Showing 881 - 890 of 1001 annotations tagged with the keyword "Love"
Summary:In the Renaissance double portrait (c. 1480), an elderly man and a young boy gaze into each other's eyes. The old man is wearing a vermilion robe which gives his presence a vivid solidity. The child, painted in profile, rests his hand on one arm of the man whose other arm embraces him. The warmth of the orangey red is complemented by the cool gray-green wall behind the pair. A window opens the wall, revealing a peaceful sky and a distant mountainous landscape.
Dr. Pensack writes in the first chapter of his memoir: "Through a lifetime I have been in the process of dying, consistently surprised when reminded that life is appallingly brief, and briefer still for me. The prospect of an early death has amounted to little more than embarrassment and loneliness, even though the routine of living can be, and usually is, just one goddamn thing after another. A new heart was somehow supposed to be my bloody-red carpet of victory." (p. 7)
At age 4, Pensack's mother died of IHSS, Idiopathic Hypertrophic Subaortic Stenosis--now known as HCM, Hypertrophic Cardiomyopathy, a genetically inherited, progressive disease of heart muscle that results in early death. At age 15, Pensack receives the terrible news of his own fate--the disease afflicts both Pensack and his older brother--and thus launches a life of near death experiences, numerous hospitalizations, early experiences at the National Institutes of Health with early investigators of the disease, pursuit of his own medical training and eventual specialty training in psychiatry, marriage and children, and ultimately, the waiting and eventual transplantation of a younger man's heart into his chest at the University of Colorado Health Sciences Center when Pensack was 43.
Raising Lazarus tells of Pensack's journey through much of this, including his descent into madness, his fury and anger with medical colleagues, his poignant relationship with the heart surgeon who eventually performs the transplant, and the importance of his family in his refusal to die. While much of the book tells of the events leading to the transplant and post-operative period of Pensack's life, the reader learns of Pensack's early losses, including the death of his mother, and how these experiences shape the values of a gutsy and determined survivor, a man who continually returns to the struggle.
Izzy, a popular, active cheerleader, happily accepts a date with an attractive senior she doesn't know well, flattered to be noticed by him. At the party her date drinks too much, insists on driving her home anyway, and smashes the car into a tree. Marco suffers only surface wounds, but Izzy's leg is crushed and has to be amputated just below the knee.
During her weeks in the hospital Izzy finds that not only is her whole physical orientation to the world required to change--she suddenly sees every path in terms of obstacles--but her relationship to family and friends changes, too. Her three closest friends begin to avoid her, uncertain what to say or how to include her in their plans. In the meantime Rosamunde, a marginal classmate whose slightly unkempt appearance and quirky behavior makes her entertaining, but excludes her from the "in" crowd, moves into Izzy's world with curiosity, frankness, inventive amusements and a steady, if offbeat compassion.
In her impassive and demanding African American physical therapist Izzy discovers another unexpected source of comfort on terms she doesn't at first recognize as kind. As the story ends, Izzy is back at school, finding her way into a new, more challenging relationship to her body and her peers, and a friendship with Rosamunde unlike any she's known before.
This novel is a fictionalized version of a true story. In 1973 John Cappelletti from Penn State won the Heisman trophy, given to the outstanding college football player each year. When he received the award, he publicly "awarded" it to his little brother, Joey, then suffering from leukemia.
The story covers the two years prior to that event, a period when the relationship between the brothers deepened as John moved upward to fame and Joey's illness ran its slow course toward his eventual death in 1976. It provides many scenes from family life that show the range of ways a loving family of five children and a daughter-in-law collaborate in supporting Joey through hospital visits, remissions, a near-fatal coma, and increasing bouts of severe pain.
Jeff, a college-bound senior, is about to break up with his girlfriend, Christy, when she announces she is pregnant. He had stopped using condoms when she announced she was on the pill. He urges her to get an abortion. She wants to have the baby.
The pregnancy separates them, puts a deep dent in Jeff's plans for college, and hinders his participation on the nationally ranked debate team. He finds himself blamed, blaming, reacting stupidly (he gets drunk one evening and has to be picked up by his mother at the police station), and stuck in denial about his responsibilities until grad night when Christy is taken in for a caesarean section and the baby is born at 33 weeks.
Jeff, whose own father is distant and negligent, finds himself wanting to be a father to the child. As he starts college, he works out a way to share parenting responsibilities and maintain a friendly relationship with Christy even while he begins a new, more mature relationship with a young woman in college.
