Showing 201 - 210 of 566 annotations in the genre "Novel"
Set in the 1920s, Tracks is the chronicle of the Anishinabe community in North Dakota and the struggle for land and the continuance of their tradition and beliefs that undergird the heterogeneity of their tribal society in the face of shifting U.S. policies. Told in the counterpointing voices of Nanapush, a tribal elder, and Pauline Puyat, a mixed-blood member of the community, the novel describes the intertwining lives of Fleur Pillager, Nanapush, Pauline, and their families; the horrible losses from epidemics, as well as the powerful love circulating among the community, and their resistance to cultural and political domination.
While these issues occupy much of the story, Pauline’s decline into an excessive and destructive religious asceticism is also a central part of the plot. Pauline’s internalized racism (she "would not speak our language" [p.14]) takes its shape in her hatred of her own body and her fascination with death ("I handled the dead until the cold feel of their skin was a comfort, until I no longer bothered to bathe once I left the cabin but touched others with the same hands, passed death on" [p. 6]). She ends up in a convent inventing new ways to torture herself as she listens to Jesus tell her she is not really Indian.
In contradistinction to Pauline are Nanapush and Fleur, who resist dominance and claim their identities in magnificent ways. In one scene, Nanapush refuses to allow a doctor to treat his granddaughter’s severely frostbitten foot with amputation, knowing that "saving [her] the doctor’s way would kill [her]." Nanapush nurses her himself, saving the foot and telling her stories as a way to walk her through the pain of healing.
Yolanda Ramírez, a phlebotomist in Coachella Valley, California, begins worrying, in 1983, about the deaths of gay men, hemophiliacs, and women who have had cosmetic surgery. The novel unfolds with her explorations into the connections among these deaths, but it also explores Yolanda’s relationship with a gay couple, one of whose members has AIDS, the growing romantic relationship between her and Marina Lomas (who has run away from an abusive husband with her small daughter), her relationship with her father, Crescienco.
Crescienco, employed as a gardener for Eliana Townsend (whom he loves and who still has the scars from her cosmetic surgery), watches her slowly die from some mysterious and debilitating disease. Finally Yolanda convinces the hospital that her hunches about the mysterious AIDS virus having infected the blood supply are correct.
The adolescent Estrella labors with her farmworker family in the fields of California. Her mother, abandoned by Estrella's father years before, has married an older man who cares for the family but yearns for his home in Mexico. Enduring backbreaking work, the family lives the peripatetic lifestyle of migrant workers, including substandard housing, low wages and significant health risks.
The family extends itself to Alejo, whose only local family is a cousin close to his own age. Alejo and Estrella fall in love. Alejo is sprayed by a crop duster one day in the field, sickens, and is cared for by Estrella and her family. Eventually he becomes so sick they must take him to the community clinic and, later, to the hospital, presumably to die.
The novel twines several plots together: the love story of Emilia Sauri and Daniel Cuenca; the Mexican Revolution; Emilia's medical practice; the love story of Emilia and Dr. Zavalza.
Emilia Sauri is the daughter of upper-class Mexican parents and is raised in relatively idyllic surroundings. Her father is a pharmacist and she learns his craft through a long apprenticeship with him. Emilia's long-time childhood friend, Daniel Cuenca, becomes her lover as they grow older and their love grows in passion while Daniel's involvement in popular struggle increases.
The Mexican Revolution is brewing and the Sauri's and Cuenca's lives are intertwined and involved in the struggle in various ways. When a wounded fighter is brought to the Sauri's, Emilia takes care of him, her "first patient," and thus begins her thirst for practicing medicine. She studies with Daniel's father, the indomitable Dr. Cuenca ("I leave but one bequest to my children: paralysis of the spine before the tyrant").
Drawn more and more into the struggle, Emilia joins Daniel on the front and practices medicine with the most desperate cases, along with the myriad poor people she meets along the way. Emilia also practices medicine with Dr. Zavalza, and finally marries him, although she never stops loving Daniel.
Harlan Jane Eagleton, a faith healer, tells the story of her evolution from being a rock star's manager and beautician into healing. She travels from tank town to tank town ("on account of them water tanks") performing faith healings. The novel begins at the end of the story and loops forward to where her story begins, Harlan Jane's first faith healing.
