Showing 1161 - 1170 of 1301 annotations tagged with the keyword "Family Relationships"
This is a collection of 111 poems, all about women who are old. As the editor says in her introduction, it is not a book about becoming old, but about being old, and the book bears the pointed reminder that an old woman is still a woman, as well as being old (vii). The poems are arranged in ten sections, from portraits of old women (usually grandmothers, here) as seen by the young, through explorations of their work and wisdom, their relationships and sexuality, the vivid and sometimes shocking realities of their bodies, their illnesses and weaknesses, institutionalization and nursing homes, and finally, their confrontations with death and the sense of loss in those they leave behind.
This is a memoir, one that tells of a family’s move from California to the more rarefied life of the Alaskan wilderness. Living in a trailer and, later, a house they build, the family struggles with harsh winters and little money, maintaining their belief in the superiority of this way of life over what the parents had begun to experience as enervating in the mainland U.S.
At the age of seven, Natalie is savagely attacked by a neighbor’s sled dog. The attack leaves her with half of her face and numerous other serious wounds. In and out of consciousness as her mother and the neighbors await an ambulance, she remembers "the dogs, and their chains, and my own blood on the snow," (50) as well as the sensation of being moved on the stretcher and hearing one of the neighbor’s children say "Natalie’s dying."
Doctors told her parents she would not be likely to survive more than two days, and this memoir tells of her survival against the odds, spending years in and out of hospitals with numerous surgeries. Kusz weaves tales of her family’s history (her father was a Polish Russian) and the intense love that sustained them throughout her healing and arduous recovery and, later, her teenage pregnancy (and decision to keep the baby) and, finally, her mother’s early death and the progress of the family’s grief and recovery.
In the fall of 1907, Will and Eleanor Lightbody, a wealthy, neurotic couple from Peterskill, New York travel to Battle Creek, Michigan to immerse themselves in the routine of the famous sanitarium run by corn-flake inventor, Dr. John Harvey Kellogg. They meet Charlie Ossining who is seeking his fortune in the fickle market of Battle Creek's breakfast food industry. The Lightbodys have just lost their infant daughter and Eleanor is taking Will to the "san" for the cure. An inveterate meat-eater with a sexual appetite, Will was addicted, first to alcohol, and then, to opium, after his wife spiked his coffee with an off-the-shelf-remedy for drink.
At the sanitarium, they must occupy separate rooms, refrain from sex, and piously eat inflexible non-meat diets. Therapies include five daily enemas, exercises, "radiated" water, and an electrical "sinusoidal bath," which accidentally fries one of the residents. Kellogg is gravely disappointed in Will's inability to toe the "physiologic" line, but he is more deeply disturbed by his adopted son, George, whose chosen life on the street is a perpetual embarrassment.
Worried about his sexual prowess and deprived of his wife, Will becomes obsessed with his beautiful nurse and opts for the stimulation of an electrical belt; equally frustrated and bent on self-starvation, his wife turns to the quack "Dr Spitzvogel" who specializes in nudism and "manipulation of the womb." Brought to their senses by humiliation, Will and Eleanor go home.
Meanwhile, Charlie has joined with George Kellogg and borrowed from Will to keep his business afloat, but he realizes that he has been swindled. He only narrowly escapes jail, during a fiery commotion created by George who is then murdered by his adoptive father.
Summary:Blake's vigorous imagination is seen in this painting where he shows Adam and Eve discovering Abel's body as Cain prepares to bury it. Adam and Eve are kneeling in horror next to Abel's white and rigid body. Adam looks with shock at Cain, who runs away, tearing at his hair. Eve throws herself over Abel's body in a gesture of extreme grief. Her arms form a circle as she bends over Abel with her head thrown down and her hair falling in waves over his body. Although posed and awkward, Adam and Eve's gestures effectively express their emotions. The newly-dug, dark long horizontal grave, emphasized by the shovel laying parallel to it in the foreground, creates a deep gash that separates the fleeing son from his parents.
