Showing 91 - 100 of 172 annotations tagged with the keyword "Racism"
In this poem, the speaker’s mother has lupus [systemic lupus erythematosis], a "disease / of self-attack" where, for example, when the police arrive at a mugging, "they beat up on you / instead of on your attackers." The speaker goes on to reflect on the logic of such an illness residing in the body of "A halfbreed woman" who, for historical reasons, "can hardly do anything else / but attack herself." Being Indian and white, the speaker says, "cancel each other out. / Leaving no one in the place," which would be fine except that, being a woman, she must perform caring duties regardless of her circumstance. The speaker describes her mother’s physical pain, her ". . . eyes burn, / they tear themselves apart . . . / her joints swell to the point / of explosion, eruption," concluding with the observation that "when volatile substances are intertwined, / when irreconcilable opposites meet, / the crucible and its contents vaporize."
With some 70 characters and a wide array of events spanning 500 years and several continents, the plot of this novel is less a linear plot than an elaborate web of events. Peopled with addicts, alcoholics, corrupt judges and politicians, unscrupulous and greedy land speculators, and a host of other unsavory characters, the novel also tells the story of resistance to Euro-American oppression and a growing effort of indigenous people and their allies to retake the land and ultimately to become agents of its healing. Woven throughout the novel are folk stories of the past, pronouncements on the present and predictions of a dire future for the offspring of the European conquerors.
Spatially, Tucson, Arizona functions as a focal point, with much of the action radiating away from, or towards, the city. Arizona is about to go belly-up from the effects of a declining economy and devastating drought and growing civil unrest in Mexico. As the prophecies have foretold, the narrator reminds readers, the inexorable movement of the people is North, and while it may take 500 or 5000 years, the indigenous and their allies will reclaim the diseased and corrupted land (and presumably become instruments of its healing).
Into this milieu Silko inserts a host of characters who work as part of the resistance. Among them are twin sisters Lecha (a demerol-addicted psychic who helps police locate the bodies of murder victims and has a lucrative profession as a talk show guest) and Zeta (who has made a fortune running drugs and guns across the North and South American borders with the help of Lecha’s son and his sometime lover Paulie); twin brothers, Tacho (a chauffeur for the wealthy Menardo who also functions as a spy for the indigenous resistance movement), and El Feo (who heads that movement in the far South of Mexico). Both brothers commune with spirit macaws for advice.
There is an "army of the Homeless" who plan to retake "stolen" goods and land from the wealthy. The Barefoot Hopi organizes incarcerated prisoners for an uprising against the U.S. Government. Many of these and other characters converge at novel’s end at the International Holistic Healer’s Convention where "German root doctors" and "Celtic leech handlers" join with "new-age spiritualists" and the Green Vengeance eco-warriors.
A middle class African-American widow, Avey Marshall, has set off on a cruise with two of her friends from work on the "Bianca Pride," and becomes ill shortly after they have set sail. Avey disembarks in Grenada after experiencing disequilibrium, nausea, disturbing nightmares, and a feeling of being "clogged and swollen." Thus begins a journey of reclamation and healing of a past that has been largely forgotten or erased in her efforts to escape the poverty of her younger years and obtain the American dream of financial security and a white-defined respectability.
The novel is divided into four parts: Avey's growing distress on board the cruise ship, the intensification of nightmares and "visits" from her long-dead and very Afro-centric Great Aunt Cuney, and her decision to leave the cruise ship. The second section takes place in her hotel room where Avey confronts her rage and grief, not only over the death of her husband, but the utter waste in his drive for material success and the ensuing loss of their joy in each other and their heritage.
In the third section, Avey, getting lost on a walk, meets Lebert Joseph who convinces her to accompany him on the "Carriacou Excursion," an annual island festival honoring the long-time ancestors. Avey travels by small boat to Carriacou, becoming violently ill, and is cared for by a group of women on the boat, encouraging her in this "cleansing." This journey and her illness prompt Avey to think about the middle passage of slaves and the horrors they endured in countless journeys much worse than hers.
Once on the island, in the fourth section of the book, Avey is bathed and nursed back to health by Lebert Joseph's daughter, Rosalie Parvay. Finally, Avey joins the celebration (the "Big Drum"), witnessing and finally joining the important "Beg Pardon" and nation dances. This section brings the novel full circle as Avey experiences reconciliation with her past, her heritage, and herself.
Summary:The Breedlove family has moved from the rural south to urban Lorain, Ohio, and the displacement, in addition to grinding work conditions and poverty, contributes to the family's dysfunction. Told from the perspectives of the adolescent sisters, Claudia and Frieda MacTeer, Morrison's narrative weaves its way through the four seasons and traces the daughter's (Pecola Breedlove) descent into madness. Through flashback and temporal shifts, Morrison provides readers with the context and history behind the Breedloves' misery and Pecola's obsessive desire to have "the bluest eyes."
