Showing 221 - 230 of 381 annotations tagged with the keyword "Cross-Cultural Issues"
The novel twines several plots together: the love story of Emilia Sauri and Daniel Cuenca; the Mexican Revolution; Emilia's medical practice; the love story of Emilia and Dr. Zavalza.
Emilia Sauri is the daughter of upper-class Mexican parents and is raised in relatively idyllic surroundings. Her father is a pharmacist and she learns his craft through a long apprenticeship with him. Emilia's long-time childhood friend, Daniel Cuenca, becomes her lover as they grow older and their love grows in passion while Daniel's involvement in popular struggle increases.
The Mexican Revolution is brewing and the Sauri's and Cuenca's lives are intertwined and involved in the struggle in various ways. When a wounded fighter is brought to the Sauri's, Emilia takes care of him, her "first patient," and thus begins her thirst for practicing medicine. She studies with Daniel's father, the indomitable Dr. Cuenca ("I leave but one bequest to my children: paralysis of the spine before the tyrant").
Drawn more and more into the struggle, Emilia joins Daniel on the front and practices medicine with the most desperate cases, along with the myriad poor people she meets along the way. Emilia also practices medicine with Dr. Zavalza, and finally marries him, although she never stops loving Daniel.
Harlan Jane Eagleton, a faith healer, tells the story of her evolution from being a rock star's manager and beautician into healing. She travels from tank town to tank town ("on account of them water tanks") performing faith healings. The novel begins at the end of the story and loops forward to where her story begins, Harlan Jane's first faith healing.
In the process, readers are given accounts of her life as manager of the rock star, her love affair with a paranoid German lover, and her former husband, a medical anthropologist who travels and studies in Africa. We hear about Harlan Jane also from Nicholas, her assistant, who sometimes narrates what happens at the healings.
North American midwife, Kate Banner, has been living and working in Nicaragua for 14 years and after losing a patient following a difficult birth (the terrified young woman gives birth in the bottom of a swamped wooden boat), Kate decides to return home. She first stops in Guatemala to see old friends and instead meets (and eventually falls in love with) a priest from New Orleans and his household, including a mute street child, Marta, and a Mayan woman who becomes a political activist in search of her husband.
Staying longer in Guatemala than she had planned, Kate's life becomes deeply intertwined with theirs. She ends up making a home with a wide assortment of people in "Hummingbird House," a place where mothers and children come for medical help ["children with emphysema who since birth have breathed in woodsmoke from the indoor cooking fires. . . . We deliver babies. Los milagros. We scold the mothers about too much sugar, too much soda pop. . . . We see with quite clear eyes the war beneath the wars. If you pass this story along, make sure you get it straight. . . Do not walk away in sorrow. Do not be consoled" (326).]
The well-known and mysterious "psychist" and former African king, N. Frimbo, is found dead one night in his chair at the conjure table. What appears to be a murder is investigated by Detective Perry Dart of the Harlem police force and Dr. John Archer, his friend. Archer had been the physician summoned by Frimbo’s clients when one of them found he was speaking to a dead man.
The plot becomes more complex when Frimbo’s corpse disappears and returns as Frimbo, living. Declaring that he has control over his mind to such an extent that he can return from the dead, Frimbo nevertheless was attacked by someone for some reason and the detective and doctor proceed to find out who and why..
South African lawyer and leading member of the ANC (African National Congress) during the tumultuous 70s and 80s, lost an arm, sight in one eye, and suffered hearing loss and diminished use of his legs when the bomb planted in his car exploded on April 7, 1988. This book chronicles the accident, his long recovery in a hospital and rehabilitation unit, and the process of re-entering life and politics after such a harrowing experience.
Sachs connects his personal recovery with the emergence of an apartheid-free South Africa and tells his individual story within the context of political struggle. The 2000 edition includes a forward by Desmond Tutu, an introduction by Nancy Scheper-Hughes, and a new epilogue by Sachs.
In this dramatic monologue, the speaker is traveling in a warring country, and wakes up shivering and vomiting in a "strange hotel room, in a poor country where my language isn't spoken." As to the cause of this illness, he points out that an execution is occurring on this day at this hour. He lives through the execution as if it were his own ("And so now they come--they come for the man who lies on his cot").
He sees the "breaking of the skin" and his "body shifting upwards, slightly in the air" as the electricity is activated (4). He knows that it is the Marxists who are "being tortured and killed" (16). Throughout the monologue, the speaker attempts to make sense of his privilege in the face of poverty, violence, and injustice.
Summary:The speaker addresses her friend, a caregiver (it’s not clear what her or his status is, possibly a volunteer) in an infectious disease clinic, noting how the friend empathizes with and carries the words of the patients within her- or himself.
Born in New Mexico, poet Jimmy Santiago Baca recounts his long saga of imprisonment, beginning in childhood and stretching into adulthood. Throughout this beautifully written memoir, Baca describes his experiences in and outside of prison, and how he moved from being a victim of the system to a survivor through the written word.
Streetwise, smart, and tough Winter Santiaga is the "phat" and "fly" daughter of a Brooklyn drug kingpin, and is also the main character in this novel. She and her sisters, Lexus, Mercedes, and Porsche have grown up used to a life of luxury afforded by her father's protective but lavish attentions on them.
They are contemptuous of all but the best labels for clothes, perfumes, and shoes. Her mother dresses like a queen and, with her family, enjoys life in a beautiful house that Winter's father buys them in the suburbs. The life all comes crashing down around them when her father is arrested and locked up, and the government takes all the family's money and possessions.
Winter's younger sisters are farmed out to foster families and her mother descends into crack cocaine addiction. Sister Souljah, who in a move many critics call a serious misstep, casts herself in the novel as the moral compass, opens her home to Winter, who lives there for a while, listening to Souljah's messages of self-love and community building. Never buying the rap, Winter drifts from man to man, finally herself is arrested for drug related charges and winds up serving a 15-year sentence for having (as she says) "a bad attitude."
This beautifully written novel describes the death of Absalom Goodman of brain cancer and takes us into the lives and hearts of his family. The novel is written largely from the perspective of this dying husband of Gwen and father of Sonny and Rainey. In a semi-conscious state, Absalom alternates between memories of the past, psychic connections with his family members, sometimes delirious ruminations and what at times appear to be out of body experiences.
Throughout, one is immersed in a gripping drama of this working class black family and their efforts to overcome terminal illness, racism, poverty, inner city turmoil and the effects of the drug culture. One is caught up in anticipatory grief, identifying with the pain and unresolved questions of Gwen, Sonny and Rainey. The reader is moved by the love, the spirituality, the ultimate defeat of the streets and the continued hopes for the future.