Showing 511 - 519 of 519 annotations tagged with the keyword "Ordinary Life"
Summary:In Montaigne's final essay he expounds upon the results of his long search for self knowledge via life experience. He uses disease, health, medicine and doctors as prime arenas for demonstration of what he has learned from living. On physicians: to be a "right" physician, one must have experienced every illness, accident or mishap one seeks to treat. On going to stool: to have a right bowel movement, one must have peace, quiet, punctuality and privacy to avoid unruliness of the belly. On treatment: "I hate remedies that are more troublesome than the disease itself." On the most preferable ailments: here the essayist writes of the advantages of stone: that is, the agony always ends, the disease does not portend death or worse, the sufferer spends more time feeling well than hurting, and it has political advantages for allowing a show of stoicism. And there is more.
Summary:The speaker of this long poem is recovering from seven weeks of pneumonia, during which time he has been completely bedridden. On the day of the poem, he has just arisen and makes preparations to cook a pot of tomato soup with herbs and vegetables from his (now overgrown) garden. The poem describes the beginning of the day when the speaker gathers the food from the garden, later in the day when he applies various natural remedies, and the evening when he finally drinks the soup.
Summary:The insomniac looks at the sky ("a sort of carbon paper") and "suffers his desert pillow." Projected in front of him are his life's embarrassments and bad memories. "He is immune to pills." He listens all night to "invisible cats . . . / howling like women." The sun rises, the city awakes, and people everywhere "Are riding to work in rows, as if recently brainwashed."
Summary:In this poem, a young woman with cerebral palsy must withstand the rude stares of children and the withdrawal of adults as they watch her walk to the beach. The narrator has never had a normal appearing body. She likens herself to objects in nature: mantises, crabs, coquinas. While these comparisons are not exactly flattering, they allow her to feel that she belongs in the world of nature. Only in the natural world are her jerky movements considered normal. Sitting on the beach she feels "inconsequential." Yet, the way her body is able to "stay the waves" and "more than stay-Resist," suggests that she is not inconsequential.
Summary:I have never written against the dead, says the narrator, but in this instance, the death of her grandfather, she must. Why? Because, ominously, "he taught my father/ how to do what he did to me." The poem moves from a startlingly literal image of nursing the nameless dead, to the pocketwatch which was sent as a memento after this particular death, to specific personal memories of mistreatment at the hands of the grandfather. The narrator cannot regret this death.
A powerful lament over a father’s wasted life, and the "purgatory" of living in a household dominated by alcoholism and marital discord. Strong and graphic language weaves a complex web of conflicting emotions: hatred and self-hatred, scorn and pity, condemnation and forgiveness.
The poet tells of having suffered two great losses--losses so monumental that they are comparable to death. She wonders if another such devastating event awaits her in the future.
Summary:This poem contemplates the fast pace of 20th century (modern) life, where people are described as "hastening through the world." Yet, despite their haste, people are, in another reality, "just sitting still" in a stream of time, leaving behind trails of the past. The physical perceptions of riding in a fast car evoke the abstract concepts of time and destiny.