Rebecca Makkai


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Showing 1 - 2 of 2 annotations associated with Makkai, Rebecca

Annotated by:
Trachtman, Howard

Primary Category: Literature / Fiction

Genre: Novel

Summary:

I Have Some Questions for You begins with the visit of Bodie Kane to Granby, the upscale New Hampshire boarding school that she attended on scholarship far from her home in rural Indiana. Back then she was a sullen out-of-place grungy adolescent, but now she is a successful journalist, famous for producing a podcast about the careers of women in Hollywood. She is a successful alumna and has been invited to teach a mini-course on podcasting during the mid-winter break. The life she leaves behind on the flight from Los Angeles is meta-stable, poised between a divorced husband living comfortably next door (he helps with child rearing) and a mysterious Israeli lawyer with whom she is having an on again-off again affair.

Bodie’s arrival at Granby triggers the resurfacing of complicated and painful memories of her time in high school. She asks each student in her class to make a podcast as a class project. Bodie suggests to one of them that she look into the death of Thalia Keith, who was found drowned in the school pool the night after she appeared in a play performance. Omar Evans, the school’s Black athletic trainer, was arrested and convicted of the murder after minimal investigation by the school or the local police. Thalia, the campus dream girl and object of adolescent desire, had been Bodie’s mismatched roommate the year before the murder. Bodie has deep suspicion about who killed Thalia and why it happened, all centered on a charismatic drama teacher. The predatory shadow of this abusive teacher hovers over the book from start to finish. The story unfolds in the wake of the #MeToo movement. But she is also uneasy about how the judicial system has mishandled Omar’s case and hopes the podcast may unearth new evidence that might cause Omar’s case to be reopened and exonerate him. But nothing in this deeply layered novel proceeds in a straight line. Her divorced husband becomes the subject of a social media attack for presumed sexual misconduct, and Bodie is forced to react. Old friends reveal new secrets. Established history is seen in a new light. What Bodie thought she knew about people is upended. The ending is neat but satisfying. Rebecca Makkai does not just have her finger on the pulse of our time – she is able to bring it fully to life.  

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The Great Believers

Makkai, Rebecca

Last Updated: May-26-2019
Annotated by:
Trachtman, Howard

Primary Category: Literature / Fiction

Genre: Novel

Summary:

The subject of Rebecca Makkai's engaging book, The Great Believers is the AIDS epidemic. Her narrative unfolds in two eras separated by 40 years. It opens in the mid-1980s with the funeral of Nico, one of HIV’s first victims when the epidemic exploded in the gay community living in Chicago. In the second chapter, the time frame abruptly switches to 2015 and introduces Fiona Marcus, Nico’s sister. She was part of the gay scene in Chicago in the 1980s, grew attached to the men, and provided the care and comfort that many of the families were unable to offer when their sons were dying of AIDS.

In the earlier time period, Makkai's main protagonist is Yale Tishman, the director of development at an art gallery affiliated with a prominent unnamed university in the Chicago area. He is working with a small group of colleagues, including a young man uncertain of his gender identity, to acquire a batch of paintings from Nora Marcus Lerner. She is an elderly woman who happens to be Fiona and Nico’s aunt. and who was part of the avant-garde social circle surrounding the modern artists living in Paris in the wake of the First World War. As Nora reaches the end of her long life, she desperately wants to preserve the artistic memory of her lover who died as a young man. As Yale works to finalize the acquisition, his relationship with his lover, Charlie, falters and triggers a series of untimely deaths in Yale’s close circle of friends. Ultimately, Yale also succumbs to the HIV virus.

In 2015, Fiona has engaged a private investigator to locate her estranged daughter, Claire, who is living in Paris and has rebuffed numerous efforts in the past to reconnect with her mother. Ultimately, Fiona is able to move past the intensity of her caregiving role to gay men in the 1980s and to reconnect and reestablish a tentative relationship with her daughter. There is hope that with a renewed bond with her daughter she can restore a reason to live that will be as strong as the work she did to support and sustain her gay friends through the agonies of AIDS.

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