Showing 1081 - 1090 of 1219 Fiction annotations
Summary:The Giant's House is narrated by Peggy Cort, a young librarian in a small Cape Cod town in the early 1950s. She falls in love--and her life becomes inextricably tangled--with James Sweatt, a young boy who suffers from gigantism.
Summary:Determined not to like Ruth Thomas, Ann Stanley is immediately smitten by her charm and force of personality, and especially by her vitality--a vitality that too soon succumbs to breast cancer. As one of a cadre of women almost obsessively devoted to the care of a dying Ruth, Ann nurses Ruth through her final illness, until--in a move curiously like the decision of Charity (also dying of cancer) to keep Sid, her husband, sequestered from her final trip to the hospital, in Wallace Stegner's far superior novel, Crossing to Safety--Ruth flies to Florida to die at her brother's house.
This is the third novel in Davies’s major work, The Deptford Trilogy. While it is not necessary to read the novels in this trilogy in sequence, doing so makes each story more complete and interesting, and clarifies the relationships between some of the characters. This particular novel tells the life story of the unfortunate boy introduced in The Fifth Business, who was spirited away from his Canadian home by one of the members of a traveling side show, the Wanless World of Wonders.
Magnus Eisengrim, now a master magician, describes his life as an innocent child who was introduced not only to rape, but to the sad world of the "freak" show, as he traveled throughout his formative years with these unfortunate people. The main good which came out of this was that he developed empathy for the members of the side show, and that he taught himself the skills of magic and became an accomplished magician. A turning point in his life occurred when he got away from this terrible environment and became an understudy for a famous English actor. In emulating this man, he moved on to become a marvelous illusionist.
The last part of the story is concerned with Magnus’s role in making a film about the life of Robert-Houdin; he finally tells his life story to the group of people with whom he is working. In this group there is a friend from his early life--a man who treated him badly when he was the actor’s understudy and who doesn’t now recognize him--and the director who is trying to help the group work together. Another important character is a woman with a physical disability which had so altered her appearance that it had warped her world view; Magnus helps her come to grips with her situation. The descriptions of the interactions among these unusual characters are Robertson Davies at his best.
This is a truly beautiful novel; its many stories remain with the reader for a long time. It is the semi-autobiographical story of the myriad of issues which are manifest as one family deals with the terminal illness of the mother from cancer.
A daughter, who has never considered herself close to her mother, is forced by her father to leave her job as a journalist in New York, to come home and become the primary caregiver. Over a period of several months the mother has chemotherapy and eventually gives up to the slow deterioration of the disease. During this time the mother and daughter rebuild a relationship and come to have mutual respect for each other. One poignant aspect of the relationship is their establishment of "The Gulden Girls Book and Cook Club" as they read old classics together and the mother teaches the daughter the cooking secrets which she has cherished.
The father, a college professor and former mentor of the daughter, absents himself from the home as much as possible, unable to deal with the issues. The female oncologist is very helpful and understanding with both the patient and the daughter. A wonderful hospice nurse gives welcome support. The question of assisted suicide becomes an issue after the mother's death; the daughter is arrested. There is a surprise ending which should not be revealed here, but offers a good forum for discussion.
Easter Sunday April 1908, at St. Anthony on the tip of Newfoundland's Great Northern Peninsula. Grenfell is summoned sixty miles south to a boy with osteomyelitis who had been operated two weeks earlier. "The people had allowed the wound to close," he said, and the lad needed immediate attention to save not only his leg but his life. Grenfell set out with his komatik (dog sled) and his eight best dogs. "A lover of dogs, as every Christian man must be," Grenfell writes how each was as "precious as a child to its mother."
To save a few miles, he takes a short cut across a bay, but the ice breaks up beneath him, his komatik sinks, and one dog drowns. He and the other dogs climb out of the water on to an ice pan, which drifts out to sea in an offshore wind. In the cold and solitude, he decides to stab three dogs with a small knife, stifling their cries and struggles with his numb hands. He skins the animals for their warm hides and assembles their frozen legs into a flagpole from which he waves his tattered shirt.
After a day and a night on the ice, he is rescued by "five Newfoundland men . . . with Newfoundland muscles in their backs, and five as brave hearts as ever beat in the bodies of human beings." On shore the frostbitten and snowblind doctor is greeted with tears and rejoicing. Many feared he would be lost. But, he says, he had not been afraid in the face of immanent death; he felt merely regret for lost opportunities. And the sick boy? Two days later he was brought to hospital by boat, operated, and cured. Grenfell closes his "egotistic narrative" by describing the brass plaque dedicated to the memory of the three sacrificed dogs: it proclaims "not one of them is forgotten before your Father which is in heaven."
