Showing 71 - 80 of 85 annotations tagged with the keyword "Rape"
15-year-old Alexandra is envied by her friends for dating Cliff, a popular, athletic senior. But his attentiveness, which she at first finds reassuring, gradually becomes a jealous possessiveness that separates her from other friends. She finds she is afraid to make choices without consulting him, or to do anything social without him. Her behavior is not unlike her mother's, who goes to great lengths to avoid displeasing her father who is quick to anger and insistent upon control and order.
Cliff's anger over apparently small differences becomes increasingly violent as time goes on. He forces sex on her and eventually hits her, after which he apologizes profusely with flowers and promises. By the time this cycle has repeated itself a few times, Alexandra realizes she has to escape. Afraid to do so on her own, she ultimately needs the help of both friends and the police.
The 18 poems in this chapbook (26 pages) focus on caring relationships, especially between nurse and patient. In "Standing There" the poet admits that "our history isn't an album of healers." There is little to be triumphant about in the world of nursing and medicine: "Our story is how we did not break / and run--no matter how close / the lightning gouged." In "Blue Lace Socks" she evokes a nurse beside the bed of a dying child, "listening for the whisper of her blood pressure."
"Butterfly," a poem about caring for young men with AIDS, is characterized by honesty and sensitivity: "They cough as I enter their room, / and something in me stiffens." Yet, the nurse is able to close the gap between herself and the patients and demonstrate her care: "they are migrating back to the cocoon, / the place where brown masks / protect the unbeautiful." Some of the other poems deal just as sensitively with the explosive topics of childhood sexual abuse ("Taste of Tin") and rape ("This Red Oozing"). Blue Lace Socks", Butterfly, and This Red Oozing have been annotated in this database.
In my dreams, now, in my re-imaginings, I leap away as easily as a deer, and with as little hesitation. My spandex-covered legs scissor the ditch, and my feet ride the ground instinctively. My brown hair sways as I dart off into the forest . . . In real life, I got into the truck. (p.25)
A young woman retells the story of her rape--to herself, to the reader, and to a therapist who possesses "no startling answers--just a quiet ability to receive and transmute pain." The art of transcending pain through communication is at the heart of this story. The narrator survives by talking to her rapist and challenging his human core, by revealing everything to caregivers, by allowing herself to replay and dissect the details of this trauma.
This novel tells the story of Jess Goldberg, a transgendered "butch" growing up in Buffalo, New York. Jess first learns to admit and negotiate her attraction to women and her butch identity. Immediately, she is faced with violence. The police raid the lesbian bars, arrest any woman wearing fewer than three articles of women’s clothing and routinely beat, strip, or rape them. Jess and her friends also face the violence of bashers who attack without cause on dark or well-lighted streets.
Nevertheless, Jess refuses to compromise. From a doctor, she gets a prescription for testosterone, goes to a gym and transforms herself into a bearded, muscular man. Having saved two thousand dollars, she has a mastectomy done. The doctor falsifies a biopsy, performs the surgery and makes her leave. By the end of the novel, Jess is secure in her identity and determines to fight to make the world safe for others like her.
A very accessible collection of poems with wonderful use of language and very strong imagery. Some, in particular "Baby Random" and "Between Rounds" offer a nurse’s perspective on caregiving. Other themes include abuse and abusive relationships, married and unmarried life, and in general the seeking and giving of refuge. There are also recurring figures/persons throughout the collection which give the work an almost narrative flow.
The physician author is puzzled about what he can do to help a young woman who comes to him for treatment of her chronic abdominal pain. She has had every test, seen every specialist, and has no clear diagnosis. Only on the third visit, which she has initiated, does he discover that she was sexually assaulted at age 14. He is the only person she has told.
He immediately feels out of his element, and asks her to see a psychiatrist. She refuses, and insists he handle her care. He sets up open-ended visits to allow her time to talk, and looks for help in the medical literature and from a psychiatrist colleague.
Over time, as they explore her feelings and experiences, his patient gains self esteem and transforms herself into a confident, beautiful woman, planning on travel, school, and career. After her last visit with him, he realizes, "I had been chosen to receive a gift of trust, and of all the gifts I had ever received, none seemed as precious."
Summary:A woman looks back on how a rape 15 years earlier still affects her life, her relationships with others, and the way she feels about herself. The event itself is recounted piecemeal throughout the story as the narrator describes the dissolution of her relationship with Lenny, whom she was seeing at the time of the rape, and compares her experience to the gang rape of an acquaintance. She compares Lenny with her husband, Dan, and the ways they dealt differently with the event; Lenny was helpless and passive, her husband, strong and protective. The narrator is caught between the desire to strike back and the need to submit to the mercy of others in order to stay alive.
The socialite mother of a single middle aged woman with two children tries to set her daughter up with blind dates. The daughter repeatedly refuses, despite her mother's persistence and her inability to understand why any woman wouldn't want a man in her life. The first and only time the daughter dated one of these men she was raped. The reasons he was attractive to her mother--his looks, money, power, and influence--were the very reasons the daughter knew it was hopeless to press charges against him.
As the daughter continues to live her life, she finds herself perfectly content to focus on her job and children, and to never want to be involved with a man again. The daughter knows that as difficult as her life is, it is not fair to inflict her problems on her mother, who has her own problems with loneliness and alcohol, or on her young daughters, who need to grow up feeling happy and secure.
Cora is a fourteen year old girl who lives in Oklahoma, probably during the early part of this century. She has had to assume the work of child and home care after the death of her mother earlier in the year. As she learns these new tasks she compares herself to her mother.
Her worst fear is of butchering time, when she has to hear the squeals of the pig being butchered and smell the fat as it is made into lye soap. After she carries food to her father and brothers in the field, her father pursues her and rapes her, telling her she is the woman in the family now. At the end of the story, butchering time is no longer her greatest fear.
Richard Kraft is about as burnt-out as a fifth-year resident in pediatric surgery can be. Overwhelmed by his stint in an inner-city, public hospital in Los Angeles, he seeks to hide from the misery of his patients by avoiding any personal connection with them. Then he meets twelve-year-old Joy, an Asian immigrant trying desperately to learn the puzzling ways of her new culture. She speaks words that trigger memories from Kraft's own childhood as the son of a U.S. agent in Joy's country, and he loses his distance.
He performs surgery on a life-threatening cancer in her leg, pulling back at the last minute in an unreasonable fear that he will hurt her if he cuts too deep. The implied result: incomplete excision of the cancer and a death sentence for the child he now tries, unsuccessfully to avoid. His avoidance is repeatedly foiled by Linda Espera, the physical therapist with whom he is falling in love and who will not let him abandon the emotional needs of any of the children in Joy's ward.