Showing 391 - 400 of 515 annotations tagged with the keyword "Disability"
A 63 year old biologist, blind since childhood, collects snails and shells in Africa. His self-imposed isolation is shattered after he is credited with saving the lives of an American woman and a native eight year old girl who are both suffering from malaria. The venom of a cone shell provides the cure. Strangers flock to the scientist’s abode hoping to find their own miraculous remedy, but instead a few discover tragedy or even death.
The biologist’s own adult son dies from a cone shell bite while visiting his father. In the end, the shell collector is also bitten by a cone and experiences both paralysis and clarity in his near-death condition. He survives with the aid of the young girl whom he had earlier cured of malaria.
This poem consists of six "letters" in verse from an aged, chronically ill father to his daughter. In the first he presents in excruciating detail the sorry state of his body, and also Mother, "who falls and forgets her salve / and her tranquilizers, her ankles swell so and her bowels / are so bad . . . " Things are so bad that he has "made my peace because am just plain done for . . . " At the end he mentions the fact that, though the daughter enjoys her bird feeder, he doesn't see the point; "I'd buy / poison and get rid of their diseases and turds."
In the second letter, written after the daughter visited and gave them a bird feeder, he says that Mother likes to sit and watch the birds. In the next one, he talks about how much the birds eat and fight. As the letters progress, they include less and less about the parents' pain and disability, and more and more convey curiosity and, eventually, enthusiasm for bird watching.
By letter #5 the father ticks off the names of numerous species he has observed, and at the end casually mentions, "I pulled my own tooth, it didn't bleed at all." Finally, "It's sure a surprise how well mother is doing, / she forgets her laxative but bowels move fine." He ends by describing his plans for buying birdseed for the next winter. [112 lines]
This poem employs language in ways that are characteristic of the involuntary outbursts seen in patients with Gilles de la Tourette's syndrome. The devices include frequent obscenities, word repetition, and a jerky, spasmodic forward motion. The male Tourette patient is thwacking "the roof of the car, knuckles / calloused and winking . . . " He is driving with his wife beside him, patting her thigh, "her thighs are warm as kettles, your palms moist / as hiss . . . " Whatever it is that happens in the last stanza, he becomes excited, "god damn, god fucking / damn, and god bless." [30 lines]
The narrator, Latimer, begins the story with a vision of his death, which he attributes to a heart attack. He explains that, always sensitive after a childhood eye affliction and his mother's death, the further shock of a "severe illness" while at school in Geneva enabled him to see the future, and to hear others' thoughts--an experience which he describes as oppressive. He is fascinated by his brother's fiancée, Bertha, the only human whose thoughts are hidden from him, and whom he marries after his brother dies in a fall.
The marriage falters after Latimer eventually discerns Bertha's cold and manipulative nature through a temporary increase in his telepathy. When Latimer's childhood friend, the scientist Charles Meunier, performs an experimental transfusion between himself and Bertha's just-dead maid, the maid briefly revives and accuses Bertha of plotting to poison Latimer. Bertha moves out, and Latimer dies as foretold.
In the "free love" context of the nineteen-sixties, Harriet and David Lovatt are throwbacks to a more conservative, traditional, and family-oriented decade. Their life dream is to have a big house in the country filled with children, and it seems that they will succeed. After bearing four young children, however, Harriet is feeling the strain of years of childbearing, sleeplessness, money trouble, and her parents' and in-laws' disapproval of her fecundity.
Her fifth pregnancy is not only unplanned, but also unusually painful and disruptive. Harriet's doctor prescribes sedatives but finds nothing abnormal in her situation. When Ben is born, Harriet jokes that he is like "a troll or a goblin," but no one responds well to this unusually hairy and physically vigorous baby, who in turn does not respond to anything but his own desires and fears.
