Showing 111 - 120 of 483 annotations in the genre "Poem"

Hippocrene

Fishbein, Julie Deane

Last Updated: Aug-24-2006
Annotated by:
Chen, Irene
Aull, Felice

Primary Category: Literature / Poetry

Genre: Poem

Summary:

An empathetic physician feels as if there were "no boundary" between him and his patient, until he "intrude[s]" by drawing blood. As the patient’s "sufferance rises" during the painful procedure, the physician feels that he is breaking the Hippocratic Oath by adding to the patient’s suffering.

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He/She

Dunn, Stephen

Last Updated: Aug-24-2006
Annotated by:
Nixon, Lois LaCivita

Primary Category: Literature / Poetry

Genre: Poem

Summary:

After an argument with his wife, Dunn’s narrator considers differences between his instinctive male response to differences, and reliance on words. She always "argues beyond winning," "skewering him into silence." Next day she has forgotten her words, while he remembers each one wondering "if recovering from them is possible."

As a boy in the schoolyard he learned to argue with his fists, while she and her girlfriends [were] "learning other lessons." He, like other boys/men, didn’t use and is unable to perceive that her words, however wrong, derive from "much hurt and love." So what’s going on here? He is silent, resentful, feeling a need to strike or punch. She, on the other hand says to excess what she feels, using words, the skills she learned as a girl.

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High School Senior

Olds, Sharon

Last Updated: Aug-24-2006
Annotated by:
Aull, Felice

Primary Category: Literature / Poetry

Genre: Poem

Summary:

A mother reflects on the significance of her daughter’s anticipated departure for college. She compares how she felt before the birth of her daughter--unable to imagine what life would be like with her--and how she feels now, unable to imagine life without her. Since her birth, the child has been an essential part of the mother’s life, "like food or air . . . like a mother."

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The Hemophiliac's Motorcycle

Andrews, Tom

Last Updated: Aug-24-2006
Annotated by:
Coulehan, Jack

Primary Category: Literature / Poetry

Genre: Poem

Summary:

May the Lord Jesus Christ bless the hemophiliac’s motorcycle, the smell of knobby tires . . . This long-lined incantation of a poem takes the reader from the motorcycle raceway to the Kanawha River to the "oak tops on the high hills beyond the lawns" and, finally, to the hospital wards and the writer’s elderly roommate, who reads his grandson’s Bar Mitzvah speech. Isn’t it dangerous for the hemophiliac to ride in motorcycle races when even "a mundane backward plunge on an iced sidewalk" can bring him to the hospital bed and the "splendor of fibrinogen and cryoprecipitate"? Of course, but why not do so anyway!

This poem is a psalm, a paean of praise and gratitude to God--gratitude for oaks, and hills, and catbirds, and star clusters. "I want to hymn and abide by, splendor of tissue, splendor of cartilage and bone." The poet is also listening--listening for the presence of God in the silence: "may He bless our listening and our homely tongues."

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Hair

Corso, Gregory

Last Updated: Aug-23-2006
Annotated by:
Mahl, Evan

Primary Category: Literature / Poetry

Genre: Poem

Summary:

The poem, through an account of the narrator’s experiences with losing hair, explores issues such as aging, sexuality, and our impotence when faced with the vagaries of nature as it transforms our bodies. Ranging from ancient Egyptian lore to dime store pharmacies, Corso weaves a kaleidoscope of images about how humans treat and worry about their hair and how hair has been a mythopoetic vehicle for millennia.

Much of the poem employs angry though humorous language whereby the narrator speaks to his hair and pleads with the gods to reverse his fate. Corso writes, "To lie in bed and be hairless is a blunder only God could allow--"; and later, "Damned be hair! . . . Hair that costs a dollar fifty to be murdered!" The poem ends with an angry diatribe against hair and an inspired denigration of its mythological power.

