Showing 441 - 450 of 454 annotations tagged with the keyword "Parenthood"
Summary:Here is an account of a few years in the life of Quoyle, born in Brooklyn and raised in a shuffle of dreary upstate towns, where the novel begins. In these few years Quoyle metamorphoses from the human equivalent of a Flemish flake--a one layer spiral coil of rope that may be walked on if necessary--to a multi-layered presence with the capacity for constantly renewed purpose and connection. Grief, love, work, friendship, family, necessity, and community effect this transformation, as does Quoyle’s ancestral home of Newfoundland, a place of beauty and hardship, of memory and reverie.
Summary:This is the story of a successful use of play therapy with an emotionally disturbed five-year-old boy named Dibs. In nursery school Dibs is very withdrawn and resists his teachers' attempts to engage him. Dibs' parents and teachers had all but given him up as mentally retarded. Axline is brought in as a last resort, and in a series of play therapy sessions over a period of several months, cures him. (Dibs turns out to have an IQ of 168.) Axline takes an emotionally neutral approach to her patient, in spite of his obvious need for emotional support, in order not to interfere with his discovering of the self that had been severely repressed at home.
In this reflective memoir, a son in his mid-forties recalls the final years of his mother's life, the mystery of her changed being as she succumbed to Alzheimer's disease, and the long weeks and months he spent as caretaker, confronting the mystery of his own life and the role of memory in it by witnessing at close range the closing down of both life and memory in her. The book is candid about the whole range of feelings--including the most unexpected and unwelcome--associated with the difficult decision to bring an aging and infirm parent into one's household, care for her, reconfigure family life, and consent to the disconcerting inversion of parent-child roles.
Each of its forty short chapters is a lyrical moment. Daniel weaves memories of his mother's life--musing about those parts he can only know second hand--and exquisite portraiture, with ongoing reflection about his purposes in writing; what gifts there may have been in the difficult process of seeing her through a difficult passage into death; and how some of those gifts unfold only in the aftermath. His speculations about the inner life of an Alzheimer's patient add nothing to medical understanding, but model a deeply edifying kind of compassion and will to imagine beyond the failures of mind and body to a silent, inarticulate self that still deserves to be honored.
Summary:The narrator describes the profound impact of motherhood on her life, so profound that she can barely remember a life without children. There has been a conversion to total commitment, " . . . that / instant when I gave my life to them," but when and how did it happen?
Summary:Stone presents a poem that celebrates love and life with poignancy and irreverence. At Christmas time, when it is cold and dark, a father peers past the "tops of pines" still trying to reach for stars and moves from the holiness of the moment to the sons asleep in the house, unaware in their dreams of boyhood things, "how fast we are all dying." Remembering another holy moment, when a child was born in a stable midst "cattle urine rising like steam," the father expresses his overwhelming feelings for life in a joyfully unexpected way: "I pee for joy."
Summary:In "Delivery," an African-American woman deals with the issues of personal identity for herself and her soon-to-be-born child. This child is alternatively a scheming enemy, a gentle baby, and an awesome stranger. Similarly, the staff around the speaker are variously accomplices in a persecutory treatment, or helpmates in a difficult but joyful experience. The male doctors tend not to listen to the speaker, who herself has trouble knowing to what part of her own feelings she should listen. By the end, the narrator gives birth to a male son, whom she wants to protect, but who feels like a stranger.
Summary:The Book of Mercy is a novel in which each member of a family tries to deal, in individually idiosyncratic ways, with his or her abandonment, as a family and as individuals, by their wife/mother.
Susan and Matthew Rawlings marry in their late twenties and raise four children. When the youngest child goes off to school Susan, who quit her job to mother, does not experience the sense of freedom that she expected. She feels simultaneously as if she has nothing to do worth doing and never has a spare moment to herself. Her day is taken up in waiting for the children to come home, consulting with the maid or worrying about dinner. She becomes anxious and distant, pulling away from her husband, who begins to have affairs.
Finally, in order to get some time alone, she rents a hotel room every afternoon where she just sits and thinks. Her husband assumes she is having an affair and tracks her down. Knowing that his rational world will not recognize her "irrational" feelings she tells him that she is indeed having an affair. The next day, she returns to the room and kills herself.
The Birth, appropriately, is the last of the three birth-cycle poems in The Annals of Chile, Muldoon's latest collection. The three together (all annotated in this database--see Sonogram and Footling) celebrate three aspects of the gestation and delivery of the poet's new daughter.
Beginning with the poet's donning a scrub suit ("lime-green scrubs"), the poem quickly explodes into a festive pyrotechnics that reminds one of Gerard Manley Hopkins and Joyce: ". . . the windlass-women ply their shears / and gralloch-grub / for a footling foot, then, warming to their task, / haul into the inestimable / realm of apple-blossoms and chanterelles and damsons / and eel-spears. . . . "
It takes courage and skill to carry off such a verbal tour de force but Muldoon aptly does so, charging the poem with the newness, sheer power of wonder, and joy of loving a thing for itself that his daughter's birth means to him. This is a joyous poem that can almost visibly demonstrate to students how poetry gets its job done. It may even make more than a few try their hand.
Summary:Paul Muldoon is one of Ireland's most prominent poets. He is a poet's poet, celebrating language, Irish culture and Ireland in almost every word. In "Footling", "Sonogram" (the preceding poem), and "The Birth" --all from his latest collection, The Annals of Chile--Muldoon is apparently chronicling the recent growth of his family in a poetic triptych of power and inventiveness. "Footling" describes the seeming reluctance of the poet's daughter to venture forth and breach the "great sea-wall" in order to "take a header" into the great "ground swell (italicized) of life." See this database for annotations of Sonogram and The Birth.