Showing 341 - 350 of 426 annotations tagged with the keyword "Pain"
Keats urges his reader not to respond to melancholy by committing suicide. He says to avoid poisons like Wolf's-bane, nightshade, and yew berries. Instead, when most depressed, "glut thy sorrow" on the beauty of a rose or the rainbow of salt and sea. Likewise, if your mistress is angry with you, look into her eyes and feast on their ephemeral beauty.
Contrast is the key to pleasure. Melancholy is not the moment for death, but an opportunity for a fine experience. It is the fine balance between pain and pleasure that is ideal. The final stanza rephrases this idea. Beauty is always ephemeral; joy is always about to leave, but these are man's highest moments.
Summary:This poem concerns the poet's painful loss of his infant son: "a brown berry gone / to rot just two days on the branch . . . . " The anguish is raw and fierce. Throughout the poem emotion and music are intertwined. The poet reaches for a way to deal with his grief and finds a "music great enough" to offer solace and understanding: jazz.
Summary:The speaker muses about his assumption--which he now believes to be incorrect--that "any person with normal feelings" or who was well-educated would understand "pain when it went on before them / and would do something about it." He tries to explain why, in fact, this does not happen. Perhaps "it escapes their attention" or perhaps . . . . The speaker enumerates his vision of massive slaughter and destruction--of children, animals, " victims under the blankets." [20 lines]
Summary:A young boy lies "coiled in my stale bed," suffering from an intractable ear infection, "overwhelming cures / with sourceless pus." His "coarse, cursing, and door slamming" grandfather comes into the room and lays his "scar-sizzled" hand on the boy's erythematous ear. The old man leans over and blows cigarette smoke into the child's ear. [44 lines]
Anna, the "I" of this journal, suffered the pain of emotional abuse in her childhood. As an adult, she works in a hospice and cares for patients consumed by physical pain. She begins to "hunger for storylessness," wishing to find a way to separate pain from the experience of pain; yet without a narrative frame she cannot recognize pain in its original and pure state--the pain that occurs before language or thought. And so she enters into a meditation practice in order to see pain "uncompounded."
The book is divided into three sections, each reflecting a part of Anna's meditation practice and each containing sections of dreams, meditation notes, and musings on three friends who have died. As her meditations deepen, Anna begins to see pain in more detail, and in so doing begins to understand the difference between pain and suffering. Pain, she concludes, is inevitable. But suffering can be dismantled, carefully, like a house might be. The goal is to keep the house "whole enough" so it doesn't collapse and crush the individual living within.
By the author's own admission, this memoir is a collection of fragments taken from her memory of bits and pieces of her four year experience as a nurse in an evacuation hospital unit following the front lines up and down the European theatre during World War I. The work is fragmented because this experience was fragmented.
The first few chapters are dream-like descriptions of the men marching into battle and crawling back, or being carried back. The second collection of short vignettes dips--just a wee bit--into some of the individual soldiers' immediate stories. The latter segment of the book deals in more detail with the operations of the field hospital, some of its personnel, and some of the patients. Finally, the author treats the reader to a handful of poems, perhaps unnecessary, since the entire memoir is like one giant poem.
Some interesting and very odd characters (including a few scientists and researchers) inhabit the eleven short stories in this collection. In "Concerning Mold Upon the Skin, Etc.," Anton van Leeuwenhoek creates his first microscope and becomes so absorbed by the invisible worlds revealed to him that he neglects his own family. "Nowhere" is the tale of an old anatomy professor who aspires to spice up the curriculum by obtaining a corpse for his students to study. "Tumbling" recounts the difficult life of a young woman understandably haunted by the possibility that she may inherit Huntington’s chorea from her father and her inspired liberation of over one thousand laboratory mice.
In "Chloroform Jags," a professional midwife self-experiments with chloroform "not to escape time but to dissolve time." Other stories describe the execution of an elephant; the murder of a physician who happens to be an important figure in the French Revolution; a woman with a talent for insomnia who has not slept for six months; a psychoanalyst and his patient; an eighteenth century blind beekeeper; and Dorothea Dix, an early advocate for the humane treatment of the mentally ill.
