Showing 121 - 130 of 157 annotations tagged with the keyword "Homicide"
Marat, a leader of the French Revolution of 1789, is portrayed just after being stabbed to death in his bath by a fervent revolutionist, Charlotte Corday. The faked letter of introduction with which she fraudulently entered his home is still held in the dead man's hand. Three quarters of the gray-brown bathtub is covered by a wooden board. The background, shades of gray, is entirely bare.
Warm yellow light further softens the horror of the scene. Both dagger on the floor and wound in the breast are barely visible in the shadow. In fact, emerging from a gray-white turban, the dead man's face--eyes closed, mouth partly smiling--appears calm, as in a gentle sleep. The inscription on the side of a wooden block makeshift desk reads "À Marat/David."
In 1871 the Polaris, a rebuilt tugboat commissioned by the U.S. Navy, set sail with a dual mission: planting the stars and stripes on the North Pole and providing scientific data and specimens for the Smithsonian Institution. A number of poor decisions were made early on in the planning and initiation of the expedition, including an inadequately structured vessel, a vague power distribution lacking a clear absolute authority, and a sailing captain with a significant alcohol problem.
The power struggles begin early. By the third month of the voyage the ship is in physical trouble and the designated expedition head (Charles Francis Hall) has died suddenly of an unexplained illness. There is no leader and the struggle for control erupts between the German scientist/physician who is responsible for the scientific mission and the drunken whaleboat captain who is responsible for keeping his ship and crew safe.
Bad weather, terrible luck, and lack of discipline result in the loss of the Polaris, the splitting of the crew onto separate ice floes, and several months of harrowing experience trying to survive the Arctic winter and hope for rescue. The good news is that everyone except Mr. Hall miraculously survives the ordeal. The subsequent Naval inquiry into the failed endeavor ends without resolution as to the cause of Hall’s death despite hints from crew members that it was not natural. In 1968, long after all crew members had expired, Hall’s grave was located and forensic samples proved that he had died of arsenic poisoning.
Annie, about to finish high school, is still struggling with the long-term grief and confusion that has changed her family life since her sister, Mog, was killed by a car thief just before her own high school graduation two years ago. Annie wants to talk about Mog, but her mother remains in insistent denial and turns away from any mention of her; her father is protective of her mother and keeps his own long silences; and her brother, eager to get on with life, is willing, but unable to sustain much of the kind of conversation that might help.
Mog’s boyfriend, who was with Mog on the night of the shooting and sustained an injury but survived, offers one source of help in Annie’s process of emerging from grief, but the help becomes confused with romantic attentions that eventually, with the help of a therapist, Mog realizes she needs gently to renounce. Her belated decision to see a therapist comes at the suggestion of a friend’s mother who sees how stuck the family is in their evasions of the grief process. She initiates the visits on her own steam, with the approval of her rather passive but supportive father, and with a rather tense policy of noninterference from her mother.
Eventually, as Annie starts college, she finds herself able to move along toward remembering Mog and speaking about her freely while also reclaiming her own life and ambitions without guilt for leaving her sister "behind." Her father assures her that her mother will "be alright." In the meantime, Annie realizes not everyone has to heal the same way, and she has, with help, found a way that works for her.
This novel purports to be the story of Ned Kelly, the most famous of all Australian outlaws, as told in his own words. We learn that after Ned’s capture in the shoot-out at Glenrowan on June 28th, 1880, "thirteen parcels of stained and dog-eared papers, every one of them in Ned Kelly’s distinctive hand" (p. 4), were discovered among his things. These parcels turned out to be a memoir, addressed to the infant daughter whom he was never to see because his wife fled to San Francisco.
Ned was the son of poor Irish immigrants who farmed a "selection" (i.e. homestead) in the northern part of the colony of Victoria. After his father died, in order to help support her children, Ned’s mother took up with a series of dubious men, including an outlaw named Harry Power, who became the boy’s manipulative mentor. The memoir presents Ned as a goodhearted, loyal, and basically honest young man who came to blows with the law partly as a result of his bad companions, and partly through the intrinsic malice of the police.
Along with his brothers and two friends, he reluctantly becomes a bank robber, commits a few incidental murders, and ends up as a popular hero whose final capture has become part of Australian legend. The memoir shows us that the 26-year-old Ned could have escaped to America with his wife, but chose to remain in Victoria because he hoped somehow to free his mother, who was serving a jail sentence in Melbourne. The memoir also describes the origin of the famous iron armor that Ned was wearing when he was captured.
