Showing 1011 - 1020 of 1124 annotations tagged with the keyword "Human Worth"
A very accessible collection of poems with wonderful use of language and very strong imagery. Some, in particular "Baby Random" and "Between Rounds" offer a nurse’s perspective on caregiving. Other themes include abuse and abusive relationships, married and unmarried life, and in general the seeking and giving of refuge. There are also recurring figures/persons throughout the collection which give the work an almost narrative flow.
This play is based on the life of John Merrick, a horribly deformed man who lived in London in the late 19th century. After being abandoned by the traveling freak show in which he had been exhibited, he was admitted to Whitechapel Hospital under the care of Dr. Frederick Treves. Merrick is given a permanent home in the hospital.
Treves educates him and introduces him to London society, including the famous actress, Mrs. Kendal. Merrick becomes quite the favorite of the "in" group. However, as he learns more about society and human nature, he realizes that he will never be accepted simply as an ordinary person. Eventually, he dies in his sleep, presumably because he tries to sleep lying down (like ordinary people do) and the size and position of his enormous head compresses his windpipe and he suffocates.
Smiley's novel, King Lear (see King Lear in this database) with a shocking twist, portrays the enduring violence of incest to body and spirit. The narrative voice describes her family--a wealthy farmer and his three daughters. Family relationships are explored, especially the hidden roots that shape and define behaviors and conflicts, some lasting a lifetime.
The disclosure of a horribly dark secret explains the personalities of the three daughters and, for two, their metaphoric afflictions (infertility and breast cancer). Smiley's novel is layered with rich complexities, but none more powerful and astonishing than the core event, the sexual victimization of two vulnerable teenage girls who, as the story unfolds, are permanently scarred. Through a reinterpretation of Lear, Smiley demonstrates the cost of this hideous form of male domination and female victimization.
This is a collection of stories and sketches by a practicing neurologist. Most of the material is clinical and autobiographical. In "Mrs. Bachman" a new patient enters the doctor's office, carrying a thick stack of medical records. It all started in 1946 and no doctor has ever found the explanation of her condition. Meanwhile, the doctor is wearing contact lenses for the first time. His eyes begin to tear. Mrs. Bachman thinks that he is crying over her misfortune. She consoles him, "I want you to know that you are the kindest, most sympathetic man I have ever met."
In "Intensive Care" an elderly woman is agitated after a seizure. The staff try unsuccessfully to calm her. Finally, her husband approaches and kisses her. She settles peacefully and they hold hands.
The doctor in "Continuing Medical Education" finally discovers metastatic breast cancer as the cause of a psychotherapist's neck pain, long after he and other physicians had told her again and again that the "driving mechanism" of her chronic pain was "unresolved anger and frustration." In a longer essay, "The Narrow Bridge," the author reflects on the meaning of healing, "Healing helps us find a place in this world for ourselves and for each other."
Scarry argues that pain is the most absolute definer of reality. For the person in pain, there is no reality besides pain; if it hurts, it must be real. This characteristic of pain makes it useful politically. In torture, for example, the reality of the one being tortured is reduced to an awareness of pain, while the torturer’s world remains fully present. This is realized most emphatically when torture is described as information-gathering. The torturer insists on questions that for the tortured are no longer of any concern.
War also makes use of pain. In the dispute that leads to war, one country’s beliefs are pitted against another’s. Both sides’ positions are thus called into question; if there is disagreement about the facts, it becomes apparent that the facts are based in opinion, not reality. The injured bodies of war re-connect the victor’s beliefs with the material world. If the injured body is the ultimate in reality, the injured bodies of war can be used to signify the reality of the victor’s position. Simultaneously, the pain of individuals in war is transferred to inanimate objects or large groups. Thus, one speaks of "Division Six" being wounded or weapons being disabled.
This language also uses the absolute reality of the body in pain to secure the truth of a cultural/political position. Scarry discusses the reality-producing quality of pain in Judeo-Christian scriptures, Marx, and humans’ relationships with inanimate objects.
