Showing 121 - 130 of 403 annotations tagged with the keyword "Adolescence"
Summary:Because he can't reach the hospital in a winter snowstorm, Dr. David Henry ends up assisting his own wife in the birth of their twin children at his clinic with the help of his nurse, Caroline. The boy is fine; the girl has Down symdrome. While his wife is as yet unaware, he gives the girl baby to Caroline to take to an institution. Norah, his wife, remains unaware that she give birth to two children, yet is haunted by some sense of loss she can't name. Caroline, unable to leave the baby in an unappealing institutional setting, makes a snap decision to keep her. She leaves town, renewing communication later with the baby's father, and raises her as a single mother until she meets a man who is willing to marry her and love Phoebe as a daughter.
Summary:This novel begins as it ends - as an interior monologue, a soliloquy only the reader hears. Paula Hook, married 25 years to her husband Mike, who is asleep beside her throughout the entire novel, is reflecting on the discussion she and her husband have decided to have with their fraternal twins on their sixteenth birthday (June 10, 1995), which is the "Tomorrow" of the title. Although the book begins with "tomorrow" yet to come, it ends on "today" around dawn. The twins, Nick and Kate, have no idea that this revelation--that they are the products of artifical insemination (AI), i.e., that Mike is not their biological father--is forthcoming.
Summary:Twelve year -old Emaline is riding with her father as he discs their fields, when she sees her beloved dog Prince running dangerously close to the blades. In trying to stop him, she falls off the tractor and her leg is sliced almost completely through. In anger, her father shoots Prince and leaves home. She is rushed to hospital where a series of operations and treatments save her limb, although it is permanently shortened and she walks with a limp.
Summary:Fifteen-year-old Webber hits a young girl, seriously injuring her, while taking a little illegal driving practice with his indulgent grandfather. Webber, himself, is injured, and unlikely to return to the track team he has loved. He has trouble remembering the accident during the first weeks of his recovery, especially since his grandfather has determined to take the blame for the accident. But as memory returns, aided by the bitter insinuations of a classmate who babysits the injured girl, Webber is torn between accepting his grandfather's cover for the sake of a clean record and an unencumbered high school career, and confessing. The technical fact that his grandfather was legally responsible for letting him drive complicates the ambiguity of his dilemma. Ultimately, he makes the decision to confess. The book concludes with his telling his grandfather of his intention--a decision that is sure to be relationally as well as legally consequential.
This latest collection of poems by Sharon Olds is fittingly dedicated to "our daughter and son." Centered on the intense experiences of marital love and parenthood, the book can be read as a (yet unfinished) life-cycle story that begins with the poet narrator’s own conception, birth, and childhood bonds with mother and sister (Part 1). The overpowering awareness of her adolescent sexuality, romantic attachments, and the growth to womanhood, culminating in pregnancy--her daughter’s beginnings--are the subject of the poems in Part 2.
Part 3 describes the birth of her daughter and son, and the deep love and anxieties of parenting, expressed in the small details of daily life and child care. The short Part 4 is a celebration of married love, both erotic and transcendent, and of the powerful emotional connections which are the "wellspring" of human lives--that spawn the children we bring into the world and that help us to love and care for them as well.
Summary:In the Arctic, winter goes on for ten months every year. The cold temperatures penetrate every aspect of human life. Existence is a struggle. In the Canadian community of Rankin Inlet, an Inuit woman finds personal tragedy as abundant as the snow. Victoria is diagnosed with tuberculosis (puvaluq) as a child and sent to a sanatorium far south of home. Following treatment with medication and a thoracoplasty, she returns to her town years later. Victoria's experience has changed her view of the world but she quickly discovers that in her absence, the people and locale have transformed too.
Vertumnus and Pomona is a story of seduction and deception from Ovid's Metamorphoses, a popular source of imagery for 17th century Dutch painters. Vertumnus, the Roman god of seasons and change, assumed multiple guises as he attempted to woo the recalcitrant wood nymph Pomona. Govaert Flinck has painted the moment in the courtship when Vertumnus, disguised as an old woman, is speaking on his own behalf to a bemused Pomona. The two figures are dramatically pressed to the front of the picture plane in a tightly defined space and are set against a dark background of tree trunks and exposed roots.
While the setting is intimate and the figures are so close that their knees almost touch, the distance between them is unmistakable. Pomona, seated on the right, is portrayed as a ruddy complexioned young woman, elegantly-if curiously for the setting-dressed in white satin, with a richly embroidered bodice. She leans to her left, her check pressed heavily into her hand, her gaze directed off into the distance. Whether she is listening intently to her companion or dreamily lost in her own thoughts is impossible to discern.
On the left, Vertumnus is portrayed in mid-gesture, "her" right hand moving toward Pomona; her left, turning back to herself. In contrast with Pomona's youthful complexion, Vertumnus' coarse skin and features bear the evidence of age. What isn't immediately certain, however, is Vertumnus' gender. While the rust-colored clothing and turban-like headdress suggest a woman's garments, there is a manly quality in both the face and hands. Flinck, exercising his culture's delight in sexual innuendo, solves the riddle for the careful observer who notices the walking stick that leans against the inside of Vertumnus' thigh.
Bonjour Tristesse is a novel about a seventeen-year-old girl, Cécile, written by an eighteen-year-old, Françoise Quoirez (pen name Sagan). Published in 1954 in France and 1955 in the United States, the story was an immediate success.
Cécile's mother died when the girl was two, and she lives with her forty-year-old father, Raymond. Raymond enjoys parties, young women, drink and easy conversation. He, Cécile and his latest girlfriend, Elsa, sojourn on the southern coast of France, where Cécile meets and toys with a young law student. Cécile is mercurial in her thoughts, but once a true rival for her father's affections arrives at the summer house, her jealousy surfaces fully. Anne had been a friend of Cécile's mother, and, unlike Raymond's other love interests, is intelligent and similar in age.
Tragedy ensues from Cécile's plotting and her father's weaknesses, and the question remains whether suicide or an accident occurred.
Summary:Chris Eigemann plays Jake Singer, a well-liked middle-aged English professor to a group of privileged students at a posh high school for precocious young white men with floppy hair styles and ironic disdain, located somewhere in New York City. Having just discovered that his ex-girlfriend is engaged, Singer begins a psychoanalytic treatment with an Argentinian analyst, played with relatively understated gusto by Ian Holm. Singer meets Allegra Marshall (Famke Janssen), a woman whose deceased husband was a benefactor of the school; she is now the single (and rich) mother of two adopted children.
Summary:This is the tale of two youngsters who are, each in his or her own way, misfits in their environment. Jess is the only son of a farm family in the south, who cannot find his place as a fifth grader in his school. Leslie is the new arrival on the scene, who is also, for very different reasons, not a part of the local culture. The two connect, create their own magical kingdom in which they can reign and feel comfortable. They swing across the creek on a rope into Teribithia, a forested respite from a world that does not seem to work comfortably for either of them. The tale evolves through the development of this friendship, only to end in tragedy when Leslie drowns in the creek one day when Jess is away. The remainder of the story has to do with Jess's grief work, his steps through most of Kubler-Ross' stages, and eventual reconciliation with the loss of his best friend.