Alan Shapiro, poet and professor of English at the University of North Carolina, Chapel Hill, chronicles the life and death of his sister, Beth, who died of breast cancer at the age of 49. Beth lived the last four weeks of her life at a hospice in Texas--this memoir traces those weeks in particular and refracts them against decades of family dynamics, turmoil and triumph. The memoir is composed of 14 tersely named chapters ("The Death," "The Joke") followed by "Afterwords": six poems about Beth.
Alan is the youngest of 3 siblings; Beth was the oldest and David, an actor is the middle child. Despite, or perhaps because of their age difference, Beth and Alan were very close. It was he whom she asked to write her eulogy and it was he who stayed the entire 4 weeks of hospice, save for a brief trip home. From Alan's love and devotion grows an admiration for Beth's integrity in life and death.
Beth married an African-American man, fought for liberal causes, and suffered complete estrangement from her parents due to her choices. Her husband, Russ, must deal not only with the loss of his wife and their daughter's loss of her mother, but also with the prejudice of the Shapiro parents and the medical establishment. At one point Shapiro describes how, whenever he accompanied his sister and her husband to the doctor's office, Alan, not Russ, was treated as the spouse and decision-maker.
Shapiro vividly depicts the poignancy of parent-child relationships. Gabbi, the seven-year-old daughter who loves horses, gallops through the house with grace and abandon not possible at the hospice. Alan's anger at his father's actions and his forgiveness of his mother's accomplice role are also strongly demonstrated. A great strength of this book is the choice of detail: the mother completes a book of crossword puzzles during the vigil; the brother becomes infatuated with a particular joke he wants to memorize; nurses leave a solitary rose on the bed of the newly dead at the hospice.
Shapiro is keenly interested in being with his sister right at the moment of her death. He describes the end: "one long, deep, and profoundly eerie moan . . . That moan, I'm certain, marked the end of Beth, the end of life, though the body went on breathing for another minute or so, each breath a little fainter, weaker, the body's electricity guttering down, dissolving, till there was no breath at all." (pp. 111-2)
He also analyzes whether this was "a good death." There had been many gifts: Beth's recognition of her importance, her reconciliation with her father, and her acceptance of her mother's devotion. However, Shapiro also keeps the reader cognizant of Beth's suffering and the now motherless child, the spouseless husband and the myriad other ways that Beth's death marked a void.
Harry Potter and the Goblet of Fire is the fourth book in a planned series of seven (see annotation of Harry Potter and the Sorcerer's Stone for an introductory summary). Unlike previous books, this one opens with the murder of a Muggle, Frank Bryce, the elderly gardener for the Riddle estate--a home where Tom Riddle Sr. and his elderly parents had been found dead many years before. Voldemort, although still weak and requiring much assistance from his simpering servant Wormtail and his snake Nagini, is positioning himself for a return to full power.
Harry's distinctive scar is burning with pain as he awakes from a dream of the previous scene. This scar had hurt once before, in book one, when Voldemort was on Hogwarts property. Harry alerts his godfather via owl post and joins the Dursleys for breakfast. Breakfast is meager because Dudley, always obese and obnoxious, has now grown to outrageous proportions and is on the diet ordered by his school nurse. His mother, to make him feel better, puts everyone on the same diet. Harry is once again saved from the Dursleys by the Weasley family, although Dudley and his appetite are the objects of a prank by the Weasley twins.
Arthur Weasley (the father) who works for the Ministry of Magic in the Misuse of Muggle Artifacts Office has secured top notch tickets for all to attend the World Quidditch Cup. This fantastic event is marred by the appearance of signs of support for Voldemort by his followers, the Death Eaters, and Arthur hurries home with his charges in tow via Portkey transit.
