Showing 471 - 480 of 650 annotations tagged with the keyword "Loneliness"
In a mountainous village in Spain, a man in the prime of his life has labored fifteen years constructing a museum of miniatures that no one has yet seen. Just before completing his project, the artist Gregorio has an accident and both his hands are terribly crushed by a piece of marble. There is little hope that he will ever regain complete use of his hands.
Gregorio is treated by the town's elderly physician, Dr. Xavia. The doctor narrates the story and also dreams about the contents of the mysterious museum. One day Dr. Xavia finds that the door to the museum is unlocked and has been open all along for anyone wanting to enter it. The doctor discovers that the three story building housing the museum contains a complete and perfect recreation of the village that he finds both familiar and strange.
Unmarried, fifty-four year-old Virginia Miner (Vinnie), a professor at Corinth who specializes in children's literature, is off to London for another research trip. Her work has been trashed by a Professor L. Zimmern of Columbia and she is hoping to produce an important new book about playground rhymes that will restore her reputation and confidence.
A 'pro' at long flights, her serenity is ruffled by her seatmate, a garrulous married man, Chuck Mumpson, of Tulsa who wishes to chat. She puts him off with difficulty. But the smoking and drinking Chuck is persistent. He could use help with a research trip of his own to trace his family history. Vinnie slowly becomes involved with his project, and then with him.
Meanwhile, her young colleague, Fred Turner, has left his wife, Roo, at home for his own sabbatical; they have quarreled. Soon, he consoles himself with the affections of Lady Rosemary Hadley. Quite by accident and with the encouragement of Chuck, Vinnie becomes an emissary for Fred's estranged wife in an improbable midnight walk on Hampstead Heath.
Just as she begins to think Chuck's affections have cooled, because of his silence of several days duration, she is visited by his daughter who describes his sudden death while climbing the stairs of a small town hall. When her publisher patronizes his memory, she realizes with surprise that he loved her and she loved him. She returns to her life in Corinth, solitary and unloved, but altered for having loved and been loved.
The family in this story seems perfect: well-to-do, situated in a lovely home at the edge of Lake Tahoe, three children in the home, a retired military grandfather, and a caring, competent mother (Tilda Swinton). The absentee father, a military officer, is at sea. All appears as calm and still as the deep lake in their physical midst and at the story's center.
The story primarily concerns the mother and Beau, the oldest son (Jonathan Tucker), an extremely sensitive and gifted musician currently being considered for a scholarship at a major university. What viewers come to know is that the young man is exploring his sexuality with an inappropriate male opportunist in the nearby city.
When the mother suspects that her son is meeting someone, she confronts the amused man, asks him to back off, and returns home. The man finds their home that same night, meets with the son, and demands money. When the spurned man leaves, he slips on the dock and hits his head on a rock. The son had already returned to the house.
The surface world of lunches, carpools, and school activities is shattered by the mother's discovery of the familiar body in the lake at the edge of the family dock. Unbeknownst to the mother, the death of the man/her son's initial partner, is accidental. She assumes the worst and automatically moves to protect her son. While managing the ordinary routine for her family, she struggles to get the body into a skiff and sink it with weights in a different location.
Of course the body is discovered within a short time and unfortunately for the mother, associates of the deceased are able to figure out the scenario, or at least the connections with the son. She is approached by blackmailers with impossible financial demands.
The novel begins with a prologue in which the author reports that, while repairing an old chateau he had purchased in the north of France, he discovered a manuscript ("La Tendresse") hidden in one of the chateau's chimneys. Dr. Alain Hamilton, the manuscript's author, had hidden it there, as the German army approached the chateau in 1940. "La Tendresse" was a collection of writings that described Hamilton's early life, especially his experience as a battlefield surgeon in the British army during the First World War. The 80 short chapters that follow, Strauss explains, are an edited and annotated version of Dr. Hamilton's story.
We first meet Alain Hamilton as an adolescent, during an episode of sexual awakening with a girl his own age. Later, we see him as a medical student in Vienna and then as a young married surgeon in London, who has a tender affair with a married nurse. But most of the story takes place at a British Army field hospital, where Dr. Hamilton encounters the senselessness, devastation, and absolute terror of war.
His colleague in this tragedy is Elizabeth, a nurse whose brother and fiancé have died in the fighting. Alain and Elizabeth develop an exquisitely tender, yet unconsummated, intimacy, which ends tragically. After the war, Alain searches healing and consolation, eventually finding a measure of peace in the chateau where he and Elizabeth had once worked together.
Born breech and deprived of oxygen for two hours, Irish poet and writer Christopher Nolan was diagnosed with cerebral palsy and is unable to speak and virtually unable to move voluntarily. His book, subtitled "The Life Story of Christopher Nolan," is narrated as a third person account of the life of "Joseph Meehan." The memoir opens with Meehan's winning the British Spastics' Society Literary Award for his first book of poetry, Dam-Burst of Dreams (1988) and ends with his last day at Trinity College, having turned down the invitation to continue his studies there towards a degree.
