Showing 1251 - 1260 of 1282 annotations tagged with the keyword "Death and Dying"
Summary:The poet stands in the Protestant Cemetery at Rome, beside the grave of John Keats, on which the epitaph is written: "Here lies one whose name was writ in water." The poet addresses the cemetery ("Fair little city of the pilgrim dead"), commenting on the beauty of the place and of its music: "Sing in the pure security of bliss." Yet, even this serene place cannot comfort the poet, who has inherited "the anguish of the doubt / Writ on this gravestone."
Summary:An old, man--a Chinese immigrant to America--is dying in Chinatown, "a sick dog" who yearns for his homeland and for the wife "who died waiting / in the home of my province . . . . " He can't relate to the young political activists who want him to join in protest against "this gray life"--a life which has never really engaged him. He imagines his ashes being carried by the waterways to join the ashes of his wife; she is the helmsman who will lead him back to comfort and joy.
Summary:In the waning days of World War II, Hana, a Canadian nurse, refuses to leave the temporary hospital in a Tuscan villa where she cares for her mysterious English patient, a soldier burned and bandaged beyond recognition. The patient is haunted by the memory of a love affair in North Africa. Hana is joined by Kip, a Sikh bomb-disposal expert, who becomes her lover, and by Caravaggio, a friend of her father and sometime-criminal-turned spy. The three establish a loose pattern of precarious existence in a ravaged world and form a bond of love around the dying man whose identity they try to uncover.
Summary:A young boy's mother has just died, and out of grief and love, the father has her "resurrected." The family is told to think of the returned mother as having had a mild stroke, but, in fact, she wanders about the house like an inexpressive automaton. Her return from the dead leads to the destruction of the family: the eventual suicides of the boy's older brother and father. The boy, now a young man, becomes a Resurrectionist himself. He narrates the story with a direct, simple tone, which belies the eerie conclusion: he returns to the home of his youth, where his "family" awaits him.
Summary:It is autumn. The "first cool spell" has come and made its changes, but life continues: "there's something besides // death and nothingness / even if winter is coming." You can never arrive at death. As you approach death, you diminish, so that in the end, "nothing is equal to nothing."
Summary:An elderly woman is dying in the hospital. She still speaks to the poet's persona, "even near the end when she only screamed / at her children that they wanted her dead." Though she seems to want to continue living, when she lapses into a coma, her children make "the doctor stop all heroic measures." Thus, they kill her just like she said they would.
Summary:Two persons are washing the body of a dead man. It becomes dark and they light the kitchen lamp. Because they don't know the man, they invent his story: "since they knew nothing about his life / they lied till they produced another one . . . . " When the body is finally washed, it "lay clean and naked there, and gave commands."
Summary:Three months after his son's death, the author is driving by "the storefront where we found his blue Toyota." He is simply doing errands, nothing special, but suddenly "the tears pour down / as I think how much he wanted to be a man . . . . "After the death, the author found his son's books, including "one stamped in gold but with all the pages blank."
Summary:This poem is narrated by a physician (probably a young resident) trying to keep Alabama alive ("my stern professor . . . frowns at my attempts to stoke the boiler in her chest.") But Alabama wants to die and whispers to him "Let me go." The physician-narrator, however, is completely committed to keeping her alive, slapping her and saying, "Dammit, Live!"
Summary:An adult tells a very simple story about her elderly grandparents. In the morning the speaker wakes the sleeping couple observing that Grandpa, who is ill and in pain, gains comfort from the old woman in bed beside him. In fact the grandmother IS medicine that "stops the pain" during the night, a medicine contained "in her unbraided hair." Grandma's act of crawling into bed with loosened hair sustains him; it is an act of compassion, of love and an oblique reference to conjugal union.