Showing 221 - 230 of 1212 Fiction annotations
Summary:New York is the setting for thirteen linked stories that profile a long line of curious and sometimes loony doctors who are passionate about medical science but often lack common sense and good judgment. Beginning with Dr. Olaf van Schuler in the seventeenth century and continuing over more than 300 years with generations of his descendants (the Steenwycks), missteps and madness loom large in this inquisitive and peculiar medical family.
The Human Stain is the third of Philip Roth's trilogy of novels that explore the relationship between public and private life in America during the second half of the 20th century. As in American Pastoral (1997) and I Married a Communist (1998), Nathan Zuckerman, Roth's favorite alter ego, serves as the narrator. After a prostate operation rendered him impotent, Zuckerman has retired from the world to become writer in residence at idyllic Athena College.
There he meets Coleman Silk, a former dean and classics professor who was forced to resign because of a supposed racial slur, in which he asked whether two students who had registered for his course but never attended a lecture were "spooks." They were African-Americans. Hence, political correctness dictated that Silk's academic career was history.
Zuckerman enters the scene a couple of years later, when the septuagenarian Silk is having an affair with an illiterate college janitor. This liaison has revitalized the old professor, whose wife died during the period of disgrace after his "racism" was exposed. However, Silk's enemies at the college, led by a bitterly proper young deconstructionist, have gone on the warpath again, this time condemning him for exploiting the young janitor.
The real story, though, lies deep in Coleman Silk's past. We eventually learn that Silk is a light skinned African-American who gradually drifted across the American racial divide and for 50 years has successfully passed as a white Jew. The irony in this situation is complex. A black man thought by the world to be Jewish is publicly disgraced for uttering the word "spook" in its correct denotation. (This is reminiscent of a case a few years ago in which a public official in the United States was chastised for using the word "niggardly" with reference to an inadequate budget allocation.)
The situation is doubly ironic because Silk has chosen to live his life as a white man, thereby in a sense establishing his own racism. Silk's original goal had been to live as an individual, and not as a representative of his race, but in choosing to deny his roots, perhaps Coleman Silk's guilt is deeper and more complex than his pursuers at Athena College realize.
Summary:This collection of physician experiences, colored by the necessity of the writer to protect his patients, gives a glimpse into a medical practice of a time past-remembered by some of us, not known by our younger colleagues. Dr. Palmer, aka Harry Byrd, takes the reader into a rural setting and the practice of surgery bounded by the time and the place. Dr. Byrd, trained in Boston as a surgeon, chooses to practice in rural Maine and to work with the culture and needs of this environment. He treats the reader to a viewpoint of another era of medicine and, at some level, asks the readers to consider the lost or fading qualities of the pre-tech doctor/patient relationship.
Summary:A drug-addicted doctor, a dying father, and a cantankerous angel constitute a less than holy trinity. Carl is an impaired physician who is hooked on drugs. He happens to have a guiding angel following him around, but she is no guardian. Instead, she is moody and provides no protection. She offers warnings and advice. Carl met his angel when he was six years old. After being stung by wasps and experiencing an allergic reaction, she didn't lift a finger (or wing) to help him.
The voice of a young girl leads us through this spare and tautly told story of a closely-knit family upon whom tragedy falls like a plague. Before death and mental illness take up residence there, we meet the Bronstein’s, two parents and four children, in their comfortable, well-run home outside of Boston. Hermann delicately renders the portents of change and pain that haunt all loving families. The novel opens with the nine year-old Ruby Bronstein’s discovering, while walking along the beach with her three older brothers on a winter afternoon, an old rusty pistol poking out of the sand.
The family story deepens as the teenage Ruby recounts a sojourn with her parents to Terezin, the Nazi concentration camp where her father was interned as a child. Hermann’s restraint and precision in this sequence make this potentially familiar journey entirely new. With her young eye trained on her father’s every muscle-twinge of reaction to what he sees, she crisply conveys the unknowability of even an adored father –let alone the events that took place within these walls. Her father’s inaccessible childhood memories are not miraculously jarred by this return to the scene of trauma – but he learns shortly thereafter of a brain tumor that soon will end his life.
One tragedy follows another, the emergence of mental illness in one brother, the death of another. The narrative traces Ruby’s efforts to carry on in the face of these devastating losses. Here is where the novel explodes in cold fire, in its quiet accounting of a young person’s grief as it is lived in its ordinary, daily course. Loss begins to deform her social life, giving her the feeling that she is a freak. The scale of things is too disproportionate; she dresses for the prom while her brother lies dying in the intensive care unit. Carrying the stigma of disaster, she hides news of family developments for which she has no vocabulary. What good would talking do anyhow, she asks –until she finds the listener she needs.
Summary:Babies in Great Britain are vanishing - from homes, the park, and even a moving car. There is no explanation for the disappearances. The count of missing babies reaches 83 and still not a single body has been found.
Summary:An overweight, older man is referred by his family doctor to a hospital-based Diabetic Clinic. The patient may have "borderline" diabetes and requires a glucose tolerance test to confirm the diagnosis. He remembers to bring two important items to his appointment - an early morning sample of his urine and something to read. He chooses a volume of short stories by Anton Chekhov.
Summary:The novel's narrator is a widowed 58-year-old Swiss-born physician, Howard J. Rageet, who lives in New York City. His son is a pediatrician, his daughter a medical student. Rageet himself is terminally ill. He is writing a "little biography," of Mary Mallon, the infamous "healthy carrier" also known as Typhoid Mary. Rageet's grandfather, also a doctor, had kept a journal about Mary and his rivalry with his friend, (the real) George A. Soper, whose life's work became tracking Mary and proving that she was responsible for the typhoid outbreaks. Elaborating on the journal, Rageet recounts Mary's life in America.
Summary:This tale narrates one town's attempt to isolate itself from the rapidly spreading influenza of 1918. Commonwealth is a fictional lumber mill town in western Washington state. The owner of the mill that is the economic center of this small village proposes, and sells to the residents, the plan for keeping the rest of the infected world from bringing disease into their midst. The single road into the relatively remote area is blocked and guarded by a rotating cadre of armed volunteers. The plan begins to fail as a stranger, a soldier claiming to be from a nearby military encampment, appears begging for food and shelter. He attempts to cross the barrier and is shot by one of the civilian guards.
A well-respected, but aging and infirm author living in Australia has been invited to submit his thoughts on the world to a German publisher. Consisting first of his 'Strong Opinions' on contemporary sociopolitical controversies (such as terrorism, paedophilia, Al Qaeda) and then his 'softer' opinions (on such topics as birds, compassion, Dostoevsky and writing), these short essays lie across the top of the page. Beneath them run one, then two narratives, laid out like ribbons underneath. These consist of the story of the writer's relationship with Anya, and of Anya's relationship with her boyfriend in light of her interactions with the writer, including his plan to scam the author out of his money.