Showing 1281 - 1290 of 1299 annotations tagged with the keyword "Family Relationships"
A film characterized as comedy/drama, The Wedding Banquet is a sensitive, tender, and sometimes humorous portrayal of a family "situation" illuminating cultural, generational, and sexuality conflicts. Wai Tung (Winston Chao) is a successful Taiwanese-American whose parents, Mr. and Mrs. Gao (Sihung Lung and Ah-Leh Gua) are determined to orchestrate a suitable match for Wai Tung from their home in Taiwan.
Little do they know of Wai Tung’s long-term relationship with Simon (Mitchel Lichtenstein), but Wai Tung is able to play the reluctant recipient of his parents’ matchmaking because of the thousands of miles separating them. When they announce that they are coming for a visit, Wai Tung and Simon must not only hide their relationship (Simon becomes Wai Tung’s landlord-roommate), but Wai Tung decides that he is going to fake an engagement to Wei Wei (May Chin), a struggling artist who is one of his Taiwanese tenants (he’s a landlord himself), because she is about to be deported. It seems to be a perfect solution.
When the Gaos arrive they are shocked, disappointed, and embarrassed that Wai Tung and Wei Wei are not going to have a huge wedding banquet but have opted to get married in a civil ceremony with no guests except for them and Simon (still playing the landlord-roommate). After the wedding the group goes to dinner where one of Mr. Gao’s former army colleagues offers to host a "proper" wedding banquet for the newlyweds. Mr. and Mrs. Gao are ecstatic; Wai Tung, Wei Wei, and Simon are caught in a web by now and agree to continue the charade until the Gaos return to Taiwan. The wedding banquet takes place, and it is an opulent affair. In their drunken state, Wei Wei and Wai Tung make love in their "honeymoon" suite.
Not surprisingly, Wei Wei becomes pregnant. As the story unfolds, Simon becomes angrier and angrier; Mr. and Mrs. Gao stick around far longer than is expected because of Mr. Gao’s illness; Wei Wei decides to have an abortion, and backs out; and Mr. Gao witnesses (and hears) a blowout between Simon and Wai Tung, (no one was aware of his rudimentary English skills), and now knows that they are lovers.
The story ends with Wai Tung, Simon, and Wei Wei deciding to keep the baby and all live together and share parenting. Wai Tung discloses his relationship with Simon to his mother (who begs him not to tell his father, who already knows!), and privately Mr. Gao lets Simon know that he "knows" and honors him as his son’s partner. Mr. and Mrs. Gao leave for Taiwan, sadly but with the knowledge of their son’s happiness and the prospect of a grandchild, all in confines of this very, very strange family that is, nonetheless, a family.
Summary:A woman named Kitty calls the doctor and reports that her husband has died. "Can you come over?" she asks. At the house he finds that the husband has been shot in the head. It is evident that the wife has killed him. The doctor reflects that Kitty "held the record for most abused woman in Taylor County." He remembers how many times he has seen her badly beaten by her husband. In the end he decides to "play God." He calls the police chief and reports the death as a "clear" suicide.
Summary:A woman plants a plastic Christmas tree and wrapped gifts at the grave of her young son, speaking to him, but knowing the son can't hear her. What she hears are "the whispered words / and the gentle sobbing / that was becoming / a kind of music inside her."
Summary:An old, man--a Chinese immigrant to America--is dying in Chinatown, "a sick dog" who yearns for his homeland and for the wife "who died waiting / in the home of my province . . . . " He can't relate to the young political activists who want him to join in protest against "this gray life"--a life which has never really engaged him. He imagines his ashes being carried by the waterways to join the ashes of his wife; she is the helmsman who will lead him back to comfort and joy.
Summary:A physician comes to live with her sister and brother-in-law while setting up practice in their town. She observes the relationship between the two and determines to practice her art, albeit a bit deceitfully, to remedy what she sees as unhealthy and unhappy between the elderly married couple. The story unravels the physician's psycho-social methods and follows their implementation to an apparently successful outcome.
Summary:A daughter is haunted by recollections of strife between her parents, now dead. She sides with her mother in the weekly disputes over money--the overt manifestations of a difficult marital relationship and a life lived on the edge of poverty. But in the end, she recognizes that her father "was the son of a needy father" and that her parents "were each other's bad bargain, not mine."
Summary:A college student takes a job as companion to a young composer who is considered crazy. The composer believes the ghost (Aghwee the Sky Monster) of his son visits him because his soul cannot rest; it cannot because the father allowed the child to die by agreeing to have it fed only sugar water. The composer dies when he thinks he's saving his son from being struck by a truck. The narrator, ten years later, recounts the composer's story because he connects it in his mind with an important event in his own life.
Summary:The "muck" stirred up in the deadwater of a murky lake is a metaphor for the stirring up of old hostilities between a mother and her now adult child. This subtle poem strikingly evokes the psychological history of a difficult family relationship and the precariousness of an adult truce, "a cloud of silt endlessly / raining itself out."
Summary:A young boy's mother has just died, and out of grief and love, the father has her "resurrected." The family is told to think of the returned mother as having had a mild stroke, but, in fact, she wanders about the house like an inexpressive automaton. Her return from the dead leads to the destruction of the family: the eventual suicides of the boy's older brother and father. The boy, now a young man, becomes a Resurrectionist himself. He narrates the story with a direct, simple tone, which belies the eerie conclusion: he returns to the home of his youth, where his "family" awaits him.
Summary:A man speaks to his six-months pregnant wife. He says she lures him "to our conjugal bed / to use each other gently . . . . " He imagines "eyes staring at me from / deep inside" that "say we are captured . . . . " He concludes "We are / too sure we need each other / to let go."