Showing 1011 - 1020 of 1021 annotations tagged with the keyword "Love"
Summary:A man speaks to his six-months pregnant wife. He says she lures him "to our conjugal bed / to use each other gently . . . . " He imagines "eyes staring at me from / deep inside" that "say we are captured . . . . " He concludes "We are / too sure we need each other / to let go."
Summary:An adult tells a very simple story about her elderly grandparents. In the morning the speaker wakes the sleeping couple observing that Grandpa, who is ill and in pain, gains comfort from the old woman in bed beside him. In fact the grandmother IS medicine that "stops the pain" during the night, a medicine contained "in her unbraided hair." Grandma's act of crawling into bed with loosened hair sustains him; it is an act of compassion, of love and an oblique reference to conjugal union.
Summary:Two lovers discuss their psychiatrists. Oz is Tod's psychiatrist, Rhadamanthus is Pumpkin's. They interpret their daily lives in light of what their psychiatrists say. In fact, their psychiatrists tell them how they feel about each other.
Summary:Through “suburbs and the falling light,” the poet follows his father, mile after mile, trying to reach “the secret master of my blood.” He tries to speak with his father, to tell him how things turned out--they lost the house, his daughter married, the poet “lived on a hill that had too many rooms . . . . ” Finally, at the water's edge, the poet cries out for his father to return; he implores him not to jump into the water. The father turns his head and reveals “The white ignorant hollow of his face.”
Summary:In the future envisioned in the novel, many children are born with severe physical handicaps, the result of toxic environmental conditions. Their brains, however, are perfectly healthy. Scientists place the infants' stunted bodies in mechanical shells, then train them to perform complex technical tasks. At adolescence, their brains are removed from their bodies and placed in machines. Their machines are their bodies, over which they have complete control. The Ship Who Sang is the story of one of these children who is placed inside the hull of a space ship. She falls in love with one of the fleshly men who board her. The resulting trauma is resolved when it is decided that they will be partnered forever.
The narrator has experienced an epiphany in which she can understand objectively, even forgive, her father’s abusive behavior toward her. She has seen in her mind’s eye her father as a child, in the bleak household where "something was / not given to you, or something was / taken from you . . . "; she wishes that the love she feels for her father now could have nurtured him as a child and saved him from becoming an alcoholic adult who mistreated his family.
The narrator observes how her dying father is changing as he dies. She experiences the process as if she were giving cosmic birth to him,
and as if she could protect him in the safety of her womb.
A powerful lament over a father’s wasted life, and the "purgatory" of living in a household dominated by alcoholism and marital discord. Strong and graphic language weaves a complex web of conflicting emotions: hatred and self-hatred, scorn and pity, condemnation and forgiveness.
The poet tells of having suffered two great losses--losses so monumental that they are comparable to death. She wonders if another such devastating event awaits her in the future.
Summary:An elderly, demented Dr. Cahn ("his mind had slipped its moorings years ago") is taken by his son to the hospital to visit Dr. Cahn's wife who is dying of cancer. They hold hands. She is touched and pleased that he has come, but sad at his inattention as his mind wanders. In the taxi on the way home, Dr. Cahn asks, "Are we home?"