In the process, readers are given accounts of her life as manager of the rock star, her love affair with a paranoid German lover, and her former husband, a medical anthropologist who travels and studies in Africa. We hear about Harlan Jane also from Nicholas, her assistant, who sometimes narrates what happens at the healings.
North American midwife, Kate Banner, has been living and working in Nicaragua for 14 years and after losing a patient following a difficult birth (the terrified young woman gives birth in the bottom of a swamped wooden boat), Kate decides to return home. She first stops in Guatemala to see old friends and instead meets (and eventually falls in love with) a priest from New Orleans and his household, including a mute street child, Marta, and a Mayan woman who becomes a political activist in search of her husband.
Staying longer in Guatemala than she had planned, Kate's life becomes deeply intertwined with theirs. She ends up making a home with a wide assortment of people in "Hummingbird House," a place where mothers and children come for medical help ["children with emphysema who since birth have breathed in woodsmoke from the indoor cooking fires. . . . We deliver babies. Los milagros. We scold the mothers about too much sugar, too much soda pop. . . . We see with quite clear eyes the war beneath the wars. If you pass this story along, make sure you get it straight. . . Do not walk away in sorrow. Do not be consoled" (326).]
The well-known and mysterious "psychist" and former African king, N. Frimbo, is found dead one night in his chair at the conjure table. What appears to be a murder is investigated by Detective Perry Dart of the Harlem police force and Dr. John Archer, his friend. Archer had been the physician summoned by Frimbo’s clients when one of them found he was speaking to a dead man.
The plot becomes more complex when Frimbo’s corpse disappears and returns as Frimbo, living. Declaring that he has control over his mind to such an extent that he can return from the dead, Frimbo nevertheless was attacked by someone for some reason and the detective and doctor proceed to find out who and why..
Streetwise, smart, and tough Winter Santiaga is the "phat" and "fly" daughter of a Brooklyn drug kingpin, and is also the main character in this novel. She and her sisters, Lexus, Mercedes, and Porsche have grown up used to a life of luxury afforded by her father's protective but lavish attentions on them.
They are contemptuous of all but the best labels for clothes, perfumes, and shoes. Her mother dresses like a queen and, with her family, enjoys life in a beautiful house that Winter's father buys them in the suburbs. The life all comes crashing down around them when her father is arrested and locked up, and the government takes all the family's money and possessions.
Winter's younger sisters are farmed out to foster families and her mother descends into crack cocaine addiction. Sister Souljah, who in a move many critics call a serious misstep, casts herself in the novel as the moral compass, opens her home to Winter, who lives there for a while, listening to Souljah's messages of self-love and community building. Never buying the rap, Winter drifts from man to man, finally herself is arrested for drug related charges and winds up serving a 15-year sentence for having (as she says) "a bad attitude."
This beautifully written novel describes the death of Absalom Goodman of brain cancer and takes us into the lives and hearts of his family. The novel is written largely from the perspective of this dying husband of Gwen and father of Sonny and Rainey. In a semi-conscious state, Absalom alternates between memories of the past, psychic connections with his family members, sometimes delirious ruminations and what at times appear to be out of body experiences.
Throughout, one is immersed in a gripping drama of this working class black family and their efforts to overcome terminal illness, racism, poverty, inner city turmoil and the effects of the drug culture. One is caught up in anticipatory grief, identifying with the pain and unresolved questions of Gwen, Sonny and Rainey. The reader is moved by the love, the spirituality, the ultimate defeat of the streets and the continued hopes for the future.
Summary:Rocking The Babies is a rich novel which gives us significant insights into the lives of two aging black women who decide to volunteer as foster grandmothers in the neonatal unit of an urban hospital. Each of them is attempting to work out her own problems. Despite the commonality of race, (African-American), their class differences and life experiences become areas of contention as they come together in the hospital. The dynamics of their developing relationship, the descriptions of the day to day experiences in the neo-natal unit, the professional lives of nurses and doctors are depicted with skill, pathos, and humour.