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Annotated by:
- Davis, Cortney
- Date of entry: Nov-26-2018
- Last revised: Nov-26-2018
Summary
Physician Rafael Campo's collection of new and selected
poems is a lovely look back (selected poems are from 1994 to 2016) and an
exciting look at thirty-one new poems that continue his trademark use of a
variety of poetic forms (the title poem "Comfort Measures Only" is a
Villanelle, pg 135) and the moving and personal examination of his interactions
with patients.
This collection begins with Campo's excellent introductory
essay, "Illness as Muse" (pgs 1-9).
As the essay opens, an audience member tells Campo that his poems are "really depressing." Even Campo's spouse advises him to lighten things up, a counsel I hope the poet never heeds--for it is precisely Campo's unwavering examination of sorrow, regret, death, and despair that set his poems apart from poems that find "butterflies or snowflakes or flowers as more suitable." Campo responds: "Try as I might to take all of this concern to heart . . . I keep finding myself drawn to write about illness" (pg 1).
Campo recalls how singing and praying consoled his grandmother and seemed to lessen her physical ills: "No wonder I have come to believe in the power of the imagination if not to cure, then to heal" (pg 4). On page five he notes "To write about illness, to heed this terrible muse, is to reject distancing and to embrace empathy, for which there is no reward or claim on greatness other than perhaps the perverse joy of recognizing oneself as being susceptible to the same foibles and neuroses as anyone." Indeed it is this vulnerability--the ability to see physician and patient on the same plane, as equal players in a moment in time--that has become another hallmark of Campo's poetry. Selected poems from previously published collections follow the essay: nine poems from "The Other Man Was Me" (1994); eight poems from "What the Body Told" (1997); nine poems from "Diva" (200); five poems from "Landscape with Human Figure" (2002); seven poems from "The Enemy" (2007); and twenty poems from "Alternative Medicine" (2013). Of these collections, all but "Landscape with Human Figure" and "The Enemy" have been reviewed in the database.
As the essay opens, an audience member tells Campo that his poems are "really depressing." Even Campo's spouse advises him to lighten things up, a counsel I hope the poet never heeds--for it is precisely Campo's unwavering examination of sorrow, regret, death, and despair that set his poems apart from poems that find "butterflies or snowflakes or flowers as more suitable." Campo responds: "Try as I might to take all of this concern to heart . . . I keep finding myself drawn to write about illness" (pg 1).
Campo recalls how singing and praying consoled his grandmother and seemed to lessen her physical ills: "No wonder I have come to believe in the power of the imagination if not to cure, then to heal" (pg 4). On page five he notes "To write about illness, to heed this terrible muse, is to reject distancing and to embrace empathy, for which there is no reward or claim on greatness other than perhaps the perverse joy of recognizing oneself as being susceptible to the same foibles and neuroses as anyone." Indeed it is this vulnerability--the ability to see physician and patient on the same plane, as equal players in a moment in time--that has become another hallmark of Campo's poetry. Selected poems from previously published collections follow the essay: nine poems from "The Other Man Was Me" (1994); eight poems from "What the Body Told" (1997); nine poems from "Diva" (200); five poems from "Landscape with Human Figure" (2002); seven poems from "The Enemy" (2007); and twenty poems from "Alternative Medicine" (2013). Of these collections, all but "Landscape with Human Figure" and "The Enemy" have been reviewed in the database.
Miscellaneous
Campo's introductory essay is the perfect entryway into this
collection of poems, an essay that should be required reading in every
literature and medicine venue, one that deserves lively discussion. These poems, both older and newer, will be of
interest to poetry lovers in and out of the medical field. Medical students especially might find these
poems both challenging and comforting.
Those experienced in healthcare will recognize themselves and their
patients in Campo's words.
Publisher
Duke University Press
Place Published
Durham and London
Edition
2018
Page Count
166
Commentary
Although gently criticized for poems that depress, Campo's poems also reveal his skill with irony and, yes, outright humor. In "Just Know Your Shit," we might hear the words of a patient as he confronts a doctor who might be Rafael Campo--a physician with an open heart and tender insecurities who might later that day write a poem: "I want a doctor who knows his shit. / Don't hold my hand when my heart fibrillates-- / just shock me with the right amount of juice" and at the poem's end, "For God's / sake, don't feel for me. Just do it, don't sob" (pg 144).
Happily, Rafael Campo is a doctor who delivers excellent and compassionate care as well as a writer who steps back, aware of all the complexities of life, illness, and mortality, to offer us these excellent and compassionate poems.