Showing 891 - 900 of 921 annotations tagged with the keyword "Suffering"
This anti-war novel is written from the point of view of an injured World War I infantryman (Joe Bonham). As the plot progresses we realize how severe the injuries are (most of his face has been blown away and eventually his arms and legs must be amputated--leaving a faceless torso) and why the story is being told by an interior monologue voice.
Interspersed with recollections of Joe Bonham's life is a description of his amazing struggle to remain human. Joe's quest begins with a search for "time," and once time has been found, he begins to "organize" his world. After many years of struggle to orient himself, he tries to reach out to others by "communicating" with them. Unfortunately, his initial attempts to move his head in Morse Code are initially misconstrued as seizures, for which he receives sedatives. Eventually, a nurse new to his care realizes what he is trying to do and informs his doctors.
What Joe wants most is to let the world know about the horrors of war. He assures his keepers that he could support himself in this venture if only they would let him out (people would be glad to pay to see a "freak" such as himself). The answer he receives in return, one which had to be "literally" pounded into his forehead: "What you ask is against regulations."
Condemned to death, Socrates, strong, calm and at peace, discusses the immortality of the soul. Surrounded by Crito, his grieving friends and students, he is teaching, philosophizing, and in fact, thanking the God of Health, Asclepius, for the hemlock brew which will insure a peaceful death. His last words are "a cock for Asclepius!"
The wife of Socrates can be seen grieving alone outside the chamber, dismissed for her weakness. Plato (not present when Socrates died) is depicted as an old man seated at the end of the bed. The pompous "medical celebrity"--as Tolstoy might describe him, were he one of Ivan Ilyich's five consults (The Death of Ivan Ilyich, see this database)--is pontificating on his rounds about the pharmacological details of the medication.
Summary:This poem is one of several by Stephen Dunn in which the dynamics of married life are examined. The speaker begins by saying that in marriage "anything that can happen between two people" eventually will, including things that cause incredible hurt and pain. The couple portrayed in the poem stays together through tacit agreement; whatever the hurtful event, neither refers to it. Instead, conversation centers on harmless subjects such as the garden, work, and little aches. While living together in the same house, the couple remains separate because forgiveness is not forthcoming for the spouse who trespassed.
De Quincey was a well-known 19th century English journalist and essayist. He was orphaned at a young age and sent away to school, where he was successful but bored and soon ran away. He then spent several years living as a vagrant in Wales, then London. In London, he was reunited with an old family friend who supported him financially and sent him to study at Oxford.
At age 28, De Quincey began to use opium (mixed with alcohol in the form of laudanum) regularly to treat his severe stomach pains. Though his intake was moderate at first, he soon became addicted. At first he rationalized the use of the drug. Later, he experienced opium-induced stupors in which he could not distinguish dream from reality nor note the passage of time.
He also developed memory loss and long periods of depression. He resolved to wean himself from the drug and did so, although in the final version (1856) of this memoir he admits to having slipped back into addiction a number of times.
Summary:Opening during the early days of World War II, this haunting story of love, war, families and nations, good and evil covers 60 plus years in the life of a young Greek woman on the island of Cephallonia. The narrative traces the disruption of the peace of the old village by Italian occupation, German cleansing, and Communist infiltration in developing a history, while revolving around the personal life stories of the island physician, his daughter and her deep and romantic love for an enemy soldier, and the cowardice and bravery of people caught up in the horrors of war.
Summary:The patient lies in the hospital after having a stroke. The "word" is the patient's best friend, but suddenly it's become what "you can't say." "You lie flat / in the white yards of the clinic" unable to find the word. Like a dog, it "drags its chain over the emptied / bowl, barks," but the patient is unable to call it or command it. The stroke victim must simply wait and listen.
Summary:Sometimes I'd spend the whole night coughing up / what I'd been breathing all day at work. With this beginning to a 20-line poem, the author presents the plain, straightforward suffering of a laborer with lungs damaged as a result of his job in a cotton mill. The doctor he consults simply advises that he get a different job, at which the speaker scoffs: "as if / a man who had no land or education / could find himself another way to live." His foreman more humanely transfers him to an outside position loading boxcars. But the damage has been done: "I'd still wake / gasping for air at least one time a night. / When I dreamed I dreamed of bumper crops / of Carolina cotton in my chest."
Summary:A man and woman walk through a cancer ward in which the man points out, "Here in this row are wombs that have decayed . . ." In other rows are "breasts" and "this great mass of fat . . . . " He instructs his companion to feel "rosary of small soft knots" on one woman's chest. The patients are dying. There is little to be done. "Here the grave rises up about each bed." Yet, "sap prepares to flow. Earth calls."
Susan and Matthew Rawlings marry in their late twenties and raise four children. When the youngest child goes off to school Susan, who quit her job to mother, does not experience the sense of freedom that she expected. She feels simultaneously as if she has nothing to do worth doing and never has a spare moment to herself. Her day is taken up in waiting for the children to come home, consulting with the maid or worrying about dinner. She becomes anxious and distant, pulling away from her husband, who begins to have affairs.
Finally, in order to get some time alone, she rents a hotel room every afternoon where she just sits and thinks. Her husband assumes she is having an affair and tracks her down. Knowing that his rational world will not recognize her "irrational" feelings she tells him that she is indeed having an affair. The next day, she returns to the room and kills herself.
Angelou’s four stanza poem is narrated by an elderly person, probably a woman. In each of the stanzas, the proud and forthright speaker dismisses the desire to stay alive. She sizes up her circumstances pragmatically--the inconveniences and disabilities. She can no longer bother with the print that has become "too small," the food that is "too rich," the tiring concerns of her children, and, finally, the weariness of life. Each is addressed in its own stanza, but the concluding refrain is the same; she will give up reading, then eating, then listening--and then life. "Today," she says rather convincingly in her final line, "I’ll give up living."