Showing 841 - 846 of 846 annotations tagged with the keyword "Caregivers"
Summary:This is the tale of the rise and fall of a gullible young woman who comes under the tutelage of a "quack," a practitioner of faith healing. Phillida firmly believes that she has the gift of healing and the reader finds herself wanting to warn her that she is about to unwittingly harm herself and others. The polemic against this form of medical charlatanism is only thinly veiled in the "art" of the romance form in which it is written. The plot itself is much less intriguing than the cast of characters Eggleston creates to expose the methods of late nineteenth century spiritual mesmerism as a means of public exploitation.
Summary:The speaker in this poem provides a vivid portrayal of the recovery room experience from the perspective of an articulate patient. Where he had been warned about the room's brightness, he was unprepared for the keening woman in the adjacent bed and the "false and stark balm delivered to her crumpled ear" by the nurse. He and other "freshly filleted" and "drug-docile" visitors to this room wait in the anesthetized setting of otherness or in-between for release. The patient feels like a "diver serving time against the bends" or like one of eight piano keys parallely parked. While waiting for the return of sensation in his lower body, he imagines that he is like a "truculent champagne" loosening off "petulant bubbles," a few at a time.
Summary:A college student takes a job as companion to a young composer who is considered crazy. The composer believes the ghost (Aghwee the Sky Monster) of his son visits him because his soul cannot rest; it cannot because the father allowed the child to die by agreeing to have it fed only sugar water. The composer dies when he thinks he's saving his son from being struck by a truck. The narrator, ten years later, recounts the composer's story because he connects it in his mind with an important event in his own life.
Summary:In the waning days of World War II, Hana, a Canadian nurse, refuses to leave the temporary hospital in a Tuscan villa where she cares for her mysterious English patient, a soldier burned and bandaged beyond recognition. The patient is haunted by the memory of a love affair in North Africa. Hana is joined by Kip, a Sikh bomb-disposal expert, who becomes her lover, and by Caravaggio, a friend of her father and sometime-criminal-turned spy. The three establish a loose pattern of precarious existence in a ravaged world and form a bond of love around the dying man whose identity they try to uncover.
Summary:Two persons are washing the body of a dead man. It becomes dark and they light the kitchen lamp. Because they don't know the man, they invent his story: "since they knew nothing about his life / they lied till they produced another one . . . . " When the body is finally washed, it "lay clean and naked there, and gave commands."
Summary:Snodgrass writes about an old veteran who took seven months to die. The voice in the poem is that of a hospital attendant who provided some of the tedious, technical care that kept Old Fritz alive all that time. Though Old Fritz's "animal" may have "grown / sick of the world," his "mind ground on its separate / way, merciless and blind." He endured, he kept on living. Old Fritz raged against death, although he also "whimpered" and cried "like a whipped child . . . . "