As he grows older, family pets and other children seem to be in physical danger. Health care professionals do not confirm the couple's conviction that Ben is not normal, but neither do they obstruct the decision to send Ben to a private institution, a removal that leaves the family temporarily happy until Harriet visits Ben and recognizes the institution for what it is, a place where all manner of "different" children are sent to live heavily medicated, physically restrained, and foreshortened lives away from families who do not want them.
Harriet brings Ben home, where he grows up amid what remains of the Lovatts' domestic fantasy, and finds community in a gang of thuggish older boys whom Harriet suspects are involved in various criminal acts. As the story closes, Ben has left home and Harriet imagines him in another country, "searching the faces in the crowd for another of his own kind" (133).
On a "bright, frozen day" in December, a very old Negro lady named Phoenix Jackson carefully, haltingly walks through the woods and fields on her way to town. She talks to herself and the animals. She pauses to rest. A dog jumps at her and she falls into a ditch. A hunter comes along and helps her get up. Although she is completely worn out, she says, "I bound to go to town, Mister . . . The time come around."
When she reaches town, she goes to the clinic where an attendant thinks, "A charity case, I suppose." But Phoenix has come to get "soothing medicine" for her grandson's throat. He swallowed lye years before and his throat never heals. "We is the only two left in the world . . ." The attendant gives her a nickel. She turns to go, planning to buy her grandson a paper windmill and then make the arduous trip home.
The short story considers the final afternoon in the lives of Jeff and Jennie Patton, a frail elderly couple, who have spent their lives as poor sharecroppers, barely able to make ends meet for themselves and their children. While neither is seriously ill, the severities of farming and aging have guided them toward a mutual pact. Today they will put on their finest clothes and then, drive down the dirt road past their neighbors toward a cliff--and death.
The simple story is gripping as readers discover what this couple is about. While they have been defeated by their tight-fisted landlord and by age, their spirits are indomitable. With charm and pathos, the couple fulfills the pledge they made to one another when no other alternative seemed appropriate.
Philip Carey, the central character of this early 20th century Bildungsroman, is both an orphan and afflicted with a club foot. He is sent at age nine, after the death of his mother, to live with a childless uncle--a deeply religious Vicar--and his submissive aunt. They have no idea how to be parents, so send Philip away to a boys' boarding school where the child begins to learn what it means to be less than physically "perfect." The remainder of Philip's development is cast in this light.
He roams about looking for himself and his place--to Germany to learn languages, to London to learn a trade, to Paris to study art, and finally, as a last resort, a default decision to follow in the steps of his father the physician. A major part of Philip's maturation is based in making decisions about women and about sensual love. The most painful portions of his story are those that evolve around his stumbling and frequently failed attempts to find security in his personal relationships.
Summary:George tries to take care of his mentally retarded friend, Lennie, whose mental disability makes it impossible for him to judge his powerful strength. Lennie means well and tried hard; he likes soft, furry things, like a mouse and a puppy, both of which he squeezes to death accidentally. Though his great strength is useful on the ranch where he works, his inability to govern his behavior leads him into an accidental homicide. George, not wanting Lennie to live the rest of his life in prison, shoots him in the head as an act of mercy.
The Physician in Literature is an anthology edited and introduced by Norman Cousins that aims to illustrate the multiple ways in which doctors are portrayed in world literature. Literary selections are organized into 12 categories including Research and Serendipity, The Role of the Physician, Gods and Demons, Quacks and Clowns, Clinical Descriptions in Literature, Doctors and Students, The Practice, Women and Healing, Madness, Dying, The Patient, and An Enduring Tradition.
Some of the notable authors represented in this collection include Leo Tolstoy, Herman Melville, Albert Camus, William Shakespeare, Charles Dickens, George Bernard Shaw, Anton P. Chekhov, Orwell, Fyodor Mikhailovich Dostoevski, Ernest Hemingway, Thomas Mann, Gustave Flaubert, and Sir Arthur Conan Doyle. A healthy dose of William Carlos Williams makes for some of the most enjoyable reading ("The Use of Force" and excerpts from his Autobiography).