Showing 1171 - 1180 of 1229 Fiction annotations
Summary:A devoted scientist, in a brief step from his laboratory pursuits, marries a beautiful woman with a single physical flaw: a birthmark on her face. Aylmer becomes obsessed with the imperfection and his need to remove it. The tale evolves around his progressive frenzy to use his scientific skills to render his bride perfect and the faith of his submissive wife that the union can survive only if he accomplishes his goal. The author tells us that Aylmer "had devoted himself, however, too unreservedly to scientific studies . . . " and, in the secrecy of his laboratory he prepares the potion for Georgiana which results in the disappearance of the birthmark and the death of Aylmer's experimental subject.
An eccentric aging physician, Dr. Heidegger, calls together his old friends and contemporaries to test his waters of the "fountain of youth." As the doctor himself sits by to enjoy the show, each of his four aged friends eagerly quaffs more and more of the magic potion, each draught further carrying them backwards into their shared youth. Having grown young, smooth-skinned and agile again, the three men begin to fight for the favors of the fourth compatriot now restored to her former beauty.
In the heat of the fracas, they begin to grow tired and within minutes the effect of the "waters" has worn off. The participants in the brief respite from old age are devastated by the transience of the experience. Despite Heidegger's warning that he has learned to appreciate the advantage of age by watching the four of them make themselves fools, they learned no such lesson and resolve to make a pilgrimage to Florida to seek the Fountain.
This is another of Hemingway's dense vignettes, filled with nuance but spare in style. The anecdote revolves around the difference between a clean, bright cafe and a dark, not-so-clean, bar as a place for lonely men to spend the long, sleepless nights. Two waiters discuss a lingering patron in a cafe who overstays his welcome as the night wears on. The old man gets quietly drunk each night; just last week he tried to kill himself, but was rescued.
Tonight he tries to pass the night in a clean, well-lighted place. The young waiter, impatient, to get home to his wife, does not comprehend the importance of this place to this old man's survival. The older waiter, who does understand, walks into the night himself, unable to find his own clean, well-lighted place in which to pass a lonely and sleepless night.
Summary:The narrator starts out at 300 plus pounds (disgusted with herself and remote from her husband). She takes swimming lessons and gradually acquires confidence in herself as she loses weight and inches. She sometimes refuses sex with her husband, starts to stand up for herself. But her swimming and diet become obsessive; she continues to lose weight and wants to disappear.
Tomorrow, as soon as it dawns, I will go to visit your grave, Papa, Adriana, in the long abandoned family home, reflects on her life before her father’s death when she was fifteen. She remembers their closeness and similarities, but also their distance and differences. Wedded by their physical resemblance, temperament and interests, they are also separated--by silence and sorrow, desires and disillusionments.
One night the adolescent tries to discuss her father’s torment, but both become angry. It is their last conversation. In the hours that follow, her beloved father takes his life with a single bullet.
The initial chapter in this novel, Of Mist, and Grass, and Sand (annotated separately), sets the stage for the quest of the young healer/heroine, "Snake," to find a replacement for the snake she had carelessly allowed to come to harm, in the course of caring for a seriously ill child. The remainder of this coming-of-age novel chronicles Snake's journey during her "proving year" (aka/residency training).
Over the course of this year, Snake continues to minister to the sick and encounters, among others, a patient who demands assistance in suicide, a patient who refuses treatment for a gangrenous leg, and a young girl who has been sexually abused (whom Snake eventually adopts and begins to apprentice). There are, as well, myriad lessons in humility, rigidity of thought, and ethnocentrism.
Dr. Raman, a fictitious physician in the imaginary South Indian city of Malgudi that is the microcosm for many of Narayan's stories, is renowned for his diagnostic acumen and "certain curt truthfulness; for that very reason his opinion was valued; he was not a mere doctor expressing an opinion but a judge pronouncing a verdict." When Dr. Raman is called upon to make a house call and subsequent operation on his dearest friend, Gopal, he faces a very difficult professional ethical dilemma.
