Showing 521 - 530 of 566 annotations in the genre "Novel"
Williston (Will) Barnett, the damaged son of an old Southern family, is the protagonist of this rambling, picaresque novel. While living in New York, Will meets Kitty McVaught, a young Alabama woman whose father owns the world's largest Chevrolet agency. Will, who suffers from bouts of amnesia and fugue states, follows Kitty back to Alabama and meets her family, including her mother, who believes the South lost the Civil War as a result of a Jewish conspiracy; her older brother Sutter, a failed physician and self-proclaimed pornographer; her sister Val, a devoted Roman Catholic who works among the poor black children; and a 16 year old brother Jamie, who is terminally ill.
Will's mission in this novel is to discover why his father committed suicide when Will was 12 years old, and thereby achieve some healing of his own memories, but most of the action in the novel involves various members of the McVaught family, especially Sutter and Val, who represent the warfare between animal desire (Sutter) and angelic spirit (Val) in this fallen world. The novel's climactic scene takes place in Santa Fe, where Jamie undergoes a deathbed conversion. Afterward, Will presumably returns to Alabama to marry Kitty and do something constructive with his life.
Summary:Angelo Pardo, an idealistic young Piedmontese freedom fighter and cavalry officer, is living in exile in Provence and making his way to join his best friend in Manosque, when a cholera epidemic transforms the countryside, towns, and social structure of the region. By turns, he aids an altruistic doctor in futile attempts to save the dying, lives as a fugitive on the roofs of Manosque, helps a nun to dispose of the dead, and accompanies a beautiful young woman, Pauline, to her home near Gap. His adventures illustrate the transformations produced by an epidemic and the means taken for survival.
Summary:Su, a highly regarded journalist in a southern city, is going through a rocky menopause. In addition, her longtime partnership with her lover, Bettina, is faltering; she is having trouble writing; and she finds herself falling in love with octogenarian Mamie Carter, whose bridge club also metes vigilante justice on perpetrators of domestic violence. Into Su's hectic life appears Sister Gin, a mysterious figure who leaves notes challenging Su's work and sense of herself.
Larry is dying of multiple sclerosis. He walks only with assistance, suffers severe depression, is beginning to be incontinent, and has attempted suicide. His best friend, Chris, decides to take him duck hunting, a sport that has been central to their close relationship. This, however, will be their last trip: Chris has decided to drown Larry in the marsh, as a last act of his love.
As this novel retraces the growth of their friendship, it also traces the growth of Chris's love for Larry's wife, Rachel. Rachel has been an almost saintly caregiver for her husband, weathering his increasing disability and despair, while struggling to maintain her own identity and peace of mind.
John Binkerson ("Binx") Bolling is a young man from a "good" New Orleans family who for some years has devoted himself to money, sex, and watching movies. During Mardi Gras, when the novel begins, he wakes up to the vague feeling that something more is needed in his life.
We meet his Aunt Emily, a Southern noblewoman, and his cousin Kate, who is said to be somewhat unstable since her fiance's death some years earlier; she is currently engaged to the virtually invisible Walter. The action also takes us to the bayous, where Binx visits his remarried (Catholic) mother and her family, including his sickly adolescent stepbrother, Lonnie. (Binx's father died in World War II; Binx, himself, has survived service in the Korean Conflict.)
Subsequently, Binx takes a trip to Chicago with Kate; on the train she offers to have sex with him, but he refuses. Binx and Kate must then respond to Lonnie's unexpected death. In the end Binx decides to give up his business as a bond dealer and go to medical school, and he and Kate decide to marry.
This story, set in a hospital in a Japan demoralized by Allied air-raids, concerns an intern, Dr. Suguro, who is coopted by an ambitious senior surgeon to participate in medical experiments involving vivisection of captured American airmen. The experiments are to determine how much lung tissue can be removed before the patient dies, how much saline solution, and how much air can be injected into the blood before death occurs. Ostensibly this knowledge will improve treatment of tuberculosis which is ravaging the country. The real motivation arises from the brutality of the military, from competition among hospital department heads, and from an atmosphere of nihilism in the face of almost certain defeat by the Allies.
