Showing 61 - 70 of 73 annotations contributed by Donley, Carol
Aimee and Ralph work at a carnival, Ralph collecting tickets at the Mirror Maze where uneven mirrors reflect distorted images. A dwarf named Mr. Bigelow comes to the maze; Ralph takes Aimee in to spy on the dwarf as he goes into a mirror room which reflects him as tall and slender. Ralph enjoys sneering at the dwarf, but Aimee feels sad and also feels very attracted to him. She investigates, learns he's a writer, wants to help him.
She decides to buy a mirror like one in the maze that reflects him as normal. Ralph, out of spite and perhaps some jealousy, replaces the enlarging mirror with one that makes people seem tiny. The dwarf "shrieking hysterically and sobbing" runs out of the maze. Aimee feels desperately sad and guilty, because Ralph would not have played that trick if he weren't irritated by her interest in Mr. Bigelow.
Summary:An overweight, young teenager whose mother is having a nervous breakdown, and whose father doesn't know what to do, is invited to spend the summer with her cousin in Mississippi. Through telling lies about her background, she works her way into popularity on her cousin's coattails. Then a boyfriend tells her she should lose weight, and she pretends there is something wrong with her thyroid. Still, she jumps at the challenge of swimming across the lake (five miles) with him, which she accomplishes to great applause, but when she gets back, her parents are there to take her home. Back in Indiana, she tries to keep the glow of the summer dream.
Summary:A wonderful poem about an old, dying man recognizing he is dying before any one else in the family will admit it. He wants them to help him die--a kind of family consensus on euthanasia, which he seems to control. After much family discussion, they agree to help him by giving him enough pills to "put him to sleep." He jokes with his family as they assist his dying: "On the day it would happen, the old man would be funny again: wolfing down handfuls of pills, 'I know this'll upset my stomach,' he'd say."
Summary:The narrator starts out at 300 plus pounds (disgusted with herself and remote from her husband). She takes swimming lessons and gradually acquires confidence in herself as she loses weight and inches. She sometimes refuses sex with her husband, starts to stand up for herself. But her swimming and diet become obsessive; she continues to lose weight and wants to disappear.
Summary:The narrator of this poem is the father who is dying. He takes all kinds of pills in different colors which he identifies, perhaps correctly, as poisons. He knows he is dying and so does his son, who brings him his medicine and "sees poison in my eyes." The last few lines are especially touching: "He wants to take my hand, but he's / afraid. That's two of us. / For heart I take a white one once."
Summary:This remarkable poem notes the contrast between the mechanical, technologically manipulated heart today (without faith or spirit) and the mysterious, spirit-creating heart of Riverius. In the days of Riverius, the heart created spirit which "descended like dew" into the body and "ascended like steam" into the head--"how souls and bodies blended!" But now all mystery and spirit are gone. Cadaver-cutting scientists made an ox of the heart which pumps "the blood in dispirited circles" (note the wonderful use of "dispirited").
The narrator of this poem seems to be starving herself to death to be with her father who has died recently. She talks of " . . . flirting with my father, / his cadaver the only body this thin / I have seen--I am walking around like his corpse . . . . " Her eating disorder may be a form of grieving. She has lost her will to live.
The poem says fat girls don’t dream they are Marilyn Monroe; instead their dreams are "much smaller: a dance with a man not a blind drunk, a folding chair that won’t cringe . . . . " Or perhaps they can step "into the arms of a man with Ruben’s eyes."
Summary:This sad poem, in the dwarf’s voice, describes the pain of having "crooked blood" and hands that "hop around sluggishly / like toads after a rain." The dwarf wonders why God doesn’t just throw him out on the dump because his body is so distorted and worn out.