Showing 451 - 460 of 531 annotations tagged with the keyword "Aging"
Fanny Gideon is having a tree house built just like the one she remembered from her childhood. The best times of her life were spent in that tree house and she hopes to recapture the clarity, joy, and freedom of her youth. The problem is that Fanny Gideon is 78 years old and has Alzheimer's disease.
She struggles on a daily basis with trying to fit into a life that she does not like, and with constraints that diminish her sense of herself. Her daughter is thinking about placing her in a nursing home. Mrs. Gideon almost burns down the house on a daily basis. The cleaning lady follows her around when her daughter is out of the house.
This story is about how an elderly woman and her now elderly childhood sweetheart attempt to recapture both their youth and their current lives against all odds. It is about preservation of the self despite memory loss, renewal of love in old age, and about rebellion.
Dr. Tom More, from Love in the Ruins (see this database), now middle-aged, returns to Feliciana after spending two years in prison for selling prescriptions of Dalmane and Desoxyn at a truckstop. On his return to his psychiatric practice, More observes that two of his former patients are acting strangely. In his own words: "In each there has occurred a sloughing away of the old terrors, worries, rages, a shedding of guilt like last year's snakeskin, and in its place is a mild fond vacancy, a species of unfocused animal good spirits." (21)
More observes that his wife Ellen and his children have also undergone some mysterious personality change. More, the scientist-physician, with the help of his cousin Dr. Lucy Lipscomb, launches a search for the cause of these and other observations. More and Lucy discover that John Van Dorn, head of the computer division of the nearby Grand Mer nuclear power plant and Dr. Bob Comeaux, director of the Quality-of-Life Division of the Federal Complex overseeing euthanasia programs, are involved in social engineering, releasing Heavy Sodium into the water supply to "improve" the social welfare.
Throughout the novel, Dr. Tom More returns several times to evaluate and talk with Father Rinaldo Smith, a parish priest who has exiled himself to a firetower overlooking the vast pine forest of Feliciana. More has been asked by Comeaux, who sits on the probationary board overseeing More's return to practice, to declare Father Smith crazy, so that Comeaux can take over Father Smith's hospice and put it to better use. The conversations between More and Father Smith contain the philosophic and moral themes that support the plot and action of the novel.
Summary:Felipe Montero, a young historian, accepts a live-in position, editing the memoirs of General Llorente, whose elderly widow, Consuelo, seeks their publication before her death. In the dark, enclosed house, filled with the perfumes of medicinal plants, Felipe dreams of sexual union, and escape, with the young beautiful niece, Aura; and he reads of Consuelo's infertility, her fantasy of medicinally creating a spiritual child, her delirium of walking toward her youth. Intoxicated by desire and the stifling atmosphere, Felipe embraces Aura, who transforms into the 109-year-old widow. Consuelo promises, "She will return, Felipe. Together, we will bring her back."
Summary:This is the narrative of an old doctor. Once greatly admired, he is now ridiculed by young doctors who find his techniques outdated and his lectures boring. His specialty is microbiology; his lab works on AIDS. His daughter asks him to support a group demanding that researchers release without so much delay the preventive drugs they are developing for AIDS patients. The doctor refuses on the grounds that the drugs need more testing. Later he finds out that his son is dying of AIDS.
Summary:This book is a collection of photographs of patients and their family members, caregivers, administrators, and others in an Oregon nursing home. Photographs are accompanied by commentaries by the subjects, who talk about their lives, their suffering, their work, their survival.
The narrator of this long, lyrical musing is a psychiatrist who works with autistic children. Though much of the narrative is a reflection on her mid-life relationship with a journalist lover who risks death to report on places in political turmoil, her observations about her patients provide a recurrent motif and reference point.
Several long passages detail the fascination and frustration involved in working with her young patients, what she has learned from them about limits, patience, and the semiotics of autism. She also reflects on how that learning has allowed her to understand "normal" people differently. One of the subtle but strong themes of the story is the question of what "normal" means.
A secondary focus is her close attachment to her two grown sons. This is developed through memories of particular scenes of their childhood that she identifies as bonding moments. Another focus is her relationship with her mother, now dwindling into mental incompetence and squalor in her old age. Thinking about these relationships, with lover, sons, mother and patients, is a way of taking stock of how the strands of her life have brought her to a place of qualified peace in mid-life.
This is a collection of 111 poems, all about women who are old. As the editor says in her introduction, it is not a book about becoming old, but about being old, and the book bears the pointed reminder that an old woman is still a woman, as well as being old (vii). The poems are arranged in ten sections, from portraits of old women (usually grandmothers, here) as seen by the young, through explorations of their work and wisdom, their relationships and sexuality, the vivid and sometimes shocking realities of their bodies, their illnesses and weaknesses, institutionalization and nursing homes, and finally, their confrontations with death and the sense of loss in those they leave behind.
The poet likens a sudden awareness of middle-age to "a pear [that] spoils from the inside out" of which one "may not be aware / until things have gone too far."
The narrator find himself in the kitchen where "the faucet drips" and "The magnets on the refrigerator crawl down / with the gravity of expired coupons and doctor bills." He looks into the refrigerator, trying to remember whether he has seen any of its contents before. He is preoccupied with his body, which is aging. His mind wanders. Suddenly, he is alert again, oriented to the present and ready to take charge--of his diet and of his life. "I'm full of hope. / I open the refrigerator. / I've seen this stuff before."
This is a collection of stories and sketches by a practicing neurologist. Most of the material is clinical and autobiographical. In "Mrs. Bachman" a new patient enters the doctor's office, carrying a thick stack of medical records. It all started in 1946 and no doctor has ever found the explanation of her condition. Meanwhile, the doctor is wearing contact lenses for the first time. His eyes begin to tear. Mrs. Bachman thinks that he is crying over her misfortune. She consoles him, "I want you to know that you are the kindest, most sympathetic man I have ever met."
In "Intensive Care" an elderly woman is agitated after a seizure. The staff try unsuccessfully to calm her. Finally, her husband approaches and kisses her. She settles peacefully and they hold hands.
The doctor in "Continuing Medical Education" finally discovers metastatic breast cancer as the cause of a psychotherapist's neck pain, long after he and other physicians had told her again and again that the "driving mechanism" of her chronic pain was "unresolved anger and frustration." In a longer essay, "The Narrow Bridge," the author reflects on the meaning of healing, "Healing helps us find a place in this world for ourselves and for each other."