Summary:Ellison uses the trope of invisibility in this novel that traces the Invisible Man’s journey from idealism to a grim realism about the racism that confronts him every step of his way. Every episode ends with the Invisible Man’s escape from near disaster, brought about by his naiveté and the virulent racism in which he must function. By novel’s end, the hero is living clandestinely in the basement of a large building, burning hundreds of lights at the expense of the electric company, and planning for an eventual re-emergence.
This novel, a winner of the American Book Award in 1983, focuses on the stories of several women who have come to live on the dead-end street, Brewster Place ("the bastard child of several clandestine meetings between the alderman of the sixth district and the managing director of Unico Realty Company" (p. 1), and the interweaving of their lives.
Mattie Michael has lost her home to her much loved, but errant son, but becomes the backbone of this community of women; Etta Mae Johnson has loved one man too many and comes to Brewster Place defeated, but finds "light and love and comfort" in the friendship of Mattie; Kiswana Browne moves to Brewster Place in an attempt to develop her Afro-centric identity, divorced from her middle class family; Lucielia Louise Turner loses one pregnancy to an abortion to keep her husband, and loses her remaining daughter to a tragic accident, also losing the will to live until Mattie’s intervention; Cora Lee’s profound loneliness motivates her to conceive child after child ("Her new baby doll" [p. 107]); "The Two" (Lorraine and Theresa) attempt to work out their life together closeted from the homophobic world. Despite the pain and suffering represented in the novel, the story culminates with a dream vision of the community healed and rebuilding itself.
Set in the 1920s, Tracks is the chronicle of the Anishinabe community in North Dakota and the struggle for land and the continuance of their tradition and beliefs that undergird the heterogeneity of their tribal society in the face of shifting U.S. policies. Told in the counterpointing voices of Nanapush, a tribal elder, and Pauline Puyat, a mixed-blood member of the community, the novel describes the intertwining lives of Fleur Pillager, Nanapush, Pauline, and their families; the horrible losses from epidemics, as well as the powerful love circulating among the community, and their resistance to cultural and political domination.
While these issues occupy much of the story, Pauline’s decline into an excessive and destructive religious asceticism is also a central part of the plot. Pauline’s internalized racism (she "would not speak our language" [p.14]) takes its shape in her hatred of her own body and her fascination with death ("I handled the dead until the cold feel of their skin was a comfort, until I no longer bothered to bathe once I left the cabin but touched others with the same hands, passed death on" [p. 6]). She ends up in a convent inventing new ways to torture herself as she listens to Jesus tell her she is not really Indian.
In contradistinction to Pauline are Nanapush and Fleur, who resist dominance and claim their identities in magnificent ways. In one scene, Nanapush refuses to allow a doctor to treat his granddaughter’s severely frostbitten foot with amputation, knowing that "saving [her] the doctor’s way would kill [her]." Nanapush nurses her himself, saving the foot and telling her stories as a way to walk her through the pain of healing.
South African lawyer and leading member of the ANC (African National Congress) during the tumultuous 70s and 80s, lost an arm, sight in one eye, and suffered hearing loss and diminished use of his legs when the bomb planted in his car exploded on April 7, 1988. This book chronicles the accident, his long recovery in a hospital and rehabilitation unit, and the process of re-entering life and politics after such a harrowing experience.
Sachs connects his personal recovery with the emergence of an apartheid-free South Africa and tells his individual story within the context of political struggle. The 2000 edition includes a forward by Desmond Tutu, an introduction by Nancy Scheper-Hughes, and a new epilogue by Sachs.
Streetwise, smart, and tough Winter Santiaga is the "phat" and "fly" daughter of a Brooklyn drug kingpin, and is also the main character in this novel. She and her sisters, Lexus, Mercedes, and Porsche have grown up used to a life of luxury afforded by her father's protective but lavish attentions on them.
They are contemptuous of all but the best labels for clothes, perfumes, and shoes. Her mother dresses like a queen and, with her family, enjoys life in a beautiful house that Winter's father buys them in the suburbs. The life all comes crashing down around them when her father is arrested and locked up, and the government takes all the family's money and possessions.
Winter's younger sisters are farmed out to foster families and her mother descends into crack cocaine addiction. Sister Souljah, who in a move many critics call a serious misstep, casts herself in the novel as the moral compass, opens her home to Winter, who lives there for a while, listening to Souljah's messages of self-love and community building. Never buying the rap, Winter drifts from man to man, finally herself is arrested for drug related charges and winds up serving a 15-year sentence for having (as she says) "a bad attitude."
This beautifully written novel describes the death of Absalom Goodman of brain cancer and takes us into the lives and hearts of his family. The novel is written largely from the perspective of this dying husband of Gwen and father of Sonny and Rainey. In a semi-conscious state, Absalom alternates between memories of the past, psychic connections with his family members, sometimes delirious ruminations and what at times appear to be out of body experiences.
Throughout, one is immersed in a gripping drama of this working class black family and their efforts to overcome terminal illness, racism, poverty, inner city turmoil and the effects of the drug culture. One is caught up in anticipatory grief, identifying with the pain and unresolved questions of Gwen, Sonny and Rainey. The reader is moved by the love, the spirituality, the ultimate defeat of the streets and the continued hopes for the future.