It is London, June 13th, 1923, and Clarissa Dalloway, in her late middle age and recovering from some kind of heart ailment, is about to hold a party. As she prepares for her party, Clarissa remembers--in flashbacks--the time when she chose to marry the wealthy politician Richard Dalloway over her more adventurous relationships with Peter Walsh and her possibly-lesbian friend Sally Seton.
Clarissa does not seem unhappy, just intensely aware that in choosing one kind of life for herself she has had to relinquish the chance of others. It seems that she has planned the party as a way to affirm the choice she did make, but it turns out to do more, to suggest that the other possibilities were not lost after all.
Another character's experience of June 13th, 1923 is also told: Septimus Smith, suffering from what we'd now call post-traumatic stress syndrome as a result of his experience in the trenches of World War I, is about to be hospitalized by his physician, Sir William Bradshaw, a specialist in "shellshock." To avoid this, he commits suicide by jumping from a window. The two plots come together when Sir William, a guest at Mrs. Dalloway's party, describes Septimus's death.
For Clarissa, his story disrupts the careful balance of her perfect evening. She goes up to her own window and for a moment, it seems, contemplates suicide too. But she returns downstairs to dance with her husband. Sally cuts in, leaving Clarissa free to talk, at last, with Peter. The unspoken threat of Clarissa's illness, as well as our knowledge of Virginia Woolf's own suicide, remind us of her fragility, yet the film leave us with the exhilarating sense of encountering a woman who is complete.
The wealthy 49-year-old Paul Dorrance, concerned about his health, summons his doctor and a cancer specialist for an examination. They pronounce him healthy, though in need of a rest from work, and Paul begins to ponder a life of renewed vigor, perhaps in marriage with a younger woman who would bear him children. Then he discovers on the floor a piece of paper containing the diagnosis of cancer.
He believes the doctors have deceived him, and his elation turns to self-pity and gloom. In that mood he decides to propose to Eleanor, his mistress of fifteen years whom he had previously decided not to marry, for companionship in the difficult time ahead. He proposes to her the same day as the consultation, without telling her of the diagnosis (even though she knows he saw the doctors).
She accepts his proposal, and she is not deterred when he reveals the harsh prognosis. Several years later Eleanor dies of a heart attack, and Paul soon discovers that on the fatal day of the consultation she . . . had done a certain thing [which readers will want to discover for themselves] that trumps Paul's egotism and manipulativeness in the relationship.
It is the year 2021. The last birth recorded on earth occurred in 1995 (Year Omega). In England, Xan Lyppiatt is Warden; he promises security, comfort, and pleasure to his people. Xan's cousin, Theo Faron, Ph.D., retired professor of history at Merton College, Oxford, becomes involved with 5 people who oppose Xan's worst policies: the Quietus ("voluntary" mass suicides of the elderly), the sending of all criminals to the Man Penal Colony where there is no one to control cruelty, the rules forbidding Brits from traveling abroad and allowing only Sojourners (slave/workers) to emigrate, the compulsory testing of sperm and routine examinations of healthy women, and state-run porn shops. Theo and the 5, one of whom is pregnant, flee to avoid capture by Xan's men.
Narrated by Jake Baker, a 73-year-old who'd been sent to a nursing home by his niece, this novel recounts the adventures of Jake and Lucas Kraft after they leave a nursing home to become cowboys. Lucas is a writer whose pessimistic view of life is the opposite of Jake's. Never able to tell the truth about himself, Lucas has lost both fame and love but not his lust for life.
The two men hitchhike west (with a series of crazy drivers) and eventually find jobs on a Texas ranch. Jake falls in love with Betty, perhaps the foulest-mouthed cook ever invented; Lucas finds Sally Crandall, his ex-wife, a movie star, and the love of his life, who's performing in a cowboy-and-Indians movie not far from the ranch. Jake and Lucas actually do become cowboys (in the movie).
Fanny Gideon is having a tree house built just like the one she remembered from her childhood. The best times of her life were spent in that tree house and she hopes to recapture the clarity, joy, and freedom of her youth. The problem is that Fanny Gideon is 78 years old and has Alzheimer's disease.
She struggles on a daily basis with trying to fit into a life that she does not like, and with constraints that diminish her sense of herself. Her daughter is thinking about placing her in a nursing home. Mrs. Gideon almost burns down the house on a daily basis. The cleaning lady follows her around when her daughter is out of the house.
This story is about how an elderly woman and her now elderly childhood sweetheart attempt to recapture both their youth and their current lives against all odds. It is about preservation of the self despite memory loss, renewal of love in old age, and about rebellion.