Summary:This long (598 page) novel manages to portray serious moral questions while spinning an entertaining tale with complex characters and plenty of humorous touches. Wilbur Larch is the young physician who chooses to offer women either "an orphan or an abortion" in early 20th century rural Maine. Homer Wells is an orphan who just cannot stay permanently placed in a home and who gradually grows up as Larch's surrogate son and apprentice. Just as Homer realizes that he opposes abortion on principle, he is swept off to a coastal apple orchard. There, additional moral rules are called into question, particularly in a very nontraditional set of family and sexual arrangements.
Smiley's novel, King Lear (see King Lear in this database) with a shocking twist, portrays the enduring violence of incest to body and spirit. The narrative voice describes her family--a wealthy farmer and his three daughters. Family relationships are explored, especially the hidden roots that shape and define behaviors and conflicts, some lasting a lifetime.
The disclosure of a horribly dark secret explains the personalities of the three daughters and, for two, their metaphoric afflictions (infertility and breast cancer). Smiley's novel is layered with rich complexities, but none more powerful and astonishing than the core event, the sexual victimization of two vulnerable teenage girls who, as the story unfolds, are permanently scarred. Through a reinterpretation of Lear, Smiley demonstrates the cost of this hideous form of male domination and female victimization.
Lol Stein is 19 years old and engaged to be married. At the town ball, her fiance leaves her and runs away with a beautiful stranger. Lol withdraws into herself, but seems not to feel much pain. In fact, she subsequently lives her life in a dull, almost-numb state, never really interacting with people nor experiencing feelings (pain or joy). She falls into a loveless marriage and has children.
After ten years she encounters a school friend, Tatiana Karl, who had been with her at the town ball. Tatiana also has a loveless marriage, but has taken a lover, the young doctor Jacques Hold. There is a strong attraction between Lol and Jacques and they have an affair, but she remains peculiarly abstracted and estranged from life.
In her youth, Mrs. Palfrey had been a model British woman. She married a military man, moved to Borneo and lived happily and properly, giving direction to the natives. She and her husband retired in Britain. Now, however, Mrs. Palfrey is a widow. Her daughter Elizabeth, who lives in Scotland, has not invited her to stay and she is not sure she would want to. Instead, she courageously decides to move into the Claremont Hotel in London, where she meets the other permanent residents who, like herself, are old and rather poor.
Mrs. Palfrey gets the attention and envy of the group when she tells them that her oldest grandchild and heir, Desmond, works at The British Museum and will undoubtedly be coming to visit. He never comes.
One day as Mrs. Palfrey is out for a walk, she falls. A young man, Ludovic Myers (Ludo), comes out of his basement apartment to help her. He takes her inside, doctors her knee, and gives her a cup of tea. He is trying to write a book and finds her an excellent study.
Mrs. Palfrey asks him to pretend to be Desmond so that she can save her reputation. He agrees. Mrs. Palfrey fancies that she is in love with him. They meet rarely, though once he invites her to dinner at his house. He makes an otherwise lonely and dull existence exciting. He is the only one who visits The Claremont without immediately rushing out, feeling as if a terrible duty has been fulfilled.
When one of the older residents at The Claremont becomes incontinent, the management forces her to move. She dies quickly, alone in an understaffed nursing home. Mrs. Palfrey has another fall and winds up in the hospital. Ludo comes to see her; he spends more time with her than any of her family.
Summary:Rubyfruit Jungle is about growing up a lesbian in America. Molly Bolt is adopted by a poor Southern couple, Carrie and Carl, who want a better life for their daughter than they've had. Molly does too, but she has different ideas about how that will unfold. As a child she plays bawdy practical jokes and has sex with her girlfriend in the sixth grade; as one of the most popular girls in high school, she plays heterosexual games but is the lover of the head cheerleader; she is thrown out of college after she is found out to be lovers with her alcoholic heiress roommate. She journeys to New York City, where she waitresses her way through film school, having one adventure after another, armed with startling beauty, wicked wit, and fierce determination to become a great filmmaker.
Summary:A father whose child is born with a brain hernia tries to flee his responsibility for the child. In his shame, fear, and confusion he turns to alcohol and an old girlfriend and also agrees to give the child only sugar-water. The child wills to live, however, and finally the father, who has deserted others during his lifetime, realizes he cannot desert his son. He allows the surgeons to operate even though the child's future is uncertain.