Showing 201 - 204 of 204 annotations tagged with the keyword "Institutionalization"
Summary:This is a lovely poem about an elderly married couple who share a room at a nursing home. The woman is confined to bed because her backbone is "so thin / the doctor jokes that X-rays can't find it." Her husband's mind is gone. The woman reflects on the morning activities, especially those of the "night girl" who brings the breakfast trays and, later, bends down to take her husband's tray, "the perfume / still lingering from whatever went on / before last night's shift." The woman asks herself: How would this young girl of 20 know that the two elderly people she is caring for once "made love / in the sweetfern high on an island."
This anti-war novel is written from the point of view of an injured World War I infantryman (Joe Bonham). As the plot progresses we realize how severe the injuries are (most of his face has been blown away and eventually his arms and legs must be amputated--leaving a faceless torso) and why the story is being told by an interior monologue voice.
Interspersed with recollections of Joe Bonham's life is a description of his amazing struggle to remain human. Joe's quest begins with a search for "time," and once time has been found, he begins to "organize" his world. After many years of struggle to orient himself, he tries to reach out to others by "communicating" with them. Unfortunately, his initial attempts to move his head in Morse Code are initially misconstrued as seizures, for which he receives sedatives. Eventually, a nurse new to his care realizes what he is trying to do and informs his doctors.
What Joe wants most is to let the world know about the horrors of war. He assures his keepers that he could support himself in this venture if only they would let him out (people would be glad to pay to see a "freak" such as himself). The answer he receives in return, one which had to be "literally" pounded into his forehead: "What you ask is against regulations."
Harriet White is an active, energetic 82 year old resident of the Lutheran Home. We follow her through a winter day: a birthday party for a staff member, the funeral of another resident, a visit from her son, and her daily visit to see her husband who had a severe stroke and lies, uncommunicative, in the hospital ward. Mrs. White's son asks her, as he has before, to come and live with him and his family. He also reveals that he has sold the family farm. She is devastated that he had not discussed it with her, but she puts up a good front, saying it was the only sensible thing to do.
Later, she decides to walk several miles to visit the old farm. She does so, and in the evening a search party from the Lutheran Home find her there. As they drive her back, she realizes that her status has changed: she is no longer a stalwart helper, but has turned into a difficult old woman who is liable to wonder away.
Summary:Virginia (Olivia de Havilland) marries Robert (Mark Stevens), but she soon becomes profoundly disturbed and her caring husband sends her to a psychiatric hospital. Using Freudian techniques combined with physical modalities of electroshock and isolation, her psychiatrist (Leo Genn) leads her to overcome her amnesia and to understand that her illness is the result of unresolved yet misplaced feelings of guilt over a boyfriend and her father. Just before Virginia is happily restored to Robert, the asylum patients are gathered together at a hospital party where they sing of their yearning for home.