The Flight Portfolio
Orringer, Julie
Primary Category:
Literature /
Fiction
Secondary Category:
Literature /
Genre: Novel
-
Annotated by:
- Trachtman, Howard
- Date of entry: May-21-2020
Summary
Historical fiction,
the artistic space that exists between actual persons and events and a writer’s
imaginative ability to create a new story, is an established genre. The
narrative usually is told by someone whose name does not appear in history
books but who was a firsthand witness to events as they unfolded and the people
who influenced their course. A variant are novels that are written from the
perspective of someone who is in fact part of the historical record but is either unappreciated or overlooked. The extraordinary
success of Hilary Mantel’s trilogy of Elizabethan novels written in the voice
of Thomas Cromwell, a chief minister to King Henry VIII, attests to the appeal
of this format. Julie Orringer’s wonderful book “The Flight Portrait,” falls nicely into this category.
The novel is
written through the eyes of Varian Fry. His name is not well known today. But
he was a well-regarded journalist who wrote from Berlin in The Living Age and the New
York Times about Hitler’s savage treatment of the Jews in Germany in the
mid-1930s, well before most of the world came to realize the existential threat
posed by the Nazi regime. After a brief period in the United States, he
returned to Europe in 1940 and formed the Emergency Rescue Committee (ERC).
Over the next year, with money that he helped raise, Fry was able to help over
2,000 embattled artists, scientists, philosophers, and writers to escape Europe
and find safe haven in the US. Among those Fry saved were Andre Breton, Marc
Chagall, Jacques Lipchitz, Hannah Arendt, Max Ophuls, Arthur Koester and Claude
Levi-Strauss. It is hard to imagine the counterfactual, a world deprived of the
contribution of these people because they perished in Europe. The novel details
the complications, emotional and physical, that Fry, a non-Jew from a wealthy
family, endured as he arranged for safe passage across the Pyrenees or by boat
out of Marseilles for his anxious petitioners. The fraught negotiations with
Vichy officials and the against the grain support he received from some heroic
individuals in the US consulate, specifically Hiram Bingham IV, are played
across the taut chapters. The title refers to a collection of unique artworks
that the artists created to call attention to their plight and help raise funds
for the ERC. The tension is palpable, the threat is real, and outcome uncertain
until the end. It is an intelligent and engrossing read.
Publisher
Alfred Knopf
Place Published
New York
Edition
2019
Page Count
556
Commentary