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Annotated by:
- Bruell , Lucy
- Date of entry: Mar-06-2020
- Last revised: Mar-06-2020
Summary
A construction crew enters an abandoned apartment in NYC and
finds an older man in a wool overcoat asleep in the bathtub. He can’t tell them his name or how he got
there, just that he’s waiting for his friend, Sheila, to come back to the
apartment. The building manager (Steve
Buscemi) throws him out of the building and into a life on the street,
drinking, sleeping wherever he can, and riding the trains. His name, we later find out, is George
(Richard Gere), and he is one of NYC’s homeless men. George can’t seem to remember much about his
past, only that his wife died of breast cancer, he lost his job, and he
has a daughter (Jena Malone) who works at a nearby bar but wants nothing to do
with him. After nights trying to find a
warm place to sleep, George ends up at the Bellevue Men’s Shelter where he is
befriended by Dixon (Ben Vereen). Dixon shows
George the ropes—how to apply for assistance, where to get a copy of his birth
certificate, where they can get a shower up in the Bronx. But
Dixon disappears, removed from the shelter ostensibly for being disruptive.
George is left on his own.
We don’t know who Sheila is, or even whether she is real. George sees a woman (Kyra Sedgwich) pushing a shopping cart by the river and calls out to her. She’s not Sheila. They share a couple of cans of beer and spend the night in a park near the river. “ You’ve got to get along to get along,” she tells him. Your real friends will look out for you on the street.” But in the morning she is gone- George wakes up to laughter from boys who are snapping photos of him under his blanket. On his own again, in and out of shelters, George drops by the bar to see his daughter, hoping to overcome their estrangement.
We don’t know who Sheila is, or even whether she is real. George sees a woman (Kyra Sedgwich) pushing a shopping cart by the river and calls out to her. She’s not Sheila. They share a couple of cans of beer and spend the night in a park near the river. “ You’ve got to get along to get along,” she tells him. Your real friends will look out for you on the street.” But in the morning she is gone- George wakes up to laughter from boys who are snapping photos of him under his blanket. On his own again, in and out of shelters, George drops by the bar to see his daughter, hoping to overcome their estrangement.
Year
2015
Commentary