Showing 11 - 20 of 281 Film, TV, Video annotations
Summary:Following the birth of her son, director Nanfu Wang’s foray into motherhood prompts her to consider her own upbringing in the shadow of China’s one-child policy. Starting from the experiences of her family and townspeople and extending to the policy’s international consequences, Wang documents the enormous cost of a social experiment that, when enacted in 1979, claimed to be absolutely essential for the economic salvation of the nation. Candid interviews with relatives, medical and governmental personnel, journalists, and activists are woven together with Wang’s personal musings on Chinese culture, civil liberties, and national memory. The film raises important bioethical questions, demonstrates a troubling intersection of medicine and the state, and confronts viewers with the realities of a policy that intruded into one of the most intimate aspects of a people’s humanity.
Summary:A construction crew enters an abandoned apartment in NYC and finds an older man in a wool overcoat asleep in the bathtub. He can’t tell them his name or how he got there, just that he’s waiting for his friend, Sheila, to come back to the apartment. The building manager (Steve Buscemi) throws him out of the building and into a life on the street, drinking, sleeping wherever he can, and riding the trains. His name, we later find out, is George (Richard Gere), and he is one of NYC’s homeless men. George can’t seem to remember much about his past, only that his wife died of breast cancer, he lost his job, and he has a daughter (Jena Malone) who works at a nearby bar but wants nothing to do with him. After nights trying to find a warm place to sleep, George ends up at the Bellevue Men’s Shelter where he is befriended by Dixon (Ben Vereen). Dixon shows George the ropes—how to apply for assistance, where to get a copy of his birth certificate, where they can get a shower up in the Bronx. But Dixon disappears, removed from the shelter ostensibly for being disruptive. George is left on his own.
Summary:Pamela Steele White was diagnosed with early onset Alzheimer’s disease at the age of sixty-one. A year later, in 2009, as her disease progression was evident, her son Banker, a documentary filmmaker, turned his camera on, and he kept it on until the autumn of 2012. His mother lived another four years.
Summary:In The Farewell, we follow Billi, a young Asian-American woman, as she takes an unplanned trip from New York to Changchun, China, to visit her grandmother—perhaps for the last time. Billi has just found out that her grandmother (Nai Nai) has lung cancer, stage IV. The doctor gives her three months to live. As troubling as such a diagnosis already is, the situation is further complicated by the family’s choice to lie about the truth of Nai Nai’s illness to her. Now, Billi’s family gathers to see Nai Nai under the pretense of a wedding, but the festivities can barely conceal a heartfelt and heart-wrenching struggle over familial responsibility, filial piety, and whether Nai Nai deserves to know.
Summary:For much of the western world, the Ebola crisis came and went without much fanfare. Perhaps we were jolted by the initial news stories, taken aback by the images from affected areas, and slightly unnerved by the travel advisories as we entered security lines at the airport. But for the most part, the Ebola outbreak was an abstract crisis affecting people on the other side of the world, multiple continents away. The closest that most Americans came to Ebola was to hear in the news about the four diagnosed cases in Texas and New York City. It is safe to say that most of the world remains unaware of the depths of this crisis in the West African hotspot countries of Liberia, Sierra Leone, New Guinea, and Nigeria.
Summary:Free-spirited six-year-old Moonee and her young mother Halley live in a motel on the outskirts of Orlando, Florida. In contrast to the families vacationing at nearby Walt Disney World, Moonee occupies her summer days by helping her mother hawk bootlegged goods to unsuspecting tourists and making trouble with other motel-dwelling children. With a ragtag and often burnt-out cast of characters, The Florida Project portrays the challenges of American poverty, the frustrations of familial (ir)responsibility, and the limits of a child’s ability to make the best of broken circumstances.
Summary:A coming-of-age tale told in the parlance of Generation Z, Eighth Grade depicts the last week of Kayla Day’s middle school career. The path has not been easy: Kayla struggles with social anxiety and doesn’t have many friends. She’s voted “most quiet” by her class, but despite her outward reality, Kayla contends on her personal YouTube channel that, in fact, she is humorous and cool and talkative, if only her classmates took the time to get to know her. Her assertions are put to the test in the following week, during which Kayla goes to a pool party hosted by Kennedy Graves (voted “best eyes”), attempts to kindle a spark with her crush, and attends a high school shadowing program. These experiences challenge Kayla to embody the advice she so readily espouses on her YouTube channel, and though she isn’t miraculously transformed into the most popular girl at school in time for graduation, she learns something of being herself.
Summary:Lily O’Connor is 30 something and working at a seaside arcade in northeastern England. She inherits some money from her mother’s small estate and wants to give her brother Michael his share. But, Lily lost track of Michael during their childhood after they were placed in separate new homes to protect them from the severe abuse their mother was inflicting on them. Michael has become a ne’er-do-well in adulthood, and so Lily’s search for him takes her through the dark alleys of London and puts her in the company of its dodgier inhabitants.
Here’s the breath,
here’s the breeze,
here’s the shimmer…and I’m falling down the rabbit hole.
I just lost 2 days. Chop it up. Chop it out of my life. All the outtakes. What would they look like if you put them all together.Lily’s adaptation to her seizures and their consequences vexes the physicians she consults, which she does only when her medications are stolen and she needs new prescriptions, and when she is taken to the hospital after particularly bad seizures. These physicians want to get Lily onto newer and presumably better medications. She resists, saying to one of them,
All I want is my old meds back.You know when my scripts change, it messes with my head every time. If you wanna know why I’ve stayed on the old meds, it’s ‘cause I know who I am…You have no idea how new drugs change me, they make me feel like a ghost. Words fall out of my mouth like vomit. My brain, a lump of cold meat. Nah, I’m not doing it.She decides to forgo all medications if she must move to a new regimen, but it doesn’t go well. Eventually she capitulates, adapts to new medications, and goes on with her life, or as she says, “Thrash, get up, get on with it.”
Summary:Kumail Nanjiani is a Pakistani-born American living and working in Chicago. In addition to driving for the ride-sharing company Uber, Kumail performs as a stand-up comic at a local club, hoping to be noticed and land a big break. During one of his shows, he meets a graduate student named Emily Gardner, and the two quickly develop an intimate relationship.