Showing 881 - 890 of 893 annotations tagged with the keyword "Society"
Summary:An old, man--a Chinese immigrant to America--is dying in Chinatown, "a sick dog" who yearns for his homeland and for the wife "who died waiting / in the home of my province . . . . " He can't relate to the young political activists who want him to join in protest against "this gray life"--a life which has never really engaged him. He imagines his ashes being carried by the waterways to join the ashes of his wife; she is the helmsman who will lead him back to comfort and joy.
Summary:A young boy's mother has just died, and out of grief and love, the father has her "resurrected." The family is told to think of the returned mother as having had a mild stroke, but, in fact, she wanders about the house like an inexpressive automaton. Her return from the dead leads to the destruction of the family: the eventual suicides of the boy's older brother and father. The boy, now a young man, becomes a Resurrectionist himself. He narrates the story with a direct, simple tone, which belies the eerie conclusion: he returns to the home of his youth, where his "family" awaits him.
Summary:An old man speaks his anger, bitterness, and rage: "The tiger in the tiger pit / Is not more irritable than I." His "hissing over the arched tongue" is an experience "inaccessible by the young."
For those considering a comprehensive overview of plague in Medieval Europe, Hirsch’s long poem is extremely useful. Comprised of thirty-five stanzas, it provides an historical account of devastation associated with the onset of plague in Venice in 1347. An inventory of behavioral responses to catastrophic disease illustrates that responses to AIDS frequently mimic irrational behaviors associated with earlier epidemics. There are references to hysteria, scapegoating, flagellants, illness symptoms, escape, desperate cures, and religious fervor.
This is the story of a woodman who hates the sound of the nightingale. The song unites all the other creatures of the forest. The bird’s music "shook forth the dull oblivion / Out of their dreams; harmony became love / In every soul but one." Every soul except the woodman’s is united by the emotion evoked by the nightingale. The woodman spends his days chopping down trees, each of which contains the soul of a wood nymph and provides beauty and shelter to the world. The world is full, says Shelley, of people like the Woodman who "expel / Love’s gentle Dryads from the haunts of life, / And vex the nightingales in every dell."
Summary:There are two short poems by this name. Both are about Mary Shelley's reaction to the death of her son, William (see also To William Shelley in this database). Mary Shelley's depression is so intense that her husband feels as if she too has died. Her body is still there, but her real self has "gone down the dreary road / That leads to Sorrow's most obscure abode." Shelley knows he cannot follow her into depression for her own sake; he must be strong to pull her back.
Summary:Shelley angrily asks why some people chase after death or knowledge of it. To analyze the source of life or the conditions of its end is "vain" curiosity. Such knowledge has no benefit; it merely is a case of man trying to usurp the role of God.
Summary:The poem is an exchange of questions and answers that compares life to a journey. The journey is up-hill all the way, but at the end is an inn, a resting place, that cannot be missed and which has a room for everyone.
Summary:Bleier uses the image of a lab coat as a basis to discuss the objective status of science. Is the white lab coat a symbol of purity, of aseptic neutrality, in which the scientist is wrapped? Or does it give the scientist a faceless authority that cannot be challenged? Bleier believes that our conception of science must be changed. It is not enough to simply clear androcentric bias. Scientists must recognize the values and beliefs that inform their work, rather than assuming they work in an apolitical, asocial vacuum. Scientists should commit themselves to human values.
Summary:At the bomb testing site, a lizard waits. It is expecting something, awaiting "something farther off / than people could see . . . . " The lizard grips the earth, "its elbows tense . . . ready for a change."