In the mixture of linear, traditional life narrative and lyrical, neologistic description that falls in between, the memoir addresses Meehan's birth, early life, education, and growing acclaim as a poet and writer. It recounts how his family and teachers helped develop a combination of medication, tools (a "unicorn-stick" attached to his forehead), and assistance that allowed him to type.
It details, above all, how various family, friends, and health and education professionals advocated Meehan's special-school and mainstream education and made available to him such normative life experiences as riding a pony, boating, fishing, skipping school with his mates, and going on school trips without his parents--and such unusual life experiences as becoming an award-winning writer.
The story begins with the doctor-narrator unobtrusively observing an older man lying in a hospital bed. The patient is blind and has amputations of both legs. (We are given no medical details that cannot be observed in the room.) The narrator tends to the man's amputation wounds and answers a few simple questions. The man requests a pair of shoes.
Back in the corridor, a nurse tells the doctor that the patient refuses his food, throwing his china plate against the wall of his room. The narrator hears the man and a nurse argue briefly about food and then, by himself, watches as the patient carefully and powerfully throws another dish against the wall. The next day the doctor discovers that the patient has died.
A 63 year old biologist, blind since childhood, collects snails and shells in Africa. His self-imposed isolation is shattered after he is credited with saving the lives of an American woman and a native eight year old girl who are both suffering from malaria. The venom of a cone shell provides the cure. Strangers flock to the scientist’s abode hoping to find their own miraculous remedy, but instead a few discover tragedy or even death.
The biologist’s own adult son dies from a cone shell bite while visiting his father. In the end, the shell collector is also bitten by a cone and experiences both paralysis and clarity in his near-death condition. He survives with the aid of the young girl whom he had earlier cured of malaria.
A young boy dreams of "Mangan’s sister," who lives nearby: "Her dress swung as she moved her body and the soft rope of her hair tossed from side to side." Her image pursues him, even at night when he is trying to say his prayers. One day, he actually encounters Mangan’s sister, and she asks whether he plans to go to the bazaar (Araby) on Saturday night. She herself "would love to go," but cannot, because she must attend a retreat at the convent. This is the boy’s big chance! He promises to bring her a gift from the bazaar. On Saturday evening he waits for his uncle to come home and give him some money, but the uncle doesn’t arrive until nine o’clock.
The boy rushes onto a deserted train, trying desperately to reach Araby before it closes, but when he arrives "the greater part of the hall was in darkness." A few stalls are still open. A few people are still hanging around. The boy looks at some porcelain figurines, but suddenly realizes that his quest is doomed to failure: "Gazing up into the darkness I saw myself as a creature driven and derided by vanity, and my eyes burned with anguish and anger."
The poem begins, "I'm mighty glad to see you, Mrs. Curtis." The speaker is a woman who is dying of leukemia and Mrs. Curtis is the lady who comes around periodically with the book-cart, offering patients something to read. While the other patients are celebrating the holiday with family or friends, the speaker, who has no visitors, feels conspicuous and lonely. Thus, she is grateful for Mrs. Curtis' regular visit, especially since the book-cart lady appears willing to sit down and listen.
The patient's father is afraid to visit, since he knows "that I will predecease him / which is hard enough." Chemotherapy hasn't helped. The leukemia makes her so fatigued that she doesn't even feel like reading. So instead, she sits by the window and looks at the trees. Since the leaves have fallen, the trees look like "magnificent enlargements / Of the vascular system of the human brain."
The patient has given names to these "discarnate minds." For example, "there, near the path, / Is the great brain of Beethoven, and Kepler / Haunts the wide spaces of that mountain ash." These trees remind her of "The Transparent Man," a toy one of her friends had when they were girls. "It was made of plastic, with different colored organs, / And the circulatory system all mapped out / In rivers of red and blue." At the time she and her friend giggled, but now she remembers the intricacy with amazement, and stares at the riddle of the trees.
The dying patient decides not to take one of the books, but thanks Mrs. Curtis again for coming. [120 lines]
The narrator, Latimer, begins the story with a vision of his death, which he attributes to a heart attack. He explains that, always sensitive after a childhood eye affliction and his mother's death, the further shock of a "severe illness" while at school in Geneva enabled him to see the future, and to hear others' thoughts--an experience which he describes as oppressive. He is fascinated by his brother's fiancée, Bertha, the only human whose thoughts are hidden from him, and whom he marries after his brother dies in a fall.
The marriage falters after Latimer eventually discerns Bertha's cold and manipulative nature through a temporary increase in his telepathy. When Latimer's childhood friend, the scientist Charles Meunier, performs an experimental transfusion between himself and Bertha's just-dead maid, the maid briefly revives and accuses Bertha of plotting to poison Latimer. Bertha moves out, and Latimer dies as foretold.