Harry, now fourteen, enters Hogwarts for his fourth year. This year is different for all of the students due to the resurrection of the Triwizard Tournament, a dangerous international competition for a selected champion from each of three schools, Durmstrang, Beauxbatons, and Hogwarts. Although underage, Harry is selected by the Goblet as an extra competitor from Hogwarts. Everyone is concerned for the competitors' safety (the famous Viktor Krum, the enticing Fleur Delacour, and the decent Cedric Diggory). In particular, Harry's life is in danger from suspected foul play.
Adolescent love, the nastiness of poison-pen reporter Rita Skeeter, the ever-vigilant nature of Mad-Eye Moody (an Auror who caught Death Eaters in the past and who now teaches Defense Against the Dark Arts), spells that cause loss of control, excruciating pain or death, enslavement of house-elves, money, and variable degrees of professionalism by members of the Ministry of Magic, such as Cornelius Fudge, Bartemius Crouch, officious Percy Weasley, and Ludo Bagman are some of the themes and subplots in the novel. The traumatic end to the competition and follow-up lead Harry to witness and participate in some horrific events. Dumbledore, however, refuses to allow Harry to bottle-up the experience--Dumbledore understands that talk, openness, support, and rest are the first steps towards healing.
Harry Potter and the Sorcerer's Stone is the first in a planned series of seven books. Harry's wizard and witch parents, James and Lily, have just been killed by Voldemort, an evil wizard who was thwarted and severely weakened when he tried to kill one-year-old Harry. The murder attempt leaves Harry with a lightning-shaped scar on his forehead. Harry is whisked off to live with his Muggle (non-magical) suburban middle-class aunt and uncle (Petunia and Vernon Dursley) and their bullying overweight son, Dudley.
Fast-forward nearly ten years and chapter two begins when Harry is almost eleven and suffering a Dickensian childhood, forced to live in the cupboard under the stairs at 4 Privet Drive, the home of the Dursleys. Harry has not been told of his heritage, and is unaware of his own fame in the wizard world. He is punished when any hint of the out-of-ordinary appears, such as when he communicates with a snake at the zoo.
The narrative then follows our bespectacled young protagonist as Hagrid, the huge groundskeeper of Hogwarts School of Witchcraft and Wizardry, informs Harry that he is invited to attend the school, takes him shopping for the necessary school equipment such as cauldron and wand, and offers the first sign of affection that Harry can remember. Uncle Vernon rants and tries to prevent Harry from attending the school.
But when Vernon ridicules the name of Albus Dumbledore, the wise and beloved headmaster of Hogwarts, Hagrid hexes Dudley who sprouts a pig's tail, necessitating a visit to a private hospital. The train for Hogwarts leaves from London's King's Cross station, where Harry befriends the wizard Weasley family, who show him how to enter the magical Platform Nine and Three-Quarters.
Hogwarts has four houses, and the new first year students are placed into the appropriate house (Gryffindor, Ravenclaw, Hufflepuff, and the sinister Slytherin) by a Sorting hat. Harry's life takes a definite upturn as he finds he is a natural broomstick flyer and is chosen for the Gryffindor Quidditch team. This high flying game with three kinds of balls and seven players per team does lead to injuries. Madam Pomfrey is the school nurse and runs the hospital wing. She cures with special spells and the magic of rest.
The year at Hogwarts is filled with adventure, friendship, and danger. There are characters who seem to detest Harry, such as Potions teacher Severus Snape and a Slytherin first year, Draco Malfoy, mysterious characters such as Defense Against the Dark Arts Professor Quirrell, as well as a colorful assortment of ghosts and magical creatures. Harry and his Gryffindor friends Ron Weasley and Hermione Granger enter a quest: to prevent the sorcerer's stone from falling into the hands of Voldemort and his allies. The stone offers eternal life and hence would be key to Voldemort's plans to return to power.
During part of the adventure, Harry finds the Mirror of Erised, and mourns the loss of his parents anew as he sees them in the reflection. As the astute headmaster Dumbledore teaches Harry, however, love is more powerful than evil and death may not be the worst outcome: "After all, to the well-organized mind, death is but the next great adventure." (p. 297)