They have received their ticket to the American dream.

However, while the Edwards are the picture of success to all who see them at the glamorous parties and fund raisers they host and attend, there are cracks beneath the surface of their dream life. Clark is working 16-hour days to try to stave off the imminent bankruptcy of Lehman and the financial collapse that will follow in its wake. Cindy is a psychologically traumatized person who struggles to keep her family whole and provide a loving and safe haven for her two sons. Ultimately, Clark is forced to leave Lehman and take up a job at Barclays Bank. His wife suspecting infidelity ultimately succumbs to drug and alcohol abuse. The Jendes lose their financial footing and are forced to confront the question -- where will they be best able to live wholesome lives of meaning and self-worth? They have to decide whether to persevere and try to make things work in New York or whether to return to their native country, Cameroon. The book ends with a question from the Jongas’ older son to his parents, “Home?” Mbue artfully asks this same question to  her readers.

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Spring

Smith, Ali

Last Updated: Dec-02-2019
Annotated by:
Trachtman, Howard

Primary Category: Literature / Fiction

Genre: Novel

Summary:

Ali Smith is a Scottish writer. If she lived in the U.S., hopefully (a word I will come back to at the end) she would be a household name. She is 75% through a quartet of novels that are named for the seasons. Each captures the beauty and lightness of Vivaldi’s famous concerto and the heft of T.S. Eliot’s poetic quartets. Spring seamlessly blends brutal reality and a dream-like state. Anchored in the current world, it unfolds in a Brexit obsessed United Kingdom, and yet it incorporates artists, live and dead, ranging from Katherine Mansfield to Rainer Maria Rilke to Tacita Dean. The scope and inventiveness of the writing are staggering.

The plot will sound very odd in a brief summary. Like many modern novels, it incorporates two separate narrative strands that come together somewhat unexpectedly but satisfactorily in the climactic scenes. In the opening pages, we are introduced to Richard Lease, a modestly famous filmmaker who produced some well-regarded highbrow TV shows in the 1970s and 80s. He is considering an offer for a new film project about an imaginary crossing of paths by Rilke and Mansfield in Switzerland in 1922. But Richard is unable to rouse his enthusiasm partly because of misgivings about who he would have to work with. More importantly, he is still not over the recent death of his screenwriter, Patricia Neal or Paddy, who was more than just his artistic partner for four decades. Richard mulls over memories of their work and life together, reliving conversations and episodes that invoke Charlie Chaplin, Beethoven and Shakespeare. He aimlessly boards a train to Scotland. There, in an act of despair, he lowers himself onto the train track in an attempted suicide .

Richard is saved by a magical 12-year old girl, Florence. Although the description is scant, she is preternaturally bright, articulate, and endowed with an inexplicable power to move people to do what she wants. She supposedly was able to enter a restricted Immigrant Retention Center unaccompanied and persuade the supervisor to order a cleanup of the bathrooms for all the detainees. One morning, Florence encounters Brittany Hall, who is on her way to work as a security guard in one of the notorious British detention centers. Her dehumanizing work with the inmates is grinding her down, the degrading surroundings are destroying her soul.  Florence and Brittany end up at a train station and in an impulsive act, Brittany follows Florence onto a departing that is heading off to Scotland. The warm interaction with Florence on the ride awakens Brittany’s submerged feelings of humanity. They end up at the same destination as Richard, and there Florence persuades him to climb back on to the platform and saves his life.  A reinvigorated Richard, Florence and Brittany meet up with another mysterious character, a woman operating a mobile refreshment stand. The four travel in her crowded truck to Culloden, the site of the disastrous clash during the Jacobite Rebellion in 1746 when the Scots were annihilated by the English army. There the story reaches its climax which I will not divulge in full. But simply said, in full sight of all the tourists attracted to the Culloden battlefield site, it does not end up well for Florence or her mother who suddenly appears on the scene.




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