Showing 581 - 590 of 622 annotations tagged with the keyword "Body Self-Image"
Ruthie is a thirty five year old overweight mother of two married to Ruben. Ever since her marriage, she has experienced pain with intercourse. She feels like an odd contradiction, with too much flesh and too narrow a vaginal opening, able to experience childbirth but not intercourse. She has read books about pain with intercourse, has tried lubrication, like her doctor recommended, but still the pain continues. She cannot imagine painless intercourse without completely leaving her body and wonders if she would ever get it back afterward.
She imagines what her life would be like if intercourse didn't hurt, how she would be fearless, attractive, sexual; how her husband would no longer turn away from her with indifference. As long as sex is painful, her life is concrete, full of duty and care. She imagines that without pain she would transcend this drudgery, even transcend her husband, and enter an ethereal world which centers around her.
Summary:The author recounts the last months of her sister's life as she slowly died of breast cancer in her mid-20's. The narrator and her sister, Cyndy, renegotiate their relationship and family roles throughout the illness. The narrator addresses the issue of living despite the prospect of dying, and of trying not to die while in the midst of attempting to live one's life. The narrator also recognizes the centrality of desire (in its broadest sense) in our lives, and describes our guilt about satiating our desires, the sense of loss from not ever really satiating them, and the inability to satisfy the desires of another.
An obese woman describes the advantages of being obese.
She is a fortress, strong, implacable, self sufficient, impervious to famine and weakness. She is a goddess, powerful, with the ability to crush anyone who does not take her seriously. Underlying the strong language of this poem is the reality of this woman's isolation. She is isolated from men and women alike, so afraid of being harmed by others that she chooses to be so threatening that no one will come near her. Her source of power is also her source of pain.
Summary:The conflicting experiences of puberty for girls is the subject of this poem. A girl's bodily self awareness coincides with society's devaluation of a girl's sexuality. The conflicts between innocence, dirtiness, sexuality, and learning "to love yourself again" constitute the complexity of coming of age for young women.
Summary:A young woman, Rachel, denies that she has an eating disorder, despite the concern of her boyfriend, Taylor, and her therapist, Karina. We see her complex system of denial, self-control, and isolation as the people who care about her most become more concerned and frustrated. Finally, through the confrontation of a beloved former professor, her therapist, and through meeting a physician whom she trusts for the first time, she begins to recognize her problem. She concludes, "I am only half here, and I don't know where I've gone."
Summary:A teenager with a large, classic, Jewish nose, decides to get a "nose job." She has seen how her aunt blossomed after getting her nose fixed, and believes her life would improve too. It does. But as she grows older, and begins to appreciate her Jewish identity as well as the need to learn to look inside, not outside, for one's personal value, she wonders about the rightness of her action. Clearly, her self esteem improved; she did learn to like herself for the first time. Still, if she had a daughter with a big nose who wanted to be fixed, what would she advise her?
This book is a series of essays about the illness experience. The author developed chronic fatigue syndrome (CFS) after a viral illness in 1988. Suddenly, this 41-year-old public policy analyst, who was also a successful writer and a competitive runner, was thrust into the world of severe disability. He developed subtle but extensive neurological deficits that affected his concentration and memory. For months he could hardly get out of bed. He discovered that not only was the cause of CFS unknown, many physicians did not even believe it was a "real" illness.
"Double Blind" tells the story of Skloot's participation in an ill-fated clinical trial of Ampligen, an experimental treatment for CFS. Other essays describe the author's experience with alternative medicine, including an intensive course of Ayurvedic "detoxification" ("Healing Powers") and a visit to Germany to encounter Mother Meera, an avatar of the Divine Mother ("Honeymooning With the Feminine Divine").
"Home Remedies" presents his comic experience with helpful calls and letters telling him how to get rid of the illness. Other essays deal with Skloot's learning to cope with chronic disability. A final section includes poems about the illness experience of several composers and artists (e.g. Carl Maria von Weber, George Gershwin, and Vincent van Gogh).
Summary:This short prose poem (a single paragraph) concisely tells a powerful story. A composer at an artist's colony believes he has fallen in love with a woman of almost sixty, a Japanese painter. One night, late, at her door, she acknowledges their mutual desire, but warns him that she has had a double mastectomy. He leaves her, apologizing. In the morning he finds that she has left a bowl on his doorstep, filled with dead bees covered by a layer of rose petals.
Summary:Determined not to like Ruth Thomas, Ann Stanley is immediately smitten by her charm and force of personality, and especially by her vitality--a vitality that too soon succumbs to breast cancer. As one of a cadre of women almost obsessively devoted to the care of a dying Ruth, Ann nurses Ruth through her final illness, until--in a move curiously like the decision of Charity (also dying of cancer) to keep Sid, her husband, sequestered from her final trip to the hospital, in Wallace Stegner's far superior novel, Crossing to Safety--Ruth flies to Florida to die at her brother's house.
This film is based on Anton Chekhov? play, Uncle Vanya (see literature annotation). It started out as an acting exercise and the actors worked on it for five years before the actual filming was done. The film is set in a crumbling Times Square theater, where the actors perform with no costumes and very few props. Andre Gregory plays himself, the play's director.
The story centers on a provincial Russian family whose lives are all upset when an aging professor retires to their country estate, bringing along his beautiful young wife, Elena (Julianne Moore). The result is that he is dissatisfied and people are brought together who are bored and in love with people who can? love them back. Astrov, the family doctor (Larry Pine) who falls in love with the young wife, is more interested in ecology than in medicine.