Showing 231 - 237 of 237 annotations tagged with the keyword "Technology"
Summary:This remarkable poem notes the contrast between the mechanical, technologically manipulated heart today (without faith or spirit) and the mysterious, spirit-creating heart of Riverius. In the days of Riverius, the heart created spirit which "descended like dew" into the body and "ascended like steam" into the head--"how souls and bodies blended!" But now all mystery and spirit are gone. Cadaver-cutting scientists made an ox of the heart which pumps "the blood in dispirited circles" (note the wonderful use of "dispirited").
Summary:The speaker in this poem provides a vivid portrayal of the recovery room experience from the perspective of an articulate patient. Where he had been warned about the room's brightness, he was unprepared for the keening woman in the adjacent bed and the "false and stark balm delivered to her crumpled ear" by the nurse. He and other "freshly filleted" and "drug-docile" visitors to this room wait in the anesthetized setting of otherness or in-between for release. The patient feels like a "diver serving time against the bends" or like one of eight piano keys parallely parked. While waiting for the return of sensation in his lower body, he imagines that he is like a "truculent champagne" loosening off "petulant bubbles," a few at a time.
Summary:A young boy's mother has just died, and out of grief and love, the father has her "resurrected." The family is told to think of the returned mother as having had a mild stroke, but, in fact, she wanders about the house like an inexpressive automaton. Her return from the dead leads to the destruction of the family: the eventual suicides of the boy's older brother and father. The boy, now a young man, becomes a Resurrectionist himself. He narrates the story with a direct, simple tone, which belies the eerie conclusion: he returns to the home of his youth, where his "family" awaits him.
The patient is lying on the table under an x-ray machine. He observes carefully the details of the machine above him--the three cables, the "crayon’s nose-cone," the traces of the electric tape that once bound the darker cable to the others. Now it is held by "serrated plastic ties." Everything is ready to "look into / whatever’s next, whatever it is I’m in for." What will appear on the film does not appear outside "under plain old sky," where it is "just beginning to snow."
Summary:Frankenstein's monster is speaking. "Bigger than the best, but not the best," he will do anything, he will not rest until "the earth is rid of that Creator / who dared to make a thing without a soul." He tells us that he is "the dark body . . . / made . . . to symbolize your dread." He warns us that he is not really something exterior or alien--we can find him in our sons and daughters, even in ourselves: "While you disperse in every dark theater / in streams of light, inside you I am whole."
Summary:In the future envisioned in the novel, many children are born with severe physical handicaps, the result of toxic environmental conditions. Their brains, however, are perfectly healthy. Scientists place the infants' stunted bodies in mechanical shells, then train them to perform complex technical tasks. At adolescence, their brains are removed from their bodies and placed in machines. Their machines are their bodies, over which they have complete control. The Ship Who Sang is the story of one of these children who is placed inside the hull of a space ship. She falls in love with one of the fleshly men who board her. The resulting trauma is resolved when it is decided that they will be partnered forever.
Summary:The narrator is a physician who has just saved an elderly woman from a "natural death" only to lead her to an "ungraceful one" as her life is maintained and monitored by machines. Images of a distant farm are conjured as the doctor wishes instead for his patient's spirit to rest peacefully at home.