Dr. Suguro's acquiescence humiliates him. Paralyzed by moral conflict into non-action in the operating room, he succumbs to deeper shame and humiliation. The novel begins many years after the event, when a narrator comes as a patient to Dr. Suguro's dilapidated clinic.
In this short novel, published in the 1950’s by a popular Japanese fiction writer, the themes of cruelty, moral weakness, and contempt for human life in a medical school are portrayed. In a somewhat awkward series of narrations with flashbacks within flashbacks, the reader is introduced to the characters whose participation in wartime atrocities will be studied. Japan is suffering from the ravages near the end of the war. There is little food, daily bombing, and a general sense of futility.
The two surgical interns, Suguro and Toda, are the low men on a totem pole of power. Their aging chief is one of two contenders for the Dean’s position. He and his assistants devise methods of gaining attention for the promotion which include risky surgical procedures and, ultimately, vivisection experiments on American prisoners. The story line is carried by the acceleration of evil actions as the pressure for power increases. The motivations and internal deliberations of the two interns and one nurse whose characters are explored in some depth provide the human tensions.
Although he could be a court physician in Macedonia, Hippocrates has returned to the island of Cos, at least temporarily, to take over his dead father's practice. He is summoned to the villa of a wealthy citizen to consult on the fits of a daughter of the house. Using precise clinical observation, he diagnoses hysteria instead of epilepsy. Then, he relates the girl's psychological problems to the neglect of her selfish and adulterous mother, Olympias, who prefers her handsome, athletic, but rather dense (and as it turns out, illegitimate) son, Cleomedes.
A marriage is to be arranged with Cleomedes's obsession, Daphne, the exquisitely beautiful and intelligent daughter of a physician from Cnidus. But Daphne falls in love with Hippocrates, and he with her. In between solving clinical problems, including a real case of epilepsy, a botched abortion, and a broken hip in his own grandmother, Hippocrates is led along a tangled path of intrigue, seduction, and false accusations.
A fire destroys the medical library of Cnidus, killing Cleomedes, who, for once in his life had risen to heroism in attempting to save an invalid woman and her son. When the newly orphaned child reveals that Olympias and her old lover have committed arson, Olympias leaps from the highest wall to her death. Hippocrates is now free to marry Daphne. Adopting the child as their own, they return to the island of Cos.
Armadale is of interest for several reasons. First, the novel centers on issues of fate. Are our destinies determined, or can they be altered? The two heroes of the novel, Ozias Midwinter and Allan Armadale, are born under a curse. Midwinter's father murdered Allan Armadale's father. On his death bed, Midwinter's father warns that if these two sons ever meet, tragedy will occur. Midwinter learns the story and is uncertain whether to leave Allan or to work at changing their fate. Collins does not offer a solution, but provides plenty of opportunity for discussion.
Second, there is a doctor in the novel whose behavior is unethical to say the least. When the reader is first introduced to him, he is running a clandestine abortion clinic. When that operation is shut down by the police, he opens a private sanitarium. He privately confesses to being utterly uninterested in his patients' health. He only wants their money.
When the local ladies come to tour the facilities he espouses a system of liberal care, including dances, fine meals, and edifying concerts on Sunday evenings. However, the building is laid out with an intricate system of pipes that allow the doctor to keep his patients continually sedated. At the novel's end, the doctor helps plan a murder using those pipes.
Dick and Nicole Diver are a sparkling 1920’s expatriate couple with two small children. They are whiling their life away on the French Riviera. Dick is a psychiatrist who, when we first meet him, is not practicing. Nicole had been his patient at an exclusive clinic where she had been admitted after a "nervous breakdown" (schizophrenia) occasioned by an episode of incest with her father.
The first section of the book presents the Divers through the eyes of Rosemary Hoyt, a young actress who is vacationing with her mother and develops an ambiguous relationship with Dick. Later, in a long flashback section, we learn the story of Nicole’s illness and treatment, culminating in Dick’s marriage--with the support of her family--to the incredibly wealthy Nicole. In the interest of Nicole’s health, her sister (“Baby”) helps Dick purchase an interest in the clinic. The remainder of the novel describes a gradual role inversion, whereby Nicole grows strong, healthy, and sympathetic; while Dick gradually weakens, succumbs to alcohol, divorces Nicole, and is finally left drifting from practice to practice in upstate New York.