Showing 111 - 120 of 457 annotations in the genre "Short Story"
Bertie Shields, a second year college student, and Joyce Renfrew, a nurse, are conveying the body of a dead elderly woman to the morgue. After a brief lustful look at Joyce, whose plumpness does not go unnoticed or uncommented upon by either Selzer or Bertie, the latter averts his eyes to the leaner cadaver, going from "pubic woolgathering" to ribbon-spotting; for he notes with increasing meditative pleasure that the corpse is wearing a bright blue ribbon, tied in a small bow and sitting "at the side of her head like a butterfly." (p. 122)
Bertie waxes reflective, wondering who put the ribbon in her hair and when. Joyce, who looks thirty-five to Bertie and who has "heard about" Bertie from "one of the other girls", begins making verbal and then physical advances as they approach the morgue. Just as he has put the unnamed cadaver on her tray and is proleptically about to "slide the tray home," Bertie’s last sight of the cadaver as she is entering "the dark recess" is the "winky blue . . . "--a sight that goes unfinished as he feels Joyce’s hand on his buttocks. The inevitable happens, of course, on the now vacant stretcher.
Julia’s sister, Kara, has a recurrence of leukemia, and, because of the horrors of chemotherapy along with a dismal prognosis, decides to forgo treatment. Kara asks Julia, along with two of her closest friends, to participate in a "sweat," an Indian purification ceremony intended to "recenter" one’s spirit prior to death. The idea of her sister dying has caught Julia off guard, despite Kara’s dismal prognosis, her baldness, her gray color in the mirror.
Kara lives life to the fullest, without fear; in sharing her life, Julia had forgotten about the reality of death. Julia is surprised when in only five days the ceremony takes place, and thinks of all the practical reasons this ceremony makes no sense. Against her will, Julia takes her sister to the sweat tent and participates in the ceremony. Even though it might have hastened her sister’s death, Julia comes to realize the importance of the ritual, for as her sister dies, she, herself, feels closer to her than ever before, and is finally able to see how Kara’s life had fit into a larger design.
The story opens with the protagonist, identified only as the "Patient," being forcibly carried into the insane asylum. Once there, he no longer protests, but seems to accept his incarceration in the huge, overcrowded hospital. The doctor and other staff members seem particularly kind. Because the Patient rapidly loses weight, despite his good appetite, he receives a special diet.
The Patient notices a single scarlet flower among the many beautiful flowers in the hospital garden. He suddenly realizes that all the evil in the world is condensed into the scarlet flower. His mission is to destroy it. But when he attempts to pick the flower, hospital personnel prevent him from doing so, since picking flowers is prohibited. Eventually, he manages to destroy the flower, but notices a second scarlet blossom in the garden. He destroys that one as well, but a third scarlet flower appears. Finally, the Patient sneaks out at night to deal with the third flower, and then is found dead in the garden the next morning, clutching the remains of the scarlet blossom.
This short story is an examination of a young African- American girl’s first encounter with her own menstruation. She is totally ignorant about this natural biological event, thus is very frightened and believes that she is sick, even dying. She has no one to turn to, having been raised by her grandmother who has kept her ignorant. When she is discovered in the bathroom, bloody and afraid, her grandmother accuses her of having an abortion, which we learn was the cause of her own mother’s death. The story is a wonderful exemplar of how many women come to believe that female biology is something secretive yet powerful, natural yet mysterious, exalted yet slightly shameful.
A physician is called to visit a sick baby in an apartment in the poorer part of town. When he arrives, the baby is being cared for by a "lank haired girl of about fifteen," the child’s sister. The parents are out. The doctor is intrigued by the young girl’s forthrightness, the "complete lack of the rotten smell of a liar." He notices that she has a rash on her legs. She asks for some medicine to help her acne.
The doctor returns later when the mother is home. She speaks little English. Evidently the child had been in the hospital, but they had brought her home because she was getting worse with hospital-acquired diarrhea. The doctor examines the baby, discovering that she has a congenital heart defect, which is probably responsible for her failure to thrive. The doctor gives advice about feeding and prescribes some cream for the fifteen year old’s acne.
Later, the doctor’s wife and his colleagues comment on the baby’s family: they’re no good, they’re crooks, he’ll never get paid. In the end he does go back to the apartment. The baby looks a little better and the girl’s face is a little clearer.
The narrator, a writer who was a soldier in Vietnam, discusses what he calls "story-truth" and "happening-truth." Telling stories, he says, can "make things present." The narrator challenges the reader to determine whether or not the tragic wartime episode that he describes really occurred. At the same time, he makes clear that it is "story-truth" that gives meaning to life.
Summary:The neighborhood women sit in the kitchen comforting Leona Perry, whose baby has just been seriously scalded. "I was only out of the house for 20 minutes," she cries. But Allie McGee knows that she was gone for at least 45. "The last thing I said to her . . . keep an eye on the kids," Leona howls. In fact, 9-year-old Patricia had conscientiously looked after her three younger siblings, until she decided to scrub the floor. After all, Patricia thought, why can't our house be as clean as everyone else's? Why do we have to be the laughing stock of the neighborhood? So she began to boil some water for scrubbing, as she had seen other women do.
A waitress is assigned a particularly obese customer. She is mesmerized by him: by his physical appearance, what he orders, how he eats, and especially by his gracious manner toward her. The consideration he shows contrasts greatly with how she is treated by her demanding, insensitive boyfriend. The encounter is of major significance to the waitress: the story is framed by the first person narrative of the story within a story, and the final comment, "My life is going to change. I feel it."
Summary:This first person short story is narrated by a waitress who is describing to her friend, Rita, her experiences with a very obese and ugly man--and its effects on her relationship with her husband. She gives a detailed description of the fat man’s appearance, of his eating, and of his particularly kind nature. Then she describes her unfulfilling relationship with Rudy which now (after the fat man) seems wrong for her.
A doctor has become fascinated by mesmerism. He is curious to see what would happen to an individual put under hypnosis while dying. Would it stave off death? Would dying make hypnosis impossible? A friend agrees to be the subject of this experiment.
Seven months later, the doctor is called to the dying man’s bedside. As the patient’s breath and heartbeat slow, the doctor successfully hypnotizes him. The dying man feels no pain and responds to questions without rising from his trance. He asks the doctor not to wake him, but to let him die without pain. The next day, the patient’s eyes roll upward, his cheeks lose their color, and his mouth falls open. The man is apparently dead.
As they prepare him for burial, however, the tongue begins to vibrate and a minute later, answers the question the doctor put to the patient just before his death. "Yes; - no; - I have been sleeping - and now - now - I am dead," says the corpse. The amazed doctors leave the patient in exactly the same state for seven months. Finally, they resolve to wake him. As he begins to wake, the doctor asks what the patient’s wishes are. The dead man cries out that he is dead and must be awakened. The doctor wakes him and the corpse immediately falls apart into "a nearly liquid mass of loathsome - of detestable putridity."