Showing 521 - 530 of 583 annotations in the genre "Novel"
This short narrative is told in the first person, the person of the quack. The tale opens with the narrator in the public hospital ward, suffering from what his doctors say is Addison's disease, composing the tale of his adventures which makes up the bulk of the work. The narrator tells us about his training as a physician and his first practice, which was sufficiently non-lucrative that he determines to alter his career direction.
He moves through a series of increasingly seamy scams in search of quick and easy money--including claiming to be a homeopathic physician, then an expert in vegetable remedies and "electromagnetic" treatment, falling through a multitude of suspect activities culminating in his setting up shop as a spiritualist. His shady career is cut short by his illness, from which he abruptly dies, thus ending the narrative.
The threat of biotechnological warfare and/or terrorism is the focus of this carefully researched and riveting novel by the author of The Hot Zone. The term "science fiction" doesn't quite do justice to this tale which lies just to the other side of Preston's usual domain of literary nonfiction. Though the particulars of this story of a genetic engineer who designs lethal virus bombs to thin the population and the counterterrorist group of scientists who attempt to stop him are fictional, the possibilities of such threats are real.
The counterterrorists are a motley and sometimes contentious group of recruits from the FBI, the Centers for Disease Control (CDC), and the U.S. military. Their agendas and methods differ, but the immediate death threat to the unsuspecting inhabitants of New York and Washington D.C. unifies them into an effective if not always efficient team. They discover the virus when five cases appear of what seems to be an acute and horrifying permutation of a rare neurological dysfunction that induces violent seizures and compulsive self-destruction by chewing on one's own flesh. The virus turns out to be a graft that could only have been produced by artificial means.
The search for the "mad scientist" with equipment capable of this sophisticated work takes weeks during which a handful of people have to live with the secret that a potential pandemic could literally explode in a local subway. The resolution, while in some ways satisfying, hardly dispels the uneasy implications which invite readers not only to serious reflection on our collective attitudes toward weapons research and development, but to activism.
Laurence "Tubby" Passmore is a successful scriptwriter for a television sitcom, in his mid-fifties, married and the father of two grown children. He is indecisive and inexplicably depressed, unhappy with himself, his fat body, bald head, wonky knee, and impending impotence. At least, he is confident in his marriage to Sally, an attractive, self-made academic who enjoys sex; on weekly jaunts to London, he maintains a supportive but platonic relationship with the earthy Amy.
Seeking to alleviate his woes, he dabbles in acupuncture and aromatherapy and regularly attends a blind physiotherapist and a woman psychiatrist; the latter counsels him to write a journal. His wife suddenly announces her wish for a divorce and the television network invokes a contractual obligation to make unwelcome demands on his skills. These events shatter his unappreciated but complacent "angst" and deepen his identity crisis.
Laurence scrambles to rediscover himself. He reads the gloomy, Kierkegaard--because he identified with the titles--and he travels to the existentialist's Copenhagen. He pushes the boundaries of his relationship with Amy in a maudlin trip to Tenerife. He befriends a philosophic squatter, called "Grahame" (with an "e" no doubt to distinguish him from Graham Green whose "writing is a form of therapy" is an epigraph to this book). He flies wildly off to Los Angeles hoping to rekindle a one-night stand "manqué." Finally he recalls and tracks the Irish Catholic, Maureen, his first girlfriend from forty years before. Maureen has suffered too--the death of her son and breast cancer; he finds her on the Road to Compostella.
Geek Love is the saga of a traveling carnival, the owners of which try to save it from financial failure by using ingested chemicals and toxins to create the birth of amazing freaks for the show. The outcome is a family that is both proud and vain about its specialness. The narrative unfolds the intricacies of greed and jealousy that tear the family asunder, resulting in the deaths of some members, the madness of others, and the escape of one.
It is Olympia, the hunchback albino dwarf, who lives on to tell the story of the Binewski clan. Central to the heyday of the carnival is Doc P, a physician of questionable credentials who performs bizarre operations in the traveling hospital that moves with the carnival. The story moves relentlessly toward a climax and denouement that is sufficiently unimaginable to be consistent with the cast of characters.
In the "brave new world" of 632 A. F. (After Ford), universal human happiness has been achieved. (Well, almost.) Control of reproduction, genetic engineering, conditioning--especially via repetitive messages delivered during sleep--and a perfect pleasure drug called "Soma" are the cornerstones of the new society. Reproduction has been removed from the womb and placed on the conveyor belt, where reproductive workers tinker with the embryos to produce various grades of human beings, ranging from the super-intelligent Alpha Pluses down to the dwarfed semi-moron Epsilons.
Each class is conditioned to love its type of work and its place in society; for example, Epsilons are supremely happy running elevators. Outside of their work, people spend their lives in constant pleasure. This involves consuming (continually buying new things, whether they need them or not), participating in elaborate sports, and free-floating sex. While uninhibited sex is universal and considered socially constructive, love, marriage, and parenthood are viewed as obscene.