As the narrator, an "outcast among outcasts," begins to recount his story, he cautions the reader that "William Wilson" is not his real name; he doesn't want the page to "be sullied with my real appellation." The miserable man tells of his childhood and his life at school, where he encountered another boy who looked exactly like himself and had the same name and birthday.
All the children at school recognized the narrator's preeminence among them, except for this strange double. While the first William Wilson was aggressive, witty, and imperious, the double presented himself as quiet, gentle and wise--but unthreatened. In the end their feelings towards each other "partook very much of positive hatred."
Many years later, as the narrator was busily engaged in cheating at a game of cards, the second William Wilson suddenly appeared out of nowhere and revealed Wilson's scam to everyone present. Subsequently, time after time, just as Wilson was about to achieve some nefarious end, this anti-Wilson unerringly stepped in and destroyed Wilson's chances.
The last straw occurred in Rome during Carnival; just as Wilson was about to seduce a married woman, his double arrived to squelch the affair. Wilson flew into a rage and killed his nemesis, only to discover he had stabbed a mirror--but the dying image in the mirror whispered, " . . . How utterly thou hast murdered thyself."
Summary:Malcolm Vaughan, an architect, his wife, Sarah, a biochemist, and their five-year-old son, Harry, are driving home one evening. The driver of the car in front of them is acting strangely. Malcolm goes to investigate and the driver shoots him dead. The novel traces the effects of Malcolm's death from the alternating points of view of his wife and his best friend, Deckard Jones, a black Vietnam vet. Following different and often conflicting trajectories but linked by their love for Harry, both Sarah and Deck begin to move from traumatized shock to the beginnings of recovery.
Adam and Seth Bede work as carpenters in the little village of Hayslope. Seth proposes to Dinah Morris, a gifted Methodist preacher, but she wants to devote herself to God's work. However, neither Dinah's faith nor her aunt Mrs. Poyser's sharp country truths can deflate the vain fancies of her pretty Hetty Sorrel (Mrs. Poyser's other niece). Although good Adam woos Hetty, she is distracted by the idle attentions of Captain Arthur Donnithorne, and when Adam finds out, he fights Arthur, who leaves town.
But when Hetty realizes she is pregnant, she runs away to see Arthur, only to find, arriving destitute after a difficult journey, that his regiment has been called away. Hetty restrains herself from suicide and gives birth in a lodging-house, then runs off with the infant and buries it in the brush, where it dies. After she is convicted for child-murder, Arthur finally hears the news, and Hetty's commuted sentence (transportation) saves her from the gallows. Two years later, Adam and Dinah realize they love each other, and they marry.
This study of the anatomy of alcoholism, its spectrum and individual manifestations, is set in a skid row bar/hotel in 1912. The bar is peopled by a collection of society's failures: drifters, pimps, police informers, former anarchists, failed con-artists, ex-soldiers, and prostitutes. The patrons, in various stages of inebriation, await the annual arrival of the big-spending, happy-go-lucky salesman binge drinker, Hickey, whom the pipe-dreaming losers anticipate will treat them to hours of merriment and free-flowing liquor on the occasion of his birthday.
Hickey does, in fact, arrive, a bit late and very sober. He claims to have seen the light and to desire to help his old drinking buddies dump their pipe-dreams and return to productive lives. The reaction of the folks, the results of their attempts to buy into Hickey's sales-pitch, and an unanticipated homicide and surprise suicide, round out the drama.
Joseph and Celice, a married couple in their fifties, both zoologists, return one day to the coastal dunes where, thirty years before, they had first made love. There they are attacked and beaten to death by a robber. From this starting point, the novel traces three trajectories: their married life, from their meeting as graduate students working at this beach; the course of their last day, traced backwards, or undone, until they are back in bed, asleep, that morning; and the first week of their death until they are found and taken away by the police. The changes that take place as their bodies decay are meticulously described. At the end of the novel, nine days after their death, the grass has recovered and there is no sign they were ever there.
Warren here supposedly presents the papers of a late friend, detailing the interesting cases he had encountered as a physician. In fact, the "cases" are sensational short stories, presented as a novel due to the framing chapter introducing the narrator's "Early Struggles" to make a living as a physician. Other stories investigate typically Gothic themes like ghosts, duels, graverobbing, elopements, and broken hearts, with other scandalous problems like gambling, dissipation, murder, domestic abuse, and suicide. Medical topics include mental illness, epilepsy, hysterical paralysis ("catalepsy"), cancer, toothache, consumption, syphilis, heart disease, alcoholism, disease of the spine, gout, amaurosis (blindness), puerperal hemorrhage, measles, and stroke ("apoplexy").