Showing 611 - 620 of 732 Poetry annotations
Summary:In a short 28 lines, Jarman captures the hothouse images of a bout of fever and the dreariness of an urban apartment where he recuperates under the care of his spouse. He can feel the way that, as he gets better, his wife's emotions unravel. She has suppressed her hatred of the apartment and the city--and perhaps, of his requirements of her as a nurse, despite the title's reference to marriage vows. As she cries, Jarman addresses himself in conclusion: "You have married the patient wait for exhaustion."
In this long poem (47 quatrains), Annandale visits his doctor after years of absence and tells the doctor his story. When his wife Miriam died, he mourned her, "wept and said that all was done." Then he met Damaris, "who knows everything, / Knows how to find so much in me." Damaris, who became his second wife, comforts and accepts him. Even though sometimes "her complexities / Are restive" and she becomes angry, soon "She folds her paws and purrs again.
Annandale tells this story of late life happiness, then leaves the doctor's office. He never reaches home: "There was a sick crash in the street, / And after that there was no doubt, / Of what there was." In the last five quatrains, the doctor reflects on what he did for Annandale after the accident ("the one thing to do")--euthanasia.
Summary:Like Paul Muldoon's Sonogram (see this bibliography), this poem was occasioned by the poet's wife's ultrasound of their first child, Tobias. (See pgs. 258-259 of the anthology for a description of the poet and his comments on this poem.) "Sonogram" is alternately lyrical and bright ("through succulences of conducting gel") and dark (" . . . or sinuses of thought / like Siracusa's limestone quarries, where / an army of seven thousand starved to death.") The language is highly poetic (and successfully so) in conjoining the worlds of medical technology and poetry ("or alveolus in a narthex rose") and playful ("God's image lies couched safe in blood and matter" punning on "vouchsafed").
Summary:The speaker's nephew has drowned at a young age. After the funeral, the speaker visits the grave to say a final goodbye. The speaker puts his "hand on the earth / above [the child's] dead heart," and observes that "it will be night / for a long, long time." Finally the speaker gets up to go and acknowledges a truth that he and the dead child share: "the cold child in the casket / is not the one I loved."
Summary:The Lesbian Body has been called a lesbian Song of Songs. It is a sensual, image-rich picture of one (or, perhaps, many) lesbian affairs. The images are rich in anatomical detail, even employing medical language to describe the lover's body.
Summary:A wonderful poem about an old, dying man recognizing he is dying before any one else in the family will admit it. He wants them to help him die--a kind of family consensus on euthanasia, which he seems to control. After much family discussion, they agree to help him by giving him enough pills to "put him to sleep." He jokes with his family as they assist his dying: "On the day it would happen, the old man would be funny again: wolfing down handfuls of pills, 'I know this'll upset my stomach,' he'd say."
Summary:This is a lovely poem about an elderly married couple who share a room at a nursing home. The woman is confined to bed because her backbone is "so thin / the doctor jokes that X-rays can't find it." Her husband's mind is gone. The woman reflects on the morning activities, especially those of the "night girl" who brings the breakfast trays and, later, bends down to take her husband's tray, "the perfume / still lingering from whatever went on / before last night's shift." The woman asks herself: How would this young girl of 20 know that the two elderly people she is caring for once "made love / in the sweetfern high on an island."
Summary:A highly referential poem, "St. Peregrinus' Cancer" (eight stanzas of four couplets each) "may be most indebted to the arcane [book] Watercolours of Cancer Patients' Dreams (Phoebe Lord, M.D., London, 1964)" according to the poet. (See pg. 254 of the anthology for a description of the poet and her comments on this poem.) The poem starts with an image of St. Peregrinus (Laziosi, the 14th century Italian patron saint of cancer patients who was himself miraculously cured of a cancerous foot after a night of prayer) crossing a field and quickly moves internally to the poet's family and private world, describing her and her mother's cancers. A dense poem, it relies heavily on imagery and punning (the word "crab" appears twice in case the reader didn't get the reference the first time).
Summary:The poem is a description of the experience of severe depression. The speaker describes how she goes about her day while "it"--the depression, unnamed in the poem--is with her always, keeping her from experiencing any pleasure in life.
Summary:The narrator describes the profound impact of motherhood on her life, so profound that she can barely remember a life without children. There has been a conversion to total commitment, " . . . that / instant when I gave my life to them," but when and how did it happen?