Showing 921 - 930 of 939 annotations tagged with the keyword "Suffering"
Summary:This short (10 line) poem presents a simple scene. A man leaves the hospital, carrying a woman's coat. "Clearly she would not need it." The weather is mild for December, but the man has zipped his coat, "preparing / for irremediable cold."
Summary:The poet stands in the Protestant Cemetery at Rome, beside the grave of John Keats, on which the epitaph is written: "Here lies one whose name was writ in water." The poet addresses the cemetery ("Fair little city of the pilgrim dead"), commenting on the beauty of the place and of its music: "Sing in the pure security of bliss." Yet, even this serene place cannot comfort the poet, who has inherited "the anguish of the doubt / Writ on this gravestone."
Summary:The speaker is poor, homeless, and desperate. The place is Minnesota, the season winter. He cries out, "I am a full-blooded Sioux Indian." He is about to go hungry and "to leap barefoot through gas-fire veils of shame . . . . " Yet, the man acknowledges, "my life was never so precious / To me as now." He will learn anything, do anything, be anything, for the sake of his precious "secret, / My life."
Summary:An adult tells a very simple story about her elderly grandparents. In the morning the speaker wakes the sleeping couple observing that Grandpa, who is ill and in pain, gains comfort from the old woman in bed beside him. In fact the grandmother IS medicine that "stops the pain" during the night, a medicine contained "in her unbraided hair." Grandma's act of crawling into bed with loosened hair sustains him; it is an act of compassion, of love and an oblique reference to conjugal union.
For those considering a comprehensive overview of plague in Medieval Europe, Hirsch’s long poem is extremely useful. Comprised of thirty-five stanzas, it provides an historical account of devastation associated with the onset of plague in Venice in 1347. An inventory of behavioral responses to catastrophic disease illustrates that responses to AIDS frequently mimic irrational behaviors associated with earlier epidemics. There are references to hysteria, scapegoating, flagellants, illness symptoms, escape, desperate cures, and religious fervor.
Summary:In this poem, a young woman with cerebral palsy must withstand the rude stares of children and the withdrawal of adults as they watch her walk to the beach. The narrator has never had a normal appearing body. She likens herself to objects in nature: mantises, crabs, coquinas. While these comparisons are not exactly flattering, they allow her to feel that she belongs in the world of nature. Only in the natural world are her jerky movements considered normal. Sitting on the beach she feels "inconsequential." Yet, the way her body is able to "stay the waves" and "more than stay-Resist," suggests that she is not inconsequential.
Summary:The poem is an exchange of questions and answers that compares life to a journey. The journey is up-hill all the way, but at the end is an inn, a resting place, that cannot be missed and which has a room for everyone.
An astrologer and palm-reader is about to close up shop for the day. He tries to induce one last client to buy his services. The man initially resists, but then gives in. The astrologer then reads in the man's past that he had once been stabbed and left for dead in his village. The man had all this time been searching for his assailant. The astrologer reveals that the assailant had ?died four months ago in a far-off town.? The client is relieved and goes home. When the astrologer returns to his home, he tells his wife that once he had tried to kill a man.
Summary:The poet expresses his love for his own coffin. In fact, he is already in the coffin. He urges the reader to see his coffin as a bench for his friends to sit on, or as a coffee table. Though it would be “so much simpler, less gruesome / to use an actual coffee table . . . or a real bench,” that would show us to be rigid: “We must make one thing / do for another.” He urges the reader to use his “pine box,” to take it home, to make it a “conversation piece.”