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Mercury

Montgomery, Judith

Last Updated: Aug-23-2006
Annotated by:
Davis, Cortney

Primary Category: Literature / Poetry

Genre: Poem

Summary:

"Mercury" is a 41-line, free-verse poem divided into three stanzas. Although the narrative is filled with highly personal images, the poem's story is told from a third person point of view which serves to universalize the poem's theme: the often mechanical struggle of a couple to achieve pregnancy, and the fragility and innate sadness of that struggle.

In the first stanza, the poet sets the scene--a couple who rely on the daily reading of the thermometer that "measures their mornings / against a brimming point" (p. 44). When the thermometer indicates that "seed / and egg might meet and link" (p. 44) the man and woman have intercourse, but all sensuality has been "banished, by this elusive / goal: the child they lack" (44).

The second stanza, which is the briefest, gives us the likewise brief coupling of this man and woman, a stanza devoid--like the compulsive act--of spontaneous love or passion. A calculated sex-cry--"Baby, / Baby"--seems to be a cry both of their present desire and of their memory of a once--passionate relationship (44). The final lines leave the woman lying rigidly in the position her doctor has prescribed.

The final stanza brings a surprise. Suddenly there is the "crack" of a bird hitting their sliding glass door--"a spray of feathers splays / it's fist on glass" (p.44). Forgetting for now the need to lie still, to enhance her own chance for pregnancy, the woman rushes to the door, remembering the house finches that have nested in their yard--a gestation perhaps at first more successful than hers. "Seed seeping / down her thighs, the woman gathers / feather by feather / the splattered down, / cupping fragments tight inside / her empty fist" (45). The bird's death, in the midst of the promise of parenthood, parallels the nothingness inside the woman's fist, the perfect metaphor (as the non--gravid uterus is the size of a woman's clenched hand) for the emptiness of her womb.

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Gaudeamus Igitur

Stone, John

Last Updated: Aug-22-2006
Annotated by:
Coulehan, Jack

Primary Category: Literature / Poetry

Genre: Poem

Summary:

Gaudeamus Igitur was read by Stone as a graduation address for the class of 1982 at Emory University School of Medicine. The poem begins with "For this is the day of joy," and ends with, "Therefore, let us rejoice." Between these two lines, Stone (both poet and physician) piles image after image, detail on detail, paradox on paradox: "there may be no answer," he writes, "For you will not be Solomon / but you will be asked the question nevertheless." He writes about the sorrows ("For whole days will move in the direction of rain") and difficulties ("For the trivia will trap you and the important escape you") of medicine, as well as about the joys of medicine ("For there will be elevators of elation").

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Gravy

Carver, Raymond

Last Updated: Aug-22-2006
Annotated by:
Coulehan, Jack

Primary Category: Literature / Poetry

Genre: Poem

Summary:

Gravy is an unvarnished statement of gratitude. The poet is grateful to be alive "these last ten years . . . / sober, working, loving and / being loved by a good woman." Eleven years earlier, he had been told that he would die soon, if he didn’t quit drinking. He quit, met a woman, fell in love. "After that it was all gravy." When he was told that cancer was "building up inside his head," he told his friends not to weep for him. "I’m a lucky man."

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Grief

Hacker, Marilyn

Last Updated: Aug-22-2006
Annotated by:
Stanford, Ann Folwell

Primary Category: Literature / Poetry

Genre: Poem

Summary:

The speaker addresses her 20-year-old daughter, who has just lost her best friend in an automobile accident. This elegant five-part poem is a reflection on grief, as well as on the bond between the mother and daughter.

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Fate

Olds, Sharon

Last Updated: Aug-21-2006
Annotated by:
Aull, Felice

Primary Category: Literature / Poetry

Genre: Poem

Summary:

This is a poem of acceptance and personal strength. The narrator has given up the effort to NOT be like her father, a self-pitying, "defeated" failure. She accepts him, she becomes him, she is transformed: "I /myself, he, I shined." She understands that fate planted her, like a tulip bulb, in that family, and she is now "sure of [her]rightful place."

 

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