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Annotated by:
- Bertman, Sandra
- Date of entry: Jul-19-2009
- Last revised: Jul-18-2009
Summary
A tightly walled cube-shaped block of buildings seemingly made of child’s building blocks looms in the midst of a barren foreground of stony rubble and a background of hazy nondescript sky. No sign of life, human or vegetation, anywhere. Entirely in shades of muted yellow, orange, ochre and brown, coloring suggestive of a crematorium, the canvas reeks of desolation.The only window into the tomb-like image, seen from above, is a carved cut-out star of David through which can be glimpsed a more detailed view of the abandoned ghetto. Barely visible, a pale yellow cloth remnant of the star of David stitched to their clothes to identify Jews sits atop one of the rooftop slates.
Miscellaneous
This picture was later used as a jacket for Yitzhak Arad's book on the struggle and destruction of Vilna's Jews.
Primary Source
Samuel Bak, Painted in Words: A Memoir (Indiana/Pucker), 2001, p. 372, insert.
Commentary
Interesting comparisons of "The Ghetto" and "The Ghetto of Jewish History"" might be made with Japanese American artist, Henry Sugimoto`s "Jerome Camp" and with Arnold Bocklin's "Island of the Dead" although both of these are somewhat relieved by undergrowth, cypress tress or a solitary boat with two passengers.
Set to a poignant piece of music, a brief slide show of details and symbols from Bak's works, as well as an interview with Bak and images and commentaries on several of his works provide an excellent introduction to this master contemporary artist (see The Jewish Heritage Online Magazine: http://www.jhom.com/arts/bak/index.htm)