Showing 1201 - 1210 of 1299 annotations tagged with the keyword "Family Relationships"
This film is based on Anton Chekhov? play, Uncle Vanya (see literature annotation). It started out as an acting exercise and the actors worked on it for five years before the actual filming was done. The film is set in a crumbling Times Square theater, where the actors perform with no costumes and very few props. Andre Gregory plays himself, the play's director.
The story centers on a provincial Russian family whose lives are all upset when an aging professor retires to their country estate, bringing along his beautiful young wife, Elena (Julianne Moore). The result is that he is dissatisfied and people are brought together who are bored and in love with people who can? love them back. Astrov, the family doctor (Larry Pine) who falls in love with the young wife, is more interested in ecology than in medicine.
This is a truly beautiful novel; its many stories remain with the reader for a long time. It is the semi-autobiographical story of the myriad of issues which are manifest as one family deals with the terminal illness of the mother from cancer.
A daughter, who has never considered herself close to her mother, is forced by her father to leave her job as a journalist in New York, to come home and become the primary caregiver. Over a period of several months the mother has chemotherapy and eventually gives up to the slow deterioration of the disease. During this time the mother and daughter rebuild a relationship and come to have mutual respect for each other. One poignant aspect of the relationship is their establishment of "The Gulden Girls Book and Cook Club" as they read old classics together and the mother teaches the daughter the cooking secrets which she has cherished.
The father, a college professor and former mentor of the daughter, absents himself from the home as much as possible, unable to deal with the issues. The female oncologist is very helpful and understanding with both the patient and the daughter. A wonderful hospice nurse gives welcome support. The question of assisted suicide becomes an issue after the mother's death; the daughter is arrested. There is a surprise ending which should not be revealed here, but offers a good forum for discussion.
Nikolai Ivanov is a young estate-owner, heavily in debt, especially to Zinaida Lebedev, the wife of the head of the County Council. Ivanov used to be energetic, creative, and unconventional, the "star" of the local gentry. He married for love--a Jewish woman (Sarah, now called Anna) whose parents disowned her when she married a gentile--and Anna is totally devoted to him. Yet Ivanov is suffering from profound depression.
It seems to him that all his good ideas (like building a school for the poor) were for naught and he has become a "superfluous man." He spends every evening socializing at the Lebedev estate, even though he knows how this hurts his wife. Doctor Lvov, Anna's physician, is a humorless and terminally sincere young man who has no insight into Ivanov's depression.
One night Anna gets fed up and follows her husband to the Lebedev house, where she discovers Ivanov kissing the Lebedevs' daughter, Sasha, who is hopelessly in love with Ivanov, although he doesn't reciprocate her affection. Some weeks later Anna's illness (tuberculosis) has gotten worse. Lvov condemns Ivanov, various hangers-on while away their time in Ivanov's study, and, to complicate matters further, Sasha shows up unannounced. After Anna dies, Ivanov and Sasha are set to be married, but at the last minute he can't go through with it. At the end of the play he runs offstage and shoots himself dead.
Williston (Will) Barnett, the damaged son of an old Southern family, is the protagonist of this rambling, picaresque novel. While living in New York, Will meets Kitty McVaught, a young Alabama woman whose father owns the world's largest Chevrolet agency. Will, who suffers from bouts of amnesia and fugue states, follows Kitty back to Alabama and meets her family, including her mother, who believes the South lost the Civil War as a result of a Jewish conspiracy; her older brother Sutter, a failed physician and self-proclaimed pornographer; her sister Val, a devoted Roman Catholic who works among the poor black children; and a 16 year old brother Jamie, who is terminally ill.
Will's mission in this novel is to discover why his father committed suicide when Will was 12 years old, and thereby achieve some healing of his own memories, but most of the action in the novel involves various members of the McVaught family, especially Sutter and Val, who represent the warfare between animal desire (Sutter) and angelic spirit (Val) in this fallen world. The novel's climactic scene takes place in Santa Fe, where Jamie undergoes a deathbed conversion. Afterward, Will presumably returns to Alabama to marry Kitty and do something constructive with his life.