For Gopal is very sick (dying in Dr. Raman's judgment) and requests a truthful prognosis in order to settle his will and avoid the "endless misery for his wife and children" that an unsettled will would entail, a realistic eventuality with which Dr. Raman concurs. Yet, if Dr. Raman reveals his pessimistic opinion, which he does to his assistant, i.e., that Gopal will not survive the night, then it would "virtually mean a death sentence and destroy the thousandth part of a chance that the patient had of survival."
Dr. Raman does "a piece of acting" and assures his friend and patient that he will live. Gopal replies, "If it comes from your lips it must be true . . . . " Gopal lives and Dr. Raman remarks to his assistant, "How he has survived this attack will be a puzzle to me all my life."
Bette is a poor spinster, a frequent visitor at her cousin Hulot’s household. When the story opens, the Hulot family fortune has been decimated by Baron Hulot’s mistress. He spends all his money on her, leaving his wife, Adeline, and daughter, Hortense, to struggle meagerly along. Hortense, whose dowry is shrinking daily, mindlessly amuses herself by teasing Bette about her "lover", the sculptor, Count Steinbock, who lives above Bette’s apartment. Bette treats the sculptor maternally but loves him with a jealous affection.
Hortense decides she must meet Steinbock and the two fall in love at first sight. Though Steinbock has little money, Adeline agrees to their marriage, but the engagement is kept from Bette. Baron Hulot’s mistress leaves him and he becomes invoved with Madame Marneffe, the wife of one of his employees.
Cousin Bette is bitter towards the Baron and his family because they treat her like a servant. When she hears about Hortense’s engagement to her friend Steinbock, she determines to destroy the whole family. Bette introduces Crevel (whose mistress Hulot once stole) to Madame Marneffe and he becomes a rival lover. Bette also anonymously has Steinbock imprisoned for his unpaid debts.
Meanwhile, Madame Marneffe seduces Steinbock. She then secures her power by telling each of her lovers that he is the father of her unborn child. Hulot reaches the end of the line shortly thereafter, when it is discovered that he has been stealing money from the government. Hulot’s brother dies of grief and Hulot himself goes off to live with a seamstress in the slums.
Madame Marneffe and Crevel also meet miserable ends. Several months later, Adeline discovers her missing husband while on a charity mission. He comes home, but soon seduces the maid. Adeline then dies, her emotional reserves exhausted.
Mrs. Turpin and her husband enter their doctor's waiting room and immediately Mrs. Turpin begins to assess the other patients present: a pleasant, well-dressed lady; a "white trash" woman and her mother and son; a fat adolescent with acne. She and the pleasant woman strike up a conversation about the importance of refinement and good disposition. They discuss, for example, how you have to be nice to "niggers" to get them to do any work. The "white trash" woman counterpoints with comments that indicate her ignorance and poor breeding.
Suddenly, the fat adolescent throws her book at Mrs. Turpin and tries to strangle her. The girl is subdued by the nurse and her mother and the doctor sends her by ambulance to the hospital, but before being taken away, she whispers to Mrs. Turpin, "Go back to hell where you belong, you old wart hog." At home, Mrs. Turpin confronts God. Was this experience a message from Him? She demands of God, "Who do you think you are?" As the sun sets, a "visionary light" comes over her and she has a vision in which the "niggers" and "white trash" march on the bridge to heaven ahead of good, respectable people like her.
A frantic phone call from an elderly mother to her middle-aged daughter opens this somewhat surreal and menacing short story. What follows is the daughter’s search for her father who has been missing for one and one-half days. Is he lost because of the stroke he had suffered or merely being wickedly mischievous as his wife suggests? Or is he hiding in anger or seeking revenge? Or, is he dead?
The menacing tone to this story is a result of the author’s skillful use of the second person voice: "Dad? Daddy? you whisper. You imagine you hear low, throaty laughter--unless it’s the wind . . . the door to the closet is open, your mother preceded you here, desperate in her search; you know no one is hiding inside but you can’t stop yourself from peering in, holding your breath. Then you switch off the closet light, you switch off the lights in the room, shut the door and walk away."