Showing 1101 - 1110 of 1219 Fiction annotations
Dick and Nicole Diver are a sparkling 1920’s expatriate couple with two small children. They are whiling their life away on the French Riviera. Dick is a psychiatrist who, when we first meet him, is not practicing. Nicole had been his patient at an exclusive clinic where she had been admitted after a "nervous breakdown" (schizophrenia) occasioned by an episode of incest with her father.
The first section of the book presents the Divers through the eyes of Rosemary Hoyt, a young actress who is vacationing with her mother and develops an ambiguous relationship with Dick. Later, in a long flashback section, we learn the story of Nicole’s illness and treatment, culminating in Dick’s marriage--with the support of her family--to the incredibly wealthy Nicole. In the interest of Nicole’s health, her sister (“Baby”) helps Dick purchase an interest in the clinic. The remainder of the novel describes a gradual role inversion, whereby Nicole grows strong, healthy, and sympathetic; while Dick gradually weakens, succumbs to alcohol, divorces Nicole, and is finally left drifting from practice to practice in upstate New York.
Doctor Richard Diver is a young neurologist already gaining great respect for his work. One day, he visits his friend Franz in Zurich. Franz is treating a young American girl, Nicole Warren, who was sexually abused by her father and has suffered a breakdown. Nicole is attracted to Diver and writes him letters after he leaves the clinic. When she is almost cured, Diver returns to the clinic and decides, rather haphazardly, to marry her. Nicole comes from a wealthy family and the couple begin to travel around Europe.
They settle briefly in a cabin by the French Riviera and aim to live quietly so that Dick can finish his great treatise. Nevertheless, Dick's easy-going, giving nature attracts a band of followers. When Rosemary, a budding American film star visits their town, she too is drawn to him. She tells him she loves him but Dick remains true to Nicole.
Several years pass during which Dick still does not finish his writing and indeed does very little towards that end. Nicole suffers several relapses. When Dick runs into Rosemary again, they have an affair. Nicole also takes a lover and finally leaves Dick who has become increasingly dissolute. He drinks most of the day and does nothing.
Nnu Ego is the daughter of a great Nigerian chief. She is expected to have many sons. With her first husband who beats her, she has no children. She leaves him and is married to a man who works on the coast in a British colony. Her life there is miserable. She and her husband slowly lose their village values and begin a daily battle for food and money.
Nnu Ego nevertheless becomes pregnant. Her infant son dies suddenly and she nearly goes mad. She recovers and produces many children, including two sons. Her eldest son goes to school in America, marries a white woman, and rarely contacts his mother. Certainly, he does not financially support her as village ethics demand. Her younger son follows in his brother's footsteps. Nnu Ego is considered a success in her village, but she dies alone. Her eldest son returns to Nigeria and pays for a big funeral in order to prove what a good son he is.
Edna Pontellier, an aristocrat from late nineteenth-century New Orleans, goes on vacation with her husband and children. There she meets and falls in love with Robert Lebrun. She also learns to swim, returns to her painting, and listens to the passionate piano playing of eccentric Mademoiselle Reisz. For the first time, Edna feels alive.
When she returns to New Orleans, she is unable to fit herself back into her social role. She defies her husband and ignores her friends. When her husband leaves town, she sets up her own house with money she has earned from her increasingly adept painting. She has an affair with the town seducer.
When Robert returns from a trip abroad, they passionately embrace. But Robert can not bear the stigma of adultery. He leaves her again. Edna returns to the vacation site and drowns herself.
Summary:In this autobiographical novelization of a seven-year psychoanalysis the protagonist recounts the life story that led to her psychosomatic symptoms, and the medical and psychiatric story that led to her analysis. Her early relationships, particularly with her mother, her life in French Algeria in the 1930's to 1950's, and her adult relationships as wife and mother, are told through the associative processes of psychoanalysis as the protagonist grows into a healthy, fulfilled woman and writer. Cardinal beautifully illustrates the joy and rebirth in finding the words to say it.
