Murakami has earned a place in the pop art pantheon for his witty combination of contemporary artistic and advertising motifs in his bright paintings and sculpture, as well as for collaborations with Kanye West and Louis Vuitton. Unlike much of his Superflat work, which is either strikingly two-dimensional or rounded and exagerrated in three dimensional representations of anime physicaly, his Inochi seem grotesquely real, to the extent that alien-robot hybrids can seem "real". This indicates the uncanny nature of the Inochi, who live in that borderline between recognisably human and recognisably nonhuman. Unlike the provocations of The Chapmans and their Zygotic acceleration, biogenetic de-sublimated libidinal model (enlarged x 1000), the Inochi are initially personable, almost cute figures; as stars of a series of videos, they seem to have some psychological depth as outcasts trying to fit in, trying to understand what is happening to their bodies when they fall in love. As such, the piece does not just effect a sensation of uncanniness in the observer, but is a powerful reflection on and metaphor for adolescence.