A comprehensive and quite readable biography of Anton Chekhov (1860-1904) by an eminent scholar of Russian literature. Five aspects of Chekhov’s life (as presented here) stand out as particularly interesting: First, the central importance to Chekhov of his self-image as a physician, even in the latter part of his career when he had given up the regular practice of medicine.
Second, the theme of philanthropy (especially in medical and educational areas) that runs through his entire life. For example, even while he was dying of tuberculosis himself, Chekhov was still actively involved in raising money to build a tuberculosis sanitarium at Yalta for poor writers. Third, the fascinating portrait of a person who was extremely compassionate and emotional, yet very reserved and reluctant to express his feelings to others, even to close friends.
Fourth, his long denial (even to himself, perhaps) that he suffered from tuberculosis, even though the diagnosis must have been medically obvious. For example, he began having episodes of coughing up blood as early as 1887 or 1888. Fifth, Chekhov’s fascinating decision to marry Olga Knipper (1901) at a time when he was already gravely ill and an invalid, after having shown no interest in matrimony (and a generally flippant attitude in his relationships with female friends) throughout his adult life.
Summary:David Moolten's poems demonstrate the medical (and poetic) virtues of simplicity, clarity, skillful observation, and attention to meaningful detail. They reveal and transform the poet's experience--from "a brief Christmas display / Of bells and lights" when he feels the silence of his father's joy "as I pull out the Lionel / Strangled with tinsel . . . " ("Freight"), through a call from the rehabilitation hospital during which his shattered brother "cried like static into the phone" ("'Cuda"), to "The Night" in which the poet stares through the window of memory at his and his wife's younger selves and tries "to whisper in their ears / They don't know where they're going" as they "lean into each other / Like two hands shielding a small flame . . . . " Among the other particularly appealing poems in this collection are "Chemistry Set," Motorcycle Ward (see this database), "Voyeur," "1968," and "Omission."
This short dramatic monologue is in the form of a public lecture by Ivan Ivanovich Nyukhin, the "husband of a wife who keeps a music school and a boarding school for girls." Nyukhin begins by indicating that his wife has insisted that he lecture today on the harmful effects of tobacco, though he himself smokes. He invites those who are not prepared for a dry, scientific lecture to leave, but then keeps postponing the topic while he talks about how forceful and dominant his wife is.
He longs "to take off this vile old frock that I wore to my wedding thirty years ago" and assert himself. Yet, he can't; his wife is waiting in the wings. At the end of the monologue, Nyukhin begs the audience not to "tell" on him: "tell her that the lecture was... that the booby, that is me, behaved with dignity."
As she turns 39, Alden begins a four-year quest to have a child. Despite her need and desire, she wonders whether having one will keep her from her work, writing. She and her husband Jeff go from not-really-trying, through temperature charts, to a series of painful and expensive procedures, all to no avail.
The memoir describes not only Alden's search for a child but for herself as well. Her relationship with her mother, her immersion in the counterculture ("in a middle-class way"), the importance of writing, her attempts to keep her own life under control, and her satisfying marriage are important elements in the memoir.
Summary:Many of the poems in this volume bring historical figures to life; these include figures as varied as "Wallace Stevens, Walking," "The Death of Shelley," "Rembrandt's Head," "Immanuel Kant," and "David Hume and the Butterfly." Some, such as "The Miracle," "Dr. Beaumont's Miraculous Hole," and "The Corpse in the White House," focus on specifically "medical" aspects of history. Dr. Young also includes a number of poems that arise from his own experience as a practitioner; e.g. "The Rodeo Queen," "The Medusa," and "Night Call."
Summary:Su, a highly regarded journalist in a southern city, is going through a rocky menopause. In addition, her longtime partnership with her lover, Bettina, is faltering; she is having trouble writing; and she finds herself falling in love with octogenarian Mamie Carter, whose bridge club also metes vigilante justice on perpetrators of domestic violence. Into Su's hectic life appears Sister Gin, a mysterious figure who leaves notes challenging Su's work and sense of herself.