The story takes place in the men's cancer ward of a hospital in a city in Soviet Central Asia. The patients in Ward 13 all suffer from cancer, but differ in age, personality, nationality, and social class (as if such a thing could be possible in the Soviet "classless" society!). We are first introduced to Pavel Rusanov, a Communist Party functionary, who enters the hospital because of a rapidly-growing neck tumor.
We soon learn, however, that the book's central character is Oleg Kostoglotov, a young man who has recently been discharged from a penal camp and is now "eternally" exiled to this particular province. Only two weeks earlier, he was admitted to the ward in grave condition from an unspecified tumor, but he has responded rapidly to radiation therapy. Among the doctors are Zoya, a medical student; Vera Gangart, a young radiologist; and Lyudmila Dontsova, the chief of radiation therapy.
Rusanov and Kostoglotov respond to therapy and are eventually discharged; other patients remain in the ward, get worse, or are sent home to die. In the end Kostoglotov boards a train to the site of his "eternal" exile: "The long awaited happy life had come, it had come! But Oleg somehow did not recognize it."
This book, which is subtitled "Seven Paradoxical Tales," contains seven of Oliver Sacks' clinical stories of persons whose unusual neurological deficits teach us something about the way the brain (and, therefore, the mind) works. In "The Case of the Colorblind Painter" an artist learns to adapt to a completely black-and-white world after sustaining trauma to his occipital lobe.
"The Last Hippie" portrays a man whose ability to form new memories was destroyed by a massive midline brain tumor; he still "lives" in the 1960's. "A Surgeon's Life" depicts a Canadian surgeon with Gilles de la Tourette Syndrome, showing how he is able to live as a respected member of the community and practice surgery despite this disabling condition. "To See and Not See" tells the tale of a man in his 50's who is suddenly able to see after being blind since early childhood.
In "The Landscape of His Dreams" Sacks introduces a painter who, after a serious illness in the 1960's, apparently developed extraordinary and persistent "waking visions" of Pontito, his hometown in Italy. For many years he has obsessively painted remarkably accurate scenes of Pontito. "Prodogies" and "An Anthropologist on Mars" both deal with autism. The first tells of an autistic boy from England who has remarkable skill in visual memory and drawing; the second is about an autistic woman with a Ph.D. in animal science, who teaches at Colorado State University.
The prelude describes a tidal wave approaching Japan. The story is a first-person narrative by Professor Katsumi, inventor of a self-programming computer which can predict the future. Katsumi and his assistant, Tanamogi, plan to predict the future of a private, individual destiny. They choose a subject from the street and follow him. The next day's paper announces his murder.
To solve the case and forestall suspicion, Katsumi downloads the contents of the man's brain, reconstructs his existence, and questions him/it. The victim did not see his murderer, but he tells the team his mistress had sold her aborted foetus for 7000 yen. Then the mistress is murdered. Katsumi's wife has a forced abortion and receives 7000 yen. Katsumi suspects an organization. His assistant Tanamogi volunteers the name of an organization experimenting with extra-utero development of foetuses, and arranges for Katsumi to visit their lab. Gradually Katsumi learns of a vast conspiracy to create an underwater nation, complete with genetically altered water-oxygenating humans and animals, bred in anticipation of the predicted destruction of Japan by a tidal wave.
The speaker, the "barren woman" of the poem, describes her state as empty. She likens herself to a deserted space, a "museum without statues," at its center a fountain which, rather than issuing life, recycles its water, which "sinks back into itself." She imagines herself as a mother, but recognizes that "nothing can happen." The only one who pays attention is the moon, silently but ineffectually trying to soothe her. (10 lines)
Summary:A woman who works at a rehabilitation center for the blind reflects on the deaths of the people around her, clients as well as patients. She recounts the reaction of the staff to the death of a well-loved employee of the center whose name the narrator doesn't recognize. As she assists the blind clients at the funeral home, she suddenly realizes she did know the dead woman, but never had known her name. The narrator reflects on how a sight-impaired friend of hers, Vange, approaches life with supreme attentiveness, and never misses any details. The colleague's funeral reminds the narrator that living means being more like Vange.