Showing 1101 - 1110 of 1130 annotations tagged with the keyword "Human Worth"
Condemned to death, Socrates, strong, calm and at peace, discusses the immortality of the soul. Surrounded by Crito, his grieving friends and students, he is teaching, philosophizing, and in fact, thanking the God of Health, Asclepius, for the hemlock brew which will insure a peaceful death. His last words are "a cock for Asclepius!"
The wife of Socrates can be seen grieving alone outside the chamber, dismissed for her weakness. Plato (not present when Socrates died) is depicted as an old man seated at the end of the bed. The pompous "medical celebrity"--as Tolstoy might describe him, were he one of Ivan Ilyich's five consults (The Death of Ivan Ilyich, see this database)--is pontificating on his rounds about the pharmacological details of the medication.
Summary:In this story, Earth's inhabitants have moved below terra firma where their every need is met and every act controlled by "the machine." A young rebel protesting against the loss of authenticity and the reverence for abstraction seeks to communicate with his mother about his need to go to the surface of the earth. This act of direct experience terrifies his mother who is sure that her son will be sentenced to "homelessness." The son does experience the beauty of the earth and returns to prophesize the end of the machine and the "civilization" it created.
Summary:This is a generous and good-natured pastiche of a narrative poem evoking a "typical" Chekhov story and crowded with many of Chekhov's favorite images, settings, and situations. It begins: "Sunset clings to the samovar, abandoning the veranda, / but the tea has gone cold, or is finished . . . . " In the country house, Varvara Andreevna, Maximov, Dunia, Erlich, Kartahov, and Prigozhin (the doctor) carry on their ordinary business in the "oppressive midsummer twilight . . . . " Does Varvara Andreevna love the doctor? Does Erlich love Natalia Fiodorovna? Is anything going to happen? The poem ends: "In the provinces, too, nobody's getting laid, / as throughout the galaxy."
The title of this volume is taken from William Carlos Williams's Patterson, where the spray over the falls on the Patterson River "brings in the rumors of separate worlds." In the Introduction Coles evokes his friendship with Williams and Williams's vision as the stimulus for this poetry.
The first section consists of poems evoking incidents and people from the author's childhood. The second section includes a number of militant poems from Coles's 1960's work with black children in the South, and later poems dealing with Nicaragua and Northern Ireland. The final section, entitled "On the Day Jesus Christ Was Born," is a set of Christmas poems evoking various times and places in the poet's life.
Summary:The poet addresses Jerina, a friend and confidant who knows the narrator’s story of childhood sexual abuse at the hands--"the silent fingers in the dark"--of her own father. The poet states matter-of-factly that she long ago realized there could be no safety anywhere if there was none at home. As an adult she took refuge in her work and neglected her personal life, but now "the girl [of whom she had been ashamed] is rising in me" and she intends to "have what she / has earned, / sweet sighs, safe houses, / hands she can trust."
Jerry, a basketball player, is going with Sheila, who hates Bonnie, who volunteers at the hospital. After bouts of intense, unfamiliar pain, Sheila learns that she has cancer of the ovaries and intestines. Sheila lives with an alcoholic grandmother; Jerry, with a single working mother and sister. The story treats Jerry's desire for sex, his friends' avoidance, and the dilemmas he faces as taking care of Sheila cuts into school and team commitments.
He wonders whom to tell, what to say to Sheila, and how to stick with a girl through defacing illness. He finds he's not in love with her. He's unsure how to handle his own family obligations as he realizes that he's the only "family" Sheila can count on. But he stays with her until the end.
His fidelity has little to do with romantic love, but rather with a larger kind of love he's learning. Sheila's death is partly a relief. Jerry needs to regroup and go on with his life after this cataclysmic hiatus. The going on, it seems, will involve Bonnie, the hospital volunteer whom neither Jerry nor Sheila appreciated until her unseasonable maturity helped them in time of need.
Summary:Opening during the early days of World War II, this haunting story of love, war, families and nations, good and evil covers 60 plus years in the life of a young Greek woman on the island of Cephallonia. The narrative traces the disruption of the peace of the old village by Italian occupation, German cleansing, and Communist infiltration in developing a history, while revolving around the personal life stories of the island physician, his daughter and her deep and romantic love for an enemy soldier, and the cowardice and bravery of people caught up in the horrors of war.
Dunn's poem describes the choreography of married couples after an argument. The narrative voice considers how silence is imposed, then broken and how two people eventually come together after an unpleasant exchange of words. There are, according to the speaker, unspoken rules and rituals. First, a long silence permeates: after all, "whoever spoke first would lose something." In this household drama there is meaning to the clanging of dishes, sleeping arrangements, and accidental touching.
Eventually, one or the other is careless, spontaneously and shamelessly breaking the Yalta-like stalemate with an observation about something ordinary such as a "cardinal on the bird seeder." An accidental comment secures a truce, bringing the couple together in sex, a "knot untying itself."
What occurs when a young woman begins to menstruate and has had no preparation for it by her mother or anyone else? Toni Cade Bambara's fictive account illustrates how a normal event in the female life cycle is transformed by an uninformed child into a terrifying event. Rae Ann, whose mother died years ago, has been raised by her strict grandmother, a woman not inclined to talk about matters relating to sex.
While such ignorance seems unlikely in today's television society, the poignant and compelling story provides a useful introduction to discussion about crucial questions associated with growth and development and family behavior. Especially strong is Bambara's graphic portrayal of the physicality of menstruation and how an unprepared adolescent might respond; every female reader winces with understanding for behavior that is both humorous and full of pathos.
Summary:A man and woman walk through a cancer ward in which the man points out, "Here in this row are wombs that have decayed . . ." In other rows are "breasts" and "this great mass of fat . . . . " He instructs his companion to feel "rosary of small soft knots" on one woman's chest. The patients are dying. There is little to be done. "Here the grave rises up about each bed." Yet, "sap prepares to flow. Earth calls."