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Williston (Will) Barnett, the damaged son of an old Southern family, is the protagonist of this rambling, picaresque novel. While living in New York, Will meets Kitty McVaught, a young Alabama woman whose father owns the world's largest Chevrolet agency. Will, who suffers from bouts of amnesia and fugue states, follows Kitty back to Alabama and meets her family, including her mother, who believes the South lost the Civil War as a result of a Jewish conspiracy; her older brother Sutter, a failed physician and self-proclaimed pornographer; her sister Val, a devoted Roman Catholic who works among the poor black children; and a 16 year old brother Jamie, who is terminally ill.
Will's mission in this novel is to discover why his father committed suicide when Will was 12 years old, and thereby achieve some healing of his own memories, but most of the action in the novel involves various members of the McVaught family, especially Sutter and Val, who represent the warfare between animal desire (Sutter) and angelic spirit (Val) in this fallen world. The novel's climactic scene takes place in Santa Fe, where Jamie undergoes a deathbed conversion. Afterward, Will presumably returns to Alabama to marry Kitty and do something constructive with his life.
The poet grieves over his mother's death, "Gone now, after the days of desperate, unconscious gasping, the reflexive staying alive . . . . " He records the details of her dying, the details of his pain. He wonderingly asks himself, "Is this grief?" upon realizing that he is not making a scene, nor crying, nor wishing to follow her in death.
He realizes, though, that his grief is not just for his 80 year old mother who died in bed with make-up on her face, but for his mother-in-law's face and all women's faces and "the faces of all human beings, our own faces telling us so much and no more, / offering pain to all who behold them . . . . " His grief is grief for the earth, the flesh, the body, the mind, "and grief for the moment, its partial beauties, its imperfect affections, all severed, all torn."
A comprehensive and quite readable biography of Anton Chekhov (1860-1904) by an eminent scholar of Russian literature. Five aspects of Chekhov’s life (as presented here) stand out as particularly interesting: First, the central importance to Chekhov of his self-image as a physician, even in the latter part of his career when he had given up the regular practice of medicine.
Second, the theme of philanthropy (especially in medical and educational areas) that runs through his entire life. For example, even while he was dying of tuberculosis himself, Chekhov was still actively involved in raising money to build a tuberculosis sanitarium at Yalta for poor writers. Third, the fascinating portrait of a person who was extremely compassionate and emotional, yet very reserved and reluctant to express his feelings to others, even to close friends.
Fourth, his long denial (even to himself, perhaps) that he suffered from tuberculosis, even though the diagnosis must have been medically obvious. For example, he began having episodes of coughing up blood as early as 1887 or 1888. Fifth, Chekhov’s fascinating decision to marry Olga Knipper (1901) at a time when he was already gravely ill and an invalid, after having shown no interest in matrimony (and a generally flippant attitude in his relationships with female friends) throughout his adult life.
Summary:Angelo Pardo, an idealistic young Piedmontese freedom fighter and cavalry officer, is living in exile in Provence and making his way to join his best friend in Manosque, when a cholera epidemic transforms the countryside, towns, and social structure of the region. By turns, he aids an altruistic doctor in futile attempts to save the dying, lives as a fugitive on the roofs of Manosque, helps a nun to dispose of the dead, and accompanies a beautiful young woman, Pauline, to her home near Gap. His adventures illustrate the transformations produced by an epidemic and the means taken for survival.
Despite its provocative title, this lyric never refers directly to a plague or epidemic, unless both the inevitability and the social indifference of death could be deemed "plagues" in themselves.
The litany of the title is a catalogue of the inability to escape death--the rich, the beautiful, the strong, the witty-- have no extraordinary claim to immunity. Like the poet whose refrain reads, "I am sick, I must die. / Lord, have mercy on us, " the reader is encouraged to "welcome destiny," as he mounts to Heaven, his heritage.
Ben Jonson wrote this elegy after the death in 1603 of his eldest son, Benjamin, aged seven. The poet addresses the boy, bidding him farewell, and then seeks some meaning for his loss. Jonson blames himself, rhetorically at least, arguing that he hoped too much for his son, who was only on loan to him. Now that the seven years are up, the boy has had to be returned.
Jonson tries to argue that this is only fair and his presumptuous plans for the boy's future were the cause of his present sense of loss. He then questions his own grief: why lament the enviable state of death when the child has escaped suffering and the misery of aging? He cannot answer this question, simply saying "Rest in soft peace" and asking that the child, or perhaps the grave, record that his son was Jonson's "best piece of poetry," the creation of which he was most proud. He concludes by vowing that from now on he will be more careful with those he loves; he will be wary of liking and so needing them too much.
Woyzeck is the all-purpose servant of a German Captain. The Captain considers him amoral and stupid, largely because Woyzeck is poor. Woyzeck also makes money by allowing the Doctor to experiment on him. He has eaten nothing but peas in order to prove some unstated scientific premise.
Woyzeck discovers his girlfriend, Marie, with whom he has had a son, having an affair with the drum major. He brings Marie to the side of a pond and slits her throat. After getting drunk, Woyzeck realizes that people are looking at him suspiciously and he returns to the pond and presumably drowns himself.
This lively biography is a work of love based on newspaper accounts and an abundance of local anecdotes about "Doc Susie," Susan Anderson, who received her M.D. from the University of Michigan in 1907, and who maintained a single-handed rural practice in the almost inaccessible heights of the Rockies from shortly after her training was completed to 1956. She lived to tell a great many stories about arduous and ill-equipped visits to out-of-the-way sites in lumber camps and makeshift farmhouses in several feet of snow through dangerous mountain passes.
After her death at the age of 90 in 1960 her survivors added their recollections to the body of lore. An authentic hero tale about what made it worth her while to withstand tuberculosis, unreliable transportation and supplies, impoverished patients, snow, and solitude, this book may remind readers of a quality of "gumption" that is one of the still admirable aspects of the American pioneer legacy.
Summary:In 1981 the author, a well-known 75 year old Swedish poet, suffered a heart attack and lay comatose for two months. He then began a prolonged period during which he gradually recovered all of his faculties. In the early stage of his recovery, Lundkvist experienced a series of strange and intense "waking dreams," which he describes in this memoir. Many were dreams of journeys to real or fantastic places: for example, a trip to a railroad station in Chicago where physicians surgically transformed white people into black people, or a visit to a strange planet where cows produced blue milk. Lundkvist's memories of these dreams are embedded in a series of imaginative meditations on aging, human nature, the meaning of life, and the inexorable passage of time.
Summary:The poem, written in German, appears in both German and English in this and other versions. Those who understand German may feel that something has been lost in translation, inevitable for rhyming poetry. Nevertheless the "endless outcry" of isolation and bitterness is well expressed. This blind man is totally unresigned to his condition; "every day I despair." He feels himself uniquely cursed. He mocks those who are sighted for believing that THEY might be special and he is contemptuous of any kindness shown him: no one can understand how he feels.