Showing 851 - 860 of 866 annotations tagged with the keyword "Patient Experience"
Uncle Jimmie is slowly dying of cancer, "the rat that gnawed away behind his ears." Jimmie believes that cancer is part of nature and must, at some level, be accepted. At first he permits surgery--they removed his ear and cheek and upper lip--but he eventually concludes, "Stop cutting . . . let / me go to earth and snow and silver trees." However, Aunt Flo will not let him go; she reads St. Paul and prays for his recovery.
Next the surgeons remove Uncle Jimmie’s tongue (without his consent?), but his eyes "kept pleading: Stop the cutting, let me go . . . ." So then they removed his eyes. Finally, "a specialist / trimmed away one quarter of his brain ... " Jimmie is left with no memory, lying in bed among his tubes, while Auntie Flo "comes every day / to read to bandages the Word Made Flesh, / and pray, and pay the bills . . . . "
Summary:Virginia (Olivia de Havilland) marries Robert (Mark Stevens), but she soon becomes profoundly disturbed and her caring husband sends her to a psychiatric hospital. Using Freudian techniques combined with physical modalities of electroshock and isolation, her psychiatrist (Leo Genn) leads her to overcome her amnesia and to understand that her illness is the result of unresolved yet misplaced feelings of guilt over a boyfriend and her father. Just before Virginia is happily restored to Robert, the asylum patients are gathered together at a hospital party where they sing of their yearning for home.
A depressed housewife, Eve White (Joanne Woodward), is brought by her husband (David Wayne) to consult a psychiatrist (Lee J. Cobb) because her behavior has been strange. Although she denies it, she has purchased uncharacteristically seductive clothing and has been singing and dancing in bars.
Her surprised doctor is soon confronted with a different but equally inadequate personality, the sexy Eve Black. He recognizes the case as an example of the rare condition, multiple personality disorder, and embarks on a course of psychotherapy in search of the woman's missing memories.
Eve's unhealthy marriage disintegrates when she chooses to remain in therapy rather than move away with her violent husband. Psychotherapy helps her to the repressed memory of an instance of childhood abuse: being forced by her mother to kiss the corpse of a dead relative. A third personality, that of intelligent, insightful Jane, slowly emerges to replace the other two. Jane establishes a new life with a loving man.
Summary:The speaker of this long poem is recovering from seven weeks of pneumonia, during which time he has been completely bedridden. On the day of the poem, he has just arisen and makes preparations to cook a pot of tomato soup with herbs and vegetables from his (now overgrown) garden. The poem describes the beginning of the day when the speaker gathers the food from the garden, later in the day when he applies various natural remedies, and the evening when he finally drinks the soup.
Summary:The speaker in this poem provides a vivid portrayal of the recovery room experience from the perspective of an articulate patient. Where he had been warned about the room's brightness, he was unprepared for the keening woman in the adjacent bed and the "false and stark balm delivered to her crumpled ear" by the nurse. He and other "freshly filleted" and "drug-docile" visitors to this room wait in the anesthetized setting of otherness or in-between for release. The patient feels like a "diver serving time against the bends" or like one of eight piano keys parallely parked. While waiting for the return of sensation in his lower body, he imagines that he is like a "truculent champagne" loosening off "petulant bubbles," a few at a time.
The patient is lying on the table under an x-ray machine. He observes carefully the details of the machine above him--the three cables, the "crayon’s nose-cone," the traces of the electric tape that once bound the darker cable to the others. Now it is held by "serrated plastic ties." Everything is ready to "look into / whatever’s next, whatever it is I’m in for." What will appear on the film does not appear outside "under plain old sky," where it is "just beginning to snow."
Summary:It is autumn. The "first cool spell" has come and made its changes, but life continues: "there's something besides // death and nothingness / even if winter is coming." You can never arrive at death. As you approach death, you diminish, so that in the end, "nothing is equal to nothing."
Summary:The poem describes the visual sensations of a person's "good year" as he is going blind. "Autumnal light / gave to ordinary things the turning / beauty of leaves . . . . " Normal colors became spectacular in their new manifestations and meanings. He was able "to look inside the top glow of each object" and discern its "inner texture." Even God might have such visions as these, if he "were only half the man he is."
Summary:In this poem, a young woman with cerebral palsy must withstand the rude stares of children and the withdrawal of adults as they watch her walk to the beach. The narrator has never had a normal appearing body. She likens herself to objects in nature: mantises, crabs, coquinas. While these comparisons are not exactly flattering, they allow her to feel that she belongs in the world of nature. Only in the natural world are her jerky movements considered normal. Sitting on the beach she feels "inconsequential." Yet, the way her body is able to "stay the waves" and "more than stay-Resist," suggests that she is not inconsequential.
Summary:This is a description and thank you to a female gynecologist and supporter of birth control who lived and worked in the 1930s. The narrator describes the gentleness and respect that marked the doctor's practice.