Mrs. Curren, a retired classics professor in Cape Town, South Africa, is dying of cancer. The novel is in the form of an extended letter to her only daughter who has fled apartheid and lives in the United States. During her final days, Mrs. Curren takes in a homeless alcoholic man who appears on her doorstep. Her housekeeper's son Bheki is involved in an uprising. While helping his mother search for him, Mrs. Curren witnesses the burning of a black township and discovers the boy's bullet-ridden body.
Later, Bheki's friend, who seeks refuge at her house, is killed there by government security forces. In anger and despair, Mrs. Curren is forced to confront the "age of iron" apartheid has wrought. Her only companion in all this is the alcoholic drifter, who agrees (or does he?) to send this last letter to her daughter.
Summary:Montilice, a tiny mountain village in post-World War II Italy, is the setting for this stunning novella. The narrator is a 60 year old priest who is haunted by the request of Zelinda, a woman new to his parish and slightly older than he. It takes the priest a while to get to the essence of Zelinda's request, for she initially approached him with seemingly odd concerns about marriage and divorce. But later he realizes that her inquiries about exceptions to church dogma have to do with the taking of one's life. Zelinda was tired of her existence (as a washerwoman her life was "a goat-life. A goat-life and nothing else . . . ") and she wanted to "finish up a little sooner."
Kathleen Hackendorf is the funny, strong heroine of Thea Astley’s Coda, a book built around two eternal questions, "What are we going to do with Mother?" and, from the elderly person’s point of view, "What am I going to do with myself?" Kathleen wants to remain on her own despite her growing awareness of her frailties. But when she begins getting lost and when the government requires her house as right-of-way for a road, Kathleen calls on her children for help.
They, who she says have "the empathy of a piranha" (164), will not take her in; Sham and her husband finally "book" Kathleen into a retirement village called Passing Downs, which Kathleen describes as "fucking awful" (169), where she stays, wreaking havoc at every opportunity, for two nights. We last see her wandering the city, being mugged, and, finally, literally and metaphorically, "taking the ferry to the island."
Summary:During an art class on anatomy, an art instructor in an undergraduate curriculum addresses the students on the dedication and vision an artist needs to become a true artist.
In this autobiographical novel, Plath's protagonist, Esther Greenwood, sinks into a profound depression during the summer after her third year of college. Esther spends the month of June interning at a ladies' fashion magazine in Manhattan, but despite her initial expectations, is uninterested in the work and increasingly unsure of her own prospects.
Esther grows disenchanted with her traditional-minded boyfriend, Buddy Willard, a medical student who “had won a prize for persuading the most relatives of dead people to have their dead ones cut up, whether they needed it or not . . . . ” Returning home to a New England suburb, Esther also discovers that she's been rejected from a Harvard summer school fiction course. Her relationship with her mother is painfully strained.
Suddenly, Esther finds herself unable to sleep or read or concentrate. She undergoes a few unsuccessful sessions with a psychiatrist, Dr. Gordon, as well as terrifying electroshock therapy. She becomes increasingly depressed, thinks obsessively about suicide, then attempts to kill herself by crawling into the cellar and taking a bottle of sleeping pills: "red and blue lights began to flash before my eyes. The bottle slid from my fingers and I lay down." Esther vomits, however, and so, does not die. She is taken to a city hospital and then, through the financial intervention of a benefactor, to a private psychiatric institution.
There, Esther begins gradually to recover. She enjoys the pleasant country-club surroundings and develops a closeness with her analytically-oriented psychiatrist, Dr. Nolan. Esther also undergoes a more successful regimen of shock therapy, after which she feels the "bell jar" of depression lifting.
The stigma of attempted suicide and hospitalization seems to free Esther to behave less traditionally; defiantly, she loses her virginity to a man she's met on the steps of Harvard's Widener Library. At the novel's end, Esther is preparing to leave the psychiatric hospital and is describing herself, optimistically, as transformed.