Will Barrett, the protagonist of The Last Gentleman (see this database), returns in this novel, having retired early from a lucrative law practice. A widower, he lives in an exclusive North Carolina suburb where he has become "the world's most accomplished golf amateur."
Suddenly, his golf game turns sour and "hidden memories" pop up. Among these memories is the truth about his father's suicide: when Will was 12, his father killed himself in a "hunting accident," but had also tried to kill Will to "protect" him from an inauthentic existence. While Will is struggling with his own "death in life," he meets Allison, a neurotic 20 year old woman who has escaped from a mental hospital and is living in an abandoned greenhouse on some property that she has inherited.
Other characters include Father Weatherbee, a decrepit old Catholic priest who was once a missionary in Mindanao, and Jack Curl, a charmingly smooth Episcopal priest, who is trying to establish affluent "love communities" in North Carolina. Will decides to challenge God, "I shall go into a desert place and wait for God to give a sign. If no sign is forthcoming, I shall die . . . . " Ultimately, he finds his "sign" in Allison; they choose life, fall in love, and get married.
Williston (Will) Barnett, the damaged son of an old Southern family, is the protagonist of this rambling, picaresque novel. While living in New York, Will meets Kitty McVaught, a young Alabama woman whose father owns the world's largest Chevrolet agency. Will, who suffers from bouts of amnesia and fugue states, follows Kitty back to Alabama and meets her family, including her mother, who believes the South lost the Civil War as a result of a Jewish conspiracy; her older brother Sutter, a failed physician and self-proclaimed pornographer; her sister Val, a devoted Roman Catholic who works among the poor black children; and a 16 year old brother Jamie, who is terminally ill.
Will's mission in this novel is to discover why his father committed suicide when Will was 12 years old, and thereby achieve some healing of his own memories, but most of the action in the novel involves various members of the McVaught family, especially Sutter and Val, who represent the warfare between animal desire (Sutter) and angelic spirit (Val) in this fallen world. The novel's climactic scene takes place in Santa Fe, where Jamie undergoes a deathbed conversion. Afterward, Will presumably returns to Alabama to marry Kitty and do something constructive with his life.
Summary:Angelo Pardo, an idealistic young Piedmontese freedom fighter and cavalry officer, is living in exile in Provence and making his way to join his best friend in Manosque, when a cholera epidemic transforms the countryside, towns, and social structure of the region. By turns, he aids an altruistic doctor in futile attempts to save the dying, lives as a fugitive on the roofs of Manosque, helps a nun to dispose of the dead, and accompanies a beautiful young woman, Pauline, to her home near Gap. His adventures illustrate the transformations produced by an epidemic and the means taken for survival.
Nilov and Kuprianov are returning from a hunting trip and stop for a meal at the mill. An old man tells them about the mad wolf that has been terrorizing the village. They make light of the tale that there is a man in the village who can cure hydrophobia (rabies). Later, Nilov goes out for an evening walk. Suddenly, he sees a suspicious shadow--the wolf!
Nilov doesn't have a weapon with him. When the wolf gets close, the hunter grabs him by the neck. Ultimately, Nilov's cries for help are answered and the wolf killed, but not before he inflicts a deep bite on Nilov's shoulder. Nilov is terrified of contracting hydrophobia and goes first to the folk healer and then to a local physician, Dr. Ovchinnikov. Ovchinnikov reassures him that he almost certainly won't get rabies; after all, the wolf bit him through his clothing and he bled a lot, so the poison "probably flowed out with the blood."
In the first version of this story (1886), Nilov was so delighted that he paid Ovchinnikov 500 rubles, went merrily along his way, and a year later had not contracted the disease. In the later version (1899-1901), Chekhov changed the ending: Nilov embraces Ovchinnikov and leaves in his carriage, thinking about what a great tale his encounter with the wolf will be.
Summary:Su, a highly regarded journalist in a southern city, is going through a rocky menopause. In addition, her longtime partnership with her lover, Bettina, is faltering; she is having trouble writing; and she finds herself falling in love with octogenarian Mamie Carter, whose bridge club also metes vigilante justice on perpetrators of domestic violence. Into Su's hectic life appears Sister Gin, a mysterious figure who leaves notes challenging Su's work and sense of herself.