The story concerns Bernard, an alpha whose programming is a bit off--he is discontented and desires to spend time alone just thinking or looking at the stars. At one point he takes Lenina on a vacation to the savage reservation in New Mexico. There he discovers John (the Savage), son of Linda who had visited the reservation more than 20 years previously and was accidentally left behind. When she discovered she was pregnant (the ultimate humiliation!), she had to remain among the savages. John returns to the Brave New World where he is feted as the Visiting Savage. However, he cannot adapt to this totally alien society and, ultimately, he takes his own life.
The opening chapters of this sensational novel focus on "Mercy Merrick," a nurse in the Franco-Prussian War. Mercy's post is taken over by the Germans. Mercy meets the emergency with great skill and aplomb, comforting the wounded soldiers and ensuring their safe passage. Her bravery is set in opposition to the cowardly surgeon and a timid English gentlewoman on her way to England to claim an inheritance from relatives who have never before met her.
In the midst of the battle, the English woman is killed. Mercy determines to take over the dead woman's identity and claim her inheritance. She successfully does so. However, it miraculously turns out that the Englishwoman was not dead at all, merely stunned, and she arrives in England looking for revenge. It is impossible for her to prove her identity until Mercy confesses. Even then, the reader has sympathy for the desperation that caused her to take on the impersonation and her story ends happily as she goes off to a happy marriage and to nurse orphans.
The story begins in 1882, when Friedrich Nietzsche's beautiful and mysterious former lover convinces the famous Viennese physician and mentor to Sigmund Freud, Joseph Breuer, to cure Nietzsche of his "despair" so that the world will not be deprived of the "most important philosopher of the next 100 years." Breuer is known throughout Europe for his use of hypnosis and the "talking treatment" that have been successful in the treatment of hysteria.
Since Nietzsche is skeptical of what Breuer can do for him, Breuer offers the challenge that they might help each other. Through subterfuge, Breuer convinces Nietzsche to remain for 1 month in the Lauzon Clinic. Their bargain: Breuer agrees to treat Nietzsche for his chronic migraine headaches, if Nietzsche, the great philosopher, will listen to and cure Breuer of his own despair. What follows is a brilliant tour de force in which the two men engage in daily discussion, bantering, and intrigue, much like a chess game, jockeying for position, as both men are transformed in unpredictable and astonishing ways.
This early 20th century novel is largely a tale of complex family and love relationships. It is the story of two brothers who vie for the love of the same woman, a competition that nearly destroys the men's friendship but that also leads the narrative into adventures on the frontiers of the Canadian Rockies during the building of the transcontinental railroad.
One of the brothers is inspired by a country surgeon to enter medicine and the middle third of the book deals with the physician training system of the time. The reader is introduced to representatives of both the finest and the most immoral of practitioners and practices. Running from his broken love relationship, the newly minted physician travels to the frontier where he assumes a pseudonym and practices medicine in the railroad camps. His work is inspired and he becomes a folk hero.
In a parallel narrative, the second brother, now a minister, also goes west, while grieving the fracture in his relationship with his younger sibling. Neither knows that the other has relocated to the Rockies. The remainder of the story details the doctor's work and eventual reunion with his estranged brother.
This first novel is written in English by a native Indian who makes her home in India. It is the tale of Esthappen (Estha for short) and his fraternal twin sister, Rahel, and their divorced mother, Ammu, who live in the south Indian state of Kerala. Ammu, a Syrian Christian, has had no choice but to return to her parental home, following her divorce from the Hindu man she had married--the father of Estha and Rahel.
The story centers on events surrounding the visit and drowning death of the twins' half-English cousin, a nine year old girl named Sophie Mol. The visit overlaps with a love affair between Ammu and the family's carpenter, Velutha, a member of the Untouchable caste--"The God of Loss / The God of Small Things." (p. 274)
Told from the children's perspective, the novel moves backward from present-day India to the fateful drowning that took place twenty-three years earlier, in 1969. The consequences of these intertwined events--the drowning and the forbidden love affair--are dire. Estha at some point thereafter stops speaking; Ammu is banished from her home, dying miserably and alone at age 31; Rahel is expelled from school, drifts, marries an American, whom she later leaves. The narrative begins and ends as Rahel returns to her family home in India and to Estha, where there is some hope that their love for each other and memories recollected from a distance will heal their deep wounds.
Richard Kraft is about as burnt-out as a fifth-year resident in pediatric surgery can be. Overwhelmed by his stint in an inner-city, public hospital in Los Angeles, he seeks to hide from the misery of his patients by avoiding any personal connection with them. Then he meets twelve-year-old Joy, an Asian immigrant trying desperately to learn the puzzling ways of her new culture. She speaks words that trigger memories from Kraft's own childhood as the son of a U.S. agent in Joy's country, and he loses his distance.
He performs surgery on a life-threatening cancer in her leg, pulling back at the last minute in an unreasonable fear that he will hurt her if he cuts too deep. The implied result: incomplete excision of the cancer and a death sentence for the child he now tries, unsuccessfully to avoid. His avoidance is repeatedly foiled by Linda Espera, the physical therapist with whom he is falling in love and who will not let him abandon the emotional